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词条 Draft:Nicoletta Andreuccetti
释义

  1. Biography

  2. Musical works

  3. Selected works

      Works for orchestra and large ensemble    Chamber music    Solo works    Works with electronics    Multimedia works  

  4. Publications

  5. External links

{{AFC submission|d|ilc|u=SAGL|ns=118|demo=|decliner=Legacypac|declinets=20181015055830|ts=20180902163419}} {{AFC comment|1=Large sections in the personal bio and list of her works lack any references. Legacypac (talk) 05:58, 15 October 2018 (UTC)}}{{AFC comment|1=A less developed version is at Nicoletta Andreuccetti and should be ignored. I requested deletion of the other version so this can be moved over it. Legacypac (talk) 05:56, 15 October 2018 (UTC)}}

Nicoletta Andreuccetti (born in Cagliari, Italy ) is a living Italian composer of contemporary classical music. She is actually based in Florence, Italy.

Biography

Nicoletta Andreuccetti studied piano at the Music Conservatory of Cagliari, electronic music at the Conservatorio Luigi Cherubini in Florence with Alfonso Belfiore and Marco Ligabue, and composition with Mauro Bonifacio and Alessandro Solbiati at the Civica Scuola di Musica Claudio Abbado of Milan. She specialized with Konstantin Bogino for the piano and Ivan Fedele for the composition at the Accademia Musicale Pescarese, attending also master classes with Hughes Dufourt and Bruno Mantovani at the Acanthes atelier de composition in Metz and Salvatore Sciarrino in Rome. In 2017 she returned to academic research as a PhD candidate in musicology at the University of Toulouse Jean Jaurès. Her research work focuses on the application of physical modelling synthesis to the compositional practices[1].   

In 2009, she won the 1st prize at the International Electroacoustic Music Competition Musica Nova in Prague with S’i fosse foco II, for female voice and electronics, which was recorded by Barbara Zanichelli for Nova Music Edition.  In March 2012, she won the 1st prize at the Utrecht Dutch Harp Composition Contest with Mouvements selected, also, for the International Gaudeamus Music Week 2012 and performed by Gwyneth Wentink. The 56th Festival of Contemporary Music of the Biennale di Venezia [2] has commissioned to her Figurazioni dell’invisibile for Architecture Sonora’s sound interactive installation. In May 2013, she was composer in residence in the Steinhardt Department of Music and Performing Arts at New York University for the realization of Dall’oscuro II, for bass clarinet and live electronics, performed at the Frederick Loewe Theatre in New York. In the same year, in collaboration with the artist Nicholas Naughton, has participated with her work Shadows at the multimedia installation Disaster of War in The New Horizons Music Festival at the University Art Gallery [3] of Truman State University, USA (Missouri). For the project Alla Battaglia! (2014), in collaboration with Umbra Lucis Ensemble and the RSI (Radio-Television Italian Switzerland broadcast), she wrote Del Visibile dell’Invisibile inspired by the lost Leonardo Da Vinci’s fresco on the Battle of Anghiari, for six voices and fifteen renaissance instruments.

Nicoletta Andreuccetti's music has been performed in the most significant international festivals, and in particular: Acanthes Festival 2009 (Metz, Paris), ISCM World New Music Days Festival (Music Biennale Zagreb 2011[4], Orchestra Sinfonica di Lecce 2013, Festival Spaziomusica of Cagliari 2013, Festival Suoni Riflessi 2013 (Florence), MIXTUR 2014 (Barcelona), Multimedia Festival DiffrAzioni 2014 (Florence), ICMC International Computer Music Conference (Athens 2014[5], Bienal de Fin del Mundo 2015 (Chile), Música Electroacústica MUSLAB 2015 (Mexico), I Pomeriggi Musicali 2016 (Milan)[6],INTER/actions 2016 Symposium (Bangor University),SIME-Semaine Internationale de La Musique Electro-Acoustique (University of Lille III), New York City Electroacoustic Music Festival 2016,  12th International Symposium on Computer Music (CMMR) University of São Paulo, Teatro La Fenice 2016 (Venice) [7], GAMO 2016 (Florence), ICMC International Computer Music Conference 2016 (Utrecht) [8],19th LONDON NEW WIND FESTIVAL 2016, XXI Colloquio di Informatica Musicale-AIMI 2016 (Cagliari), EMUFest – International Electroacoustic Music Festival 2016 (Rome),The Boston New Music Initiative 2016, Festival Ecos Urbanos 2016, Sound/Image Colloquium: Exploring Sonic And Audio-Visual Practice | London 2016 at the University of Greenwich, NWEAMO FESTIVAL 2016 in Tokyo, Diffrazioni Festival 2016 (Florence), Kyiv Contemporary Music Days 2017, MA/IN – MAtera INtermedia Festival 2016 (Matera), 46th Annual John Donald Robb Composers’ Symposium at University of New Mexico (New Mexico 2017)[9], Suoni Inauditi 2017 (Livorno),  FESTIVAL DE MÚSICA ELECTROACÚSTICA 2017 (Mexico City), ISCM World New Music Days Festival 2017 (Vancouver) [10], 15th Sound and Music Computing Conference, Cyprus University of Technology (Limassol 2018)[11] New York City Electroacoustic Music Festival 2018[12].

Musical works

Nicoletta Andreuccetti enriched her musical training developing the different fields of compositional and multimedia practices. She has written music for acoustic instruments, for Renaissance ensembles, for acoustic instruments with live electronics, for acousmatic music, and for multimedia works and interactive installations.

Selected works

Works for orchestra and large ensemble

  • Bauci (2016) for orchestra
  • Del Visibile Dell’invisibile (2014) for six voices and fifteen Renaissance Instruments
  • Tribulationem et dolorem from the Sacrarum Cantionum Liber Primus di Gesualdo da Venosa (2013) for orchestra

Chamber music

  • Before Silence And After (2016) trio for flute, clarinet and piano
  • Dall’oscuro III (2016) for accordion quintet
  • Notturno in vento (2013) for two flutes
  • Di pensieri di stelle di poesia (2011) for soprano and piano
  • Flam (2011)  for harp and percussion
  • Insight (2010) for string quartet
  • S’i Fosse Foco (2009) for four voices

Solo works

  • Notturno (2012) for flute
  • Mouvements (2012) for harp
  • Dall'oscuro (2011) for bass clarinet
  • Solo (2006)  for cello

Works with electronics

  • Resounding Resonances (2018) for flute, clarinet, piano and live electronics
  • Notturno Sole (2018) for flute and fixed media with multi-channels spatialization
  • >=< CPD (In Two Minds) (2015) for soprano sax and live electronics
  • Dall’oscuro II (2013) for bass clarinet and live electronics
  • L’altro canto (2011) for soprano and live electronics
  • S’i Fosse Foco II (2009) for female voice and live electronics

Multimedia works

  • Visions in sound (2016) for fixed media and multi-channels spatialization
  • Living Voices (2014) for fixed media and multi-channels spatialization
  • Sciame (2013) for violin, double bass, video and electronics
  • ɪnˈvɪz.ɪ.bl̩ _ ɛ̃vizibl _ imbi'siβle (2013) for audio visual music
  • Shadows (2013),  multimedia installation
  • Studio sull’ombra (2012) for dance and electronics
  • Figurazioni Dell’invisibile (2012) multimedia installation

Publications

  • Del modo di insegnare al principiante. Teoria e prassi della letteratura didattica tra ‘500 e ‘600, Sassari, Gallizzi, 1997.[13].
  • Il terzo sguardo: Living Voices in L'Auditorium che canta 1.0 edited by Fabio De Sanctis De Benedictis, Livorno, Istituto Superiore di Studi Musicali Mascagni, 2015[14]

External links

  • [https://www.nicolettaandreuccetti.it Official Nicoletta Andreuccetti website]
1. ^{{Cite web|url=http://www.theses.fr/s196927#|title=Cyber-instruments pour la cyber-composition. Sur l'interaction entre acte créateur et techniques de synthèse par modèles physiques dans le panorama musical contemporain|last=Andreuccetti|first=Nicoletta|website=www.theses.fr|access-date=2018-09-01}}
2. ^{{Cite web|url=http://www.cidim.it/cidim/content/314696?id=358478|title=Venezia: Il suono ecologico alla Biennale Musica 2012|website=www.cidim.it|language=it|access-date=2018-09-02}}
3. ^{{Cite web|url=http://nhmf.truman.edu/files/2014/05/NHMF-Program-2013.pdf|title=The New Horizons Music Festival|last=|first=|date=|website=|archive-url=|archive-date=|dead-url=|access-date=}}
4. ^{{Cite web|url=https://www.iscm.org/activities/wmds/reports/report-world-new-music-days-2011-zagreb-croatia|title=Music Biennale Zagreb 2011|last=|first=|date=|website=|archive-url=|archive-date=|dead-url=|access-date=}}
5. ^{{Cite web|url=http://icmc14-smc14.net|title=Pinnacle Coupons, Norton Discount Code, Frames Direct Coupon Code|website=icmc14-smc14.net|language=en-gb|access-date=2018-09-02}}
6. ^{{Cite web|url=http://ipomeriggi.it/event.php?ricerca=&dalm=3&dala=2016&alm=&ala=&id=1489|title=Orchestra I pomeriggi musicali - 71ª Stagione Sinfonica Orchestra I Pomeriggi Musicali|website=ipomeriggi.it|access-date=2018-09-02}}
7. ^{{Cite web|url=http://www.ondiola.com/wordpress/wp-content/uploads/2016/07/3cgjy1467119517.pdf|title=Maratona Contemporanea 2016|last=|first=|date=|website=|archive-url=|archive-date=|dead-url=|access-date=}}
8. ^{{Cite web|url=https://www.icmc2016.com|title=ICMC 2016|website=ICMC 2016|language=en-US|access-date=2018-09-02}}
9. ^{{Cite web|url=http://www.robbtrust.org/uploads/9/9/3/5/99352738/2017_robb_composers_symposium_program_booklet.pdf|title=46th Annual John Donald Robb Composers' Symposium|last=|first=|date=|website=|archive-url=|archive-date=|dead-url=|access-date=}}
10. ^{{Cite web|url=http://iscm2017.ca|title=ISCM 2017 {{!}} ISCM World New Music Days 2017|website=iscm2017.ca|language=en-US|access-date=2018-09-02}}
11. ^{{Cite web|url=http://www.cyprusconferences.org/smc2018/files/SMC2018_MusicBooklet.pdf|title=15th Sound and Music Computing Conference|last=|first=|date=|website=|archive-url=|archive-date=|dead-url=|access-date=}}
12. ^{{Cite web|url=http://www.nycemf.org|title=NYCEMF - New York City Electroacoustic Music Festival|last=|first=|date=|website=|archive-url=|archive-date=|dead-url=|access-date=}}
13. ^{{Cite book|url=http://opac.sbn.it/opacsbn/opaclib?saveparams=false&db=solr_iccu&select_db=solr_iccu&searchForm=opac/iccu/free.jsp&resultForward=opac/iccu/full.jsp&do_cmd=search_show_cmd&Invia=Cerca&nentries=1&rpnlabel=+Tutti+i+campi+=+%C2%A0Del+modo+di+insegnare+al+principiante.+Teoria+e+prassi+della+letteratura+didattica+tra+%E2%80%98500+e+%E2%80%98600+(parole+in+AND)+&rpnquery=%2540attrset+bib-1++%2540attr+1%253D1016+%2540attr+4%253D6+%2522%25C2%25A0Del+modo+insegnare+al+principiante.+Teoria+prassi+della+letteratura+didattica+tra+%25E2%2580%2598500+%25E2%2580%2598600%2522&&fname=none&from=1|title=Del modo di insegnare al principiante: \\teoria e prassi della letteratura didattica tra '500 e '600!|last=Andreuccetti|first=Nicoletta|date=1997|publisher=Gallizzi|location=Sassari}}
14. ^{{Cite web|url=https://drive.google.com/file/d/0B3MEy62wz8QDcm56MUlLT3Y4ZHM/view?pref=2&pli=1|title=L'auditorium che canta 1.0|last=|first=|date=|website=|archive-url=|archive-date=|dead-url=|access-date=}}
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