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词条 Draft:Oronzo Persano
释义

  1. Biography

  2. Style

  3. Discography

  4. Selected works

      La Suite Africana, 1977   Prefica Salentina, 1978   Rugiada Marina, 1999   Novecento Addio, 1999 

  5. All works

     For Guitar solo   Guitar anthologies    Two Guitars Compositions    Piano Compositions    Chamber music    Compositions    Guitar Revision  

  6. Prizes

  7. Analysis

  8. Bibliography

  9. Web links

  10. Notes

{{AFC submission|d|adv|u=Giantronik|ns=118|decliner=K.e.coffman|declinets=20181117001842|reason2=music|ts=20180922134656}} {{AFC comment|1=List the most important works, not everything he has ever done Legacypac (talk) 00:16, 17 November 2018 (UTC)}}
Oronzo Persano (San Cassiano (Lecce) 28 July 1944) is an Italian guitarist and composer.[1]

Biography

Oronzo Persano received a "Certificat du Degrée Superior" (high-level certificate) in Guitar in 1969 at the Conservatoire de Musique de la Broye (http://www.cmbroye.ch) in Payerne, Switzerland, where he studied Guitar and Composition under the guidance of Jacques Huber. While there, Persano was named "Best Student of the Year" by Roger Volet, director of "Radio Suisse Romande".

Persano attended more specialized guitar classes with Alirio Diaz in Alessandria, Italy, and he won a scholarship for bassoon studies with Carlo Giuffreda at the Conservatorio di Santa Cecilia in Rome. 

In his professional music career, Persano performs as a soloist and in chamber orchestras [2]. 

Since 1969, he has taught classical guitar courses at the Università del Tempo Libero (ENAL) in Brindisi and Lecce. Persano participates in conventions and conferences about teaching music in schools and on how to listen to music. In 1975, he founded the Scuola di Chitarra Classica Mauro Giuliani[3][4]; many of its students receive top honors during national and international competitions, and many go on to become instructors at conservatories or primary and secondary schools with music teaching programs.[5][6] In 1978, 1979, and 1980, Persano was the artistic co-director of Concorso Città di Lecce per la diffusione della musica contemporanea (Competition of the City of Lecce for the spread of contemporary music), with Goffredo Petrassi and Franco Donatoni. 

Since 1982, he has been the guitar professor at the Istituto Musicale Pareggiato ai Conservatori di Stato di Ceglie Messapica [7] in Brindisi. He is also the conservatory's deputy director.

Persano's musical compositions are played across Europe and all over the world.

Style

The artistic production of Oronzo Persano is highly linked with the multicultural land he comes from: Salento, in the south of Italy, in the past inhabited by Messapi, Greek, Latin, Byzantine, Norman, Spanish, Arabic, …

These roots move towards the research of his artistic identity, made of languages and of new expressive means, extending from Salento to Europe and to the whole world. [8] Persano is conscious of running through unexplored spaces, without deny his past. In his musical composition, space and time adopt an absolute value, in a mixture of ancient values and current views, archaic languages and contemporary lexicons.[9]

Discography

  • Andrea Epifani, ‘’Oronzo Persano: Codice a Barre’’, CD, Arca del Blues, 2014 [10][11]
  • Francesco Silvestre, ‘’Oronzo Persano: Ero alle porte dell'est. Forse’’, CD, Lira Classica, 2013 [12][13]

Selected works

La Suite Africana, 1977

The ‘African Suite’ (La Suite Africana, 1977) for guitar, about universal mysteries of existence, beyond space and time: life-death-God. The timeless man’s yearning to interact with the Absolute, music and dance as moments of high spirituality.

Prefica Salentina, 1978

The ‘Prefica Salentina’ (1978) for guitar, the bond of the author with Salento, the land in which he lives and works, the recovery from the memory of this peculiar figure, the ‘Prefica’ a women who use to lament as a profession, who interprets the pain on the stage of life. A compositive structure which underlines the ancient theatrical background in the heartbreaking interpretation of the pain of the others. An avant-garde artistic-musical elaboration also with respect to the graphic choice of horizontal part and graphic signs he used with respective legend by the author, as to underline once again the moments more physical and theatrical of the work.

Rugiada Marina, 1999

‘Sea Dew’ (Rugiada Marina, 1999), the artistic projection of an observed object, a rosemary bush with drops of dew, and the ‘repercussions’ in psychic and sentimental sphere of extraordinary geometries and wonderful architectures. The notes for two guitars are molded under the form of harmonic agglomerates, in a sort of sonic iridescences, of slight chromatic games in a delicate trickle.

Novecento Addio, 1999

‘Farewell Twentieth’ (Novecento Addio, 1999) for flute and guitar, is the last greeting to the ‘brief century’ that finishes, ‘his century’, to which he has actively given his new and personal contribution, strongly anchored to his own cultural roots. The man and the artist-educator, in space and time given to him to live and conduct his own ‘mission’, considers his own life as an opportunity of giving to the others.

All works

For Guitar solo

  • A,U,M, (2011)
  • Aurora Boreale N.1 (ad arco bianco) (2008)
  • Aurora Boreale N.2 (a drappeggio rosso) (2008)
  • Aurora Boreale N.3 (a ventaglio) (2008)
  • Aurora Boreale N.4 (a raggiera verde azzurra con stella polare)
  • …antifona… (2008)
  • Codice a barre (2008)
  • Krònos Topos (2008)
  • Sette corte poesie in musica (2008)
  • Apeiron (2006)
  • Format Liquido (Omaggio a Zygmunt Bauman) (2006)
  • Riflessi di memoria (2005)
  • Velato il giallo al grigio si pone (2005)
  • Carpe diem N.1 (2004)
  • Litanie (2004)
  • Ri-presa (2004)
  • Il Lamento di Persefone (1999)
  • Il Volto della Pioggia (1999)
  • Interim (1999)
  • Lento così passa il tempo (1999)
  • Perché… (1999)
  • Sette lettere mai scritte (1999)
  • Segrete ombre serene (1998)
  • Ero alle porte dell 'Est. Forse (1997)
  • Omaggio "Giallo Napoletano N.l" (1997)
  • Omaggio "Giallo Napoletano N.2" (1997)
  • Tre fabule: per chitarra (1997)[14]
  • 5 Invenzioni (1995)
  • Febo (1995)
  • Nostos (1995)
  • Nomo per Egnatia (1995)
  • Nomo "Messapia" (1995)
  • Tela di Ragno (1995)
  • RIcercare le stelle (1991)
  • Soiree d'ete N.l Come un Preludio
  • Soiree d'ete N.2 Come una Sonata
  • Soiree d'ete N.5 Come una Ballata
  • Ecce Homo (1987)
  • Nomo Citarodico (1983)[15]
  • Prefica Salentina (1977)
  • Suite Africana (1977)

Guitar anthologies

  • E.C. 10558 Il Rinascimento
  • E.C. 10560 Il Barocco[16]
  • E.C. 10561 Il Primo Romanticismo
  • E.C. 10562 Il Romanticismo

Two Guitars Compositions

  • E.C. 11405 Rugiada Marina (1999)
  • E.C. 11364 G&G (1998)
  • E.C. 11309 3x2 (1982)

Piano Compositions

  • Concert for piano solo (2004)
  • Pensieri (1987)
  • Feuille (1987)

Chamber music

  • Spleen (di Paul Verlaine) (2008)
  • Aspettando i Barbari (Omaggio a Kostantinos Kavafis) (2006)
  • O profonda mezzanotte (2006)
  • Ort (Luogo) (2006)
  • Tre Lieder (Poesie Rainer Maria Rilke) (2006)
  • Carpe diem N.2 (2004)
  • Carpe diem N.4 (2004)
  • Idem non unicum (2004)
  • Bistrot dei poeti assenti (2001)
  • Les Ombres (4 poesi di Jacques Prevert) (2000)
  • Luminose solitudini (2000)
  • Natura metafisica (2000)
  • Quattro elider (Poesie di Giuliano Gramigna) (2000
  • Tabula (2000)
  • Tre Stuke (2000)
  • La trappola del tempo (Favola di Gianni Rodari) (1998)
  • 3 4 2 1 (1995)

Compositions

  • Carpe Diem N.9 per Clarinetto SIb (2005)
  • Carpe Diem N.8 per Tromba sola (2004)
  • Nomo per Oboe Solo (2000)
  • Nomo (Fatu) per Viola (2000)
  • Novecento addio per Flauto e Chitarra (2000)
  • Al mulino d'acqua per Violino, Viola e Violoncello (1997)
  • Nomo per Cello Solo (1993)

Guitar Revision

  • E.C. 10523 Mauro Giuliani, 8 LandIer per 2 chitarre
  • E.C. 10427 Mauro Giuliani, Variazioni su un Tema Savoiardo[17]
  • E.C. 10426 Mauro Giuliani, Variazioni su un Tema di Pacini[18]
  • E.C. 10532 Mauro Giuliani, Variazioni su un Tema Napoletamo "È nato mezzo mare"
  • E.C. 10532 Mauro Giuliani, Variazioni su un Tema Napoletano "Se monaca te faje io frate me faro"
  • E.C. 10532 Mauro Giuliani, Variazioni su un Tema Napoletano "Si cara, si bona, si bella e graziosa"
  • E.C. 10532 Mauro Giuliani, Variazioni su un Tema Napoletano "Tengo più di trent'anni mi voglio maritar"

Prizes

  • "Il Sallentino" prize, 2011 [19]

Analysis

  • Yvonne Regina Chavez, The flute and guitar duos of Mauro Giuliani, Book:Thesis/dissertation/manuscript, 1991. {{OCLC|24571012}}
  • Roger West Hudson, The orchestration of the guitar concerto: a comparison of the Concerto in A major, op. 30, by Mauro Giuliani and the Concierto del sol by Manuel Ponce., Book : Thesis/dissertation/manuscript, Publisher: 1992. {{OCLC|31118635}}
  • Heike Vajen, Rossiniana no. 6 op. 124 by Mauro Giuliani., Type: German : Book Book. Publisher: Celle : Moeck, (1986). {{OCLC|46051295}}
  • Volker Höh: Sonata op. 15 : Fingersatz by Mauro Giuliani.Book : Book Publisher: Celle : Moeck, 1989. {{OCLC|46095695}}
  • Horacio Ceballos, Sonata Op. 15 [Música] by Mauro Giuliani. Type: Spanish : Book Book. Publisher: Buenos Aires, Argentina : RICORDI, 1977. {{OCLC|70134745}}
  • Kurt L Schuster, Performing Joseph Haydn's Divertimento a quattro, opus 2, no. 2 and Mauro Giuliani's Grand sonata eroica, opus 150. Type: English : Book Book : Thesis/dissertation/manuscript. Publisher: 1989.: {{OCLC|20402277}}

Bibliography

  • Renzo Cresti, ‘’Ragioni e Sentimenti - Nelle musiche europee dall'inizio del Novecento a Oggi’’, Libreria Musicale Italiana, Italy, 2015, pp. 651-652
  • Marco De Luca, ‘’Spazio e Tempo nell'Arte di Oronzo Persano’’, Dissertation, Conservatorio "Tito Schipa", Lecce, Italy, 2011
  • Renzo Cresti, ‘’I linguaggi delle arti e della musica L'e(ste)tica della bellezza’’, Il Molo, Italy, 2007, pp. 192-193
  • Renzo Cresti, ‘’Ipertesto di Storia della Musica’’, Edizioni Feeria, Italy, 2004
  • Sergio Pedio, ‘’La Musica per Chitarra di Oronzo Persano Problemi estetici e stilistici’’, Dissertation, D.M.A.S, Bologna, Italy, 2003
  • Renzo Cresti, ‘’Enciclopedia Italiana dei Compositori Contemporanei’’, Pagano Editore, Italy, 2000
  • Magazine, ‘’Classical Guitar’’, London, Uk, November 1999
  • Renzo Cresti, ‘’Linguaggi della musica contemporanea, Volume 2’’, Guido Milano Editore, Italy, 1995
  • ‘’Compositori e Musicologi, Musicisti Contemporanei’’, Cembalo, Italy, 1995
  • Filippo Moretti, ‘’Le tecniche chitarristiche nel repertorio Italiano - dal 1950 al 1994’’, Pavia, Italy, 1995
  • Andrea Chenna,Massimiliano Salmi, ‘’Manuale dell'oboe contemporaneo-The contemporary oboe’’, Rugginenti, Italy, 1994
  • Renzo Cresti, ‘’Autoanalisi dei compositori italiani’’, Pagano Editore, Italy, 1992
  • Vincenzo Pocci, ‘’Catalogo universale musiche per chitarra’’, Roma, Italy, 1992
  • Donata Bertoldi, Renzo Cresti , ‘’Per una nuova storia della musica’’, Exsimia Forma, Italy, 1990
  • Mauro Giuliani, Oronzo Persano, ‘’Variazioni sopra un tema Savoiardo: per chitarra’’, Edizioni Curci, Italy, 1982 [20]
  • Antonio Quaranta, ‘’La scuola a tempo pieno a San Cassiano di Lecce’’, Capone Editore, Italy, 1982

Web links

  • [https://play.spotify.com/album/4AqEJP9UQdWzp8MzFeZdvl?play=true&utm_source=open.spotify.com&utm_medium=open Oronzo Persano on Spotify]
  • [https://itunes.apple.com/it/album/oronzo-persano-ero-alle-porte-dellest-forse/669817284 Oronzo Persano on Apple Music & iTunes]
  • Oronzo Persano Official web site

Notes

1. ^Repubblica: http://ricerca.repubblica.it/repubblica/archivio/repubblica/2014/02/05/una-chitarra-alle-porte-dellest.html
2. ^Comitato Nazionale Italiano Musica: http://www.cidim.it/cidim/content/314648?id=290666
3. ^Matteo Caccia, Tiziano Bonini, Stefano D’Andrea, Mauro Pescio, ‘’Voi siete qui. Anche voi siete un punto rosso sulla mappa’’, ‘’Maurizio Sacquegno - Un pomeriggio alle poste’’, Narcissus - Radio 24, Italy, 2012: https://books.google.it/books?id=WePgAgAAQBAJ&pg=PT19&dq=Oronzo+persano&hl=it&sa=X&ved=0ahUKEwio27ezot7eAhXQDewKHZLvApUQ6AEIMDAB#v=onepage&q=Oronzo%20persano&f=false
4. ^Renzo Cresti Web Site: http://www.renzocresti.com/dettagli.php?quale=2&quale_dettaglio=293
5. ^Neu Guitars: https://neuguitars.com/2016/07/19/ero-alle-porte-dellest-forse-by-oronzo-persano-and-francesco-silvestro
6. ^Le nozze in musica: https://lenozzeinmusica.wordpress.com/giuseppe-prete/
7. ^Renzo Cresti Web Site: http://www.renzocresti.com/dettagli.php?quale=2&quale_dettaglio=293
8. ^Il Punto – Mensile sanvitese di cultura e informazione, year XLII N°5, May 2012
9. ^Marco De Luca, ‘’Spazio e Tempo nell'Arte di Oronzo Persano’’, Dissertation, Conservatorio "Tito Schipa", Lecce, Italy, 2011
10. ^Apple Music: https://itunes.apple.com/us/album/codice-a-barre/1059451606
11. ^Renzo Cresti Web Site: http://www.renzocresti.com/dettagli.php?quale=2&quale_dettaglio=293
12. ^Apple Music: https://itunes.apple.com/it/album/oronzo-persano-ero-alle-porte-dellest-forse/669817284
13. ^Spotify: https://open.spotify.com/album/4AqEJP9UQdWzp8MzFeZdvl?si=FsFREs8gSkSkX80q3ftqbQ
14. ^WorldCat: https://www.worldcat.org/title/tre-fabule-per-chitarra/oclc/716789297&referer=brief_results
15. ^WorldCat: https://www.worldcat.org/title/nomo-citarodico-soiree-dete-no-1-2-5-per-chitarra/oclc/68626260&referer=brief_results
16. ^WorldCat: https://www.worldcat.org/title/barocco-raccolta-di-musiche-per-chitarra/oclc/49437186&referer=brief_results
17. ^WorldCat: https://www.worldcat.org/title/variazioni-sopra-un-tema-savoiardo-per-chitarra/oclc/755016767&referer=brief_results
18. ^WorldCat: https://www.worldcat.org/title/variazioni-sopra-un-tema-di-gio-pacini-io-ti-vidi-e-ti-adorai-dallopera-amarilia-sic-op-128-per-chitarra/oclc/755249177&referer=brief_results
19. ^Il Sallentino: http://www.ilsallentino.com
20. ^Google books: https://books.google.it/books?id=bhU4AQAAIAAJ&dq=Oronzo+persano&hl=it&sa=X&ved=0ahUKEwio27ezot7eAhXQDewKHZLvApUQ6AEIKTAA
{{Authority control}}{{DEFAULTSORT:Persano, Oronzo}}
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