1. References

The Haitian Heritage Festival celebrated its inaugural celebration, May 2016, in Los Angeles, California. Created to engage Haitians and the community at large--people of every race, culture, and walk of life--in Caribbean patriotism and heritage, and celebrates the Black Diaspora and the enthralling story of African-descended people spanning more than five centuries and a dozen countries, from Britain, Canada, and the United States to Haiti, Guyana, and Brazil, the Haitian Festival celebrated in May during Haitian Heritage Month, seeks to infuse positive energy and a message of hope throughout the festival to combat the divisiveness and negative energy sweeping the country as tensions continue to rise over race in America. All racial discord is dissolved while sharing delicious Haitian Food, dancing to the infectious beats of Caribbean Music, learning traditional folklore, and experiencing the Haitian Spirit of unity and love during this annual celebration!

The Black Diaspora has immeasurably enriched world culture in music, language, and literature, painting, sculpture and architecture. And, for two glorious days, friends and neighbors become immersed in the Mwen se Ayiti! (I am Haiti!) spirit through, Rara, Dancers, vendors selling traditional handcrafted art and crafts, cultural activities and games (dominoes and chest tables), eating and dance contests, live musical entertainment, and the Haitian spirit of resilience, strength, and love. The Haitian Heritage Festival welcomes over 3,000 attendees and live streams to an additional 2 million viewers via social media.

The Southern California Reggae Vegan Fest, The Ultimate Holiday Party, helps bring joy to the world through reggae, community, and food - and peace on earth and goodwill to all beings. "'Ital Vegan! and

One Love, All Species!"

For $20, attendees enjoy motivational speakers and an art exhibit, then wind and grind to the sultry beats of some of Reggae’s top performers, and feed 20,000 youth--all in the name of Animal-free Love, Music, and Holiday Joy! Each ticket purchase provides 10 Hungry Kids with a nutritious vegan meal via FeedOm and Food for Life Global. Attendees are also asked to bring non-perishable vegan food to donate to the local food bank.

The event features speakers Paul Rodney Turner, International Director & Co-Founder of Food For Life Global www.FFL.org; Karen Hamza; Angel Hanz for the Homeless (accepting a donation of Evolution Diet food from company founder, Eric Weisman, for companion animals to the area's homeless); Bob Linden, radio host from Go Vegan Radio - "Can Going Vegan End World Hunger?" the event organizer and an IRS-approved 501(c)(3) nonprofit. Followed by an exclusive Art Exhibition and Sale by acclaimed artist Preston M. Smith https://www.pmsartwork.com. The event closes with star-studded musical talent that includes Pato Banton, Cali Conscious, Lamour & the Mystik Band, Kyng Arthur, with more musical surprises added weekly.

The First World Cultural Festival was first established in Los Angeles in 2013 to help promote understanding and build harmony within cultures. The festival showcased a diverse entertainment line-up of grassroots artists from around the world that represented Los Angeles’ diverse cultural community.

In 2018 The World Festival drew an estimated 4,000 visitors and adopted the tradition of the United Nations Art Miles Mural Project, encouraging younger guests to promote global peace by painting their own message of hope and non-violence.

The dedicated resident who initially started the Festival went on to form the Multicultural Association, where they continue to actively guide the planning and development of the annual event which grows each year. Many elected officials, community-based organizations, and stakeholders of the City of Los Angeles actively support the festival, helping to develop creative and effective programs that improve and promotes cultural diversity, harmony, and peace.

The Festival continues to highlight the City of Los Angeles’ vibrant and diverse community and has grown to include more than 17 countries’ musical, dance and demonstration performances on one stage. The festival features a variety of international cuisines, kid’s crafts and activities, cultural and world exhibits and will include a marketplace in 2019.

The festival’s growth in attendance sparked interest to expand the Festival to a larger venue, enabling more residents to participate in the world cultural experience.

Premiere Event and Promotions (PEP, Inc.) is the organizer of the annual Lovers’ Rock Boat Cruise aboard a beautiful multi-level boat in the Marina del Rey Harbor.

The annual dinner and cruise provide guests with the amenities of a comfortable, modern yacht, beautifully decorated for Valentine's Day while enjoying LOVERS ROCK REGGAE by a live traditional BAND and sweet reggae tunes provided by a top of the line SELECTOR aka (DJ). Guests celebrate with music, dancing, and a delicious authentic Caribbean dinner. One of Southern California’s favorite events, the Lovers’ Rock Boat Cruise has become known for providing a warm, welcoming, romantic evening that any couple of any persuasion will enjoy. Tickets include appetizers, dinner, dessert, glass of champagne, entertainment and cruising the amazing views of the beautiful harbor.

Proceeds from this event go to purchase comfort toys for youth, ages 0-5, in shelters. Youth who are victims of domestic violence are often forced from their homes with nothing more than the shirts on their backs. A teddy bear (or some form of stuffed animal) offers them comfort in a foreign environment and through the transition phase as mom works to establish self-sufficiency and independence.

Parties with a Purpose. Every year, a portion of the proceeds from each event goes to support the programs and projects of an IRS approved nonprofit organization. As an immigrant, Windsor Valcinus understands the value an importance of organizations that serve underrepresented, underserved communities.

From 2016-2018, a portion of the Haitian Heritage Festival’s proceeds supported the programs and projects at Avalon Carver Community Center, a 501(C)(3) nonprofit and mainstay in Los Angeles, whose work in the community represents the strength, resilience, and power celebrated at the Haitian Festival. The agency provides education services, home improvement services, and substance abuse services for people who live in Los Angeles County. The community’s tax-deductible contributions make a lasting difference in the lives of disenfranchised individuals working hard to establish independence and a better quality of life. Being able to leverage the numbers from the festival to support such a worthy cause has been a priority focus for Premiere Event and Promotions (PEP, Inc.).

In 2018, PEP, Inc. partnered with FeedOm and Food for Life Global to feed 20,000 youth through its collaboration on the Reggae Vegan Fest Ultimate Holiday Party. Each ticket purchase provides 10 Hungry Kids with a nutritious vegan meal. Attendees are also asked to bring non-perishable vegan food to donate to the local food bank. And a nonprofit organization accepting a donation of Evolution Diet food from company founder, Eric Weisman, for companion animals to the area's homeless.

Nonprofit leaders, especially organizations that support immigrant people from the Caribbean islands, are encouraged to submit applications for consideration to become the recipient of a Haitian Heritage Festival. Besides the monetary contribution, the nonprofit organization will be featured on the website, press release, and social media promotions, providing exposure to their plight, successes, and impact in the community.

Premiere Event and Promotions (PEP, Inc.) is the organizer of the annual Haitian Festival, providing full-service, high-end production solutions utilizing a high-touch, systems-based model. Premiere delivers shows that engages audiences and exceeds expectations. Windsor Valcinus, Director of Operations for Premiere Event & Promotion Services, Inc., the festival’s founder, is best known for his long residency at the Los Angeles night Club Caribbean Disco Paradise,105 Club with DJ Capone, which has been described as the prototype of the modern Caribbean dance club. Influential post-disco DJ Francois credits DJ Wiz with introducing the Caribbean music aesthetic into dance music: Compa mix with Calypso, Son Montuno, Salsa, Meringue and Reggae.

Windsor Valcinus, better known by his stage name the famous Deh Wizard / DJ Wiz, is a Haitian Born, American Citizen. Born on the Island of Hispaniola aka HAITI in Port-Au- Prince, September 1, 1960, DJ Wiz was one of six children whose family came to United States in October 1970. He attended school in Brooklyn New York from 1971-79.

DJ Wiz immigrated with his family as a ten-year-old boy to the United States, with his Mother Cleomie Veigne Valcinus, Father Augustin Valcinus, and Older Sister Michelle “ Michou” Feiner (who died on August 9, 2017), Younger Brother Augustin Valcinus II aka DJ Gusty Gee the Master MC; Younger Sister Myrlene Valcinus, Youngest Sister Marie Altagrace Valcinus, after living in Brooklyn, New York for eleven (11) years. While attending Sarah J Hale H. S. in 1974 to 1977, as the neighborhood transitioned to a predominantly Caribbean and Puerto Rican American population, Windsor excelled in History, social study and culture, leaving an impression on his teachers that he would become a Historian one day. He inherited his love for music from his father Augustin Valcinus and sister Michelle “Michou” Feiner who loved Haitian, Mexican and Cuban music. Windsor’s sister and mother would put records on so that they can dance together. Windsor used a record player at the age of 13 by changing the record as fast as possible, or put another song on cue from the eight-track or a cassette player. they moved to California on December 28, 1980. Wiz started to DJ music at block parties, house parties, and underground clubs. Windsor began to DJ as a teenager citing Reggae artist Bigga Haitian as one of his early influences, playing his music at every dance he DJ’d.

A DJ, disc jockey, often abbreviated as DJ, is a person performing at an event who plays existing recorded music for a live audience record turntables and a DJ mixer, a small mixer used to transition between songs. Most common types of DJs include radio DJ, club DJ who performs at a nightclub or music festival and turntablist who uses record players, usually turntables, to manipulate sounds on phonograph records. DJs often use specialized DJ mixers, small audio mixers with crossfader and cue functions to blend or transition from one song to another. Mixers are also used to pre-listen to sources of recorded music in headphones and adjust upcoming tracks to mix with currently playing music. DJs use equipment that can play at least two sources of recorded music simultaneously and mix them together to create seamless transitions between recordings and develop unique mixes of songs. Often, this involves aligning the beats of the music sources so their rhythms do not clash when played together or to enable a smooth transition from one song to another.

DJ software can be used with a DJ controller device to mix audio files on a computer instead of a console mixer. DJs may also use a microphone to speak to the audience; effects units such as reverb to create sound effects and electronic musical instruments such as drum machines and synthesizers. Originally, the disc in disc jockey referred to gramophone records, but now DJ is used as an all-encompassing term to describe someone who mixes recorded music from any source, including cassettes, CDs or digital audio files or a CDJ or today laptop. The title DJ is commonly used by DJs in front of their real names or adopted pseudonyms or stage names.

In 1978, Windsor became infatuated with an idea of mixing the "Music that would never stop," a concept he shared during a brief conversation with DJ All-Night who introduced Wiz to Bongo (who ran an underground basement dance culture club in Utica and Carroll street). Bongo’s brother, Mango, was the proprietor of the location, a minimally decorated, members-only dance club (uniquely situated in the basement) where punch, fruit, and soda were served in lieu of alcohol, and music was processed by a state-of-the-art sound system. According to DJ Wiz one turntable, one cassette deck and an eight-track was state-of-the-art. “Well, in my mind it was,” Wiz recalls.

"You could only get into the Basement by private invitation. This was not because Bongo wanted to create an elitist environment; he intentionally wanted to bring together diverse groups of Caribbean people from different parts of the Caribbean who wouldn't ordinarily party together to create a democratic, integrated venue.” DJ Wiz was powerfully attracted to Jamaican Reggae Music, Calypso, Soca, Salsa, Soukous and R&B along with Haitian music from his country, so this Basement party was instrumental in bringing together Caribbean people from every part of the islands, and sowed the seed for what would become Windsor’s penchant for creating a gathering place for African-descended people from over a dozen countries to celebrate the Black Diaspora through music.

DJ Wiz got his start alongside DJ Kojakk & DJ All-Night at the Continental Club in Brooklyn New York as a replacement for DJ Marco who briefly employed both of them as club Disc Jockeys and taught them his pioneering three turntable technique. Accordingly, DJ Marco’s style was influenced by Salsa, Disco music and upbeat rock. Meanwhile, DJ Wiz was still trying to make his way in the New York club scene.

Inspired by many musical beats and the lyrics, Windsor Valcinus aka DJ Wiz was also deeply influenced by the four (4) languages he spoke: French, English, Spanish and Creole. DJ Wiz’s music had the distinct ability to take listeners around the world to places such as Jamaica, Trinidad & Tobago, Haiti, Cuba, Africa, Puerto Rico, Panama and the Americas, like he did with his mindset. For DJ Wiz, the night club was his playground

Whether a fast-paced Reggae, Soca, Compa, Salsa, Zouk song or a relaxing poolside beat, there lived a hint of adventure in every song to take listeners to the various places that DJ Wiz had been too. His list of residences includes Marquee, New York City, Las Vegas, and Santa Barbara, but his music transcended geography and anything being played in most, if not all, Caribbean clubs in Los Angeles.

Wiz started to DJ music at block parties, house parties, and underground clubs. After moving to California in December 29, 1980, he met Kenson Raymond, who is like a brother to him today. They have been friends since. About a month later Kenson introduced him to Wayne “Tac” Joseph and they became brothers. Kenson named the three of them T.K.W.

In 1981, Wiz started working at the Sheraton Universal as a banquet waiter; saved money and put together his first sound system he called ‘NICENESS.’

Since the early 80’s DJ Wiz has been involved in Caribbean Music, beginning in Los Angeles with West Coast icons and pioneers Kesner Publicity DJ Joe and DJ South Man who had the first ever Carnaval in California in 1981; and promoting large dances and concerts with over 3,000 people. Music Machine for Tabou Combo, Sparrow, El Grand Combo, Calypso Rose and many more, establishing the very beginning of the Caribbean scene on the West Coast. At the time DJ Wiz was 20 Years old and they would have him DJing.

Back then, DJ Wiz didn’t own any professional equipment so when he began working with Big Daddy Productions & Caribbean City Vibes, DJ Blaze from Compton had to show him how to use the huge Cerwin Vega Mixer. Sam’s Records and Barton Records would call the East Coast and have them send him all the hottest new underground records from various record stores in the city to LA. And call Wiz to pick them up. Wiz would take those records like Gregory Isaac, Dennis Brown, Culture, Burning Spear, Frankie Paul, Black Uhuru, lord invader, lord melody, Sparrow, Calypso Rose, Lord Kitchener and more and play them at events.

In 1983, Wiz was asked to play at Disco Paradise, the number one Caribbean nightclub in Los Angeles on Thursday, Friday, Saturday and Sunday nights and also rotated with other local clubs in the Los Angeles area from 1983 to 1990.

DJ Wiz was very proud to be a member of the highly publicized California Catt Crew, KPFK Public Radio and Caribbean Disco Paradise; he was in popular demand. In fact, he was booked months in advance and performed 2-4 parties every weekend. After being overbooked week after week, DJ Wiz decided to form a crew of DJs similar to his style and have them open for him or give them the gig.

Then he joined Uncle Jam’s Army Playing reggae and became Reggae Cat. But they wanted everyone to have their own signature sound and scratching techniques so they formed the California Catt Crew which included Bobcat, Battle Cat, Dr. Scratch Kat, Wild Cat, Cosmic Cat, Alley Cat, Courageous Cat, and Kitty Kat. Bobcat would help book the DJs around Southern California and also give them tips about the business. Max respect goes out to Bobcat & California Catt Crew.

In 1989, Wiz formed Islanders Enterprise with some friends and started promoting. From 1990-91, Wiz started Caribbean Musical Entertainment and promoted Maverick’s Flat, The Caribbean Hideaway, and Monday Night Football at The Mardi-Gras club, Continental Club, and at local Colleges and Universities.

From 1992-93, Wiz promoted festivals and shows, rented out Disc Jockey equipment, and provided event planning and community work for local organizations.

In 1994, Windsor met Mr. Glenford Walker AKA DJ Gee Wax. They started a sound system by the name of The Sounds of the Chronic and promoted them. Along with DJ Gee Wax, DJ Wiz experimented with echo chambers, drum machines and synthesizers in his productions and live sets, ushering in an electronic, post-disco sound that presaged the ascendance of House Parties.

DJ Wiz has proven to his peers and the entire Caribbean and American Hip Hop community that he is one of the greatest Caribbean DJ of his time.

DJ Wiz DJ'd at Club Paradise 24 in Hollywood, Club Ménage in Pasadena, The Name of the Game, Carolina West, Club Dominico’s, Golden Sails Hotel in Long Beach, Acapulco Club in Seal beach, Light House club in Hermosa Beach, Club Flex in Hollywood, Martini Lounge in Hollywood, The Spot in Hollywood, Green Onions in West Los Angeles, Speak Easy in West Los Angeles and more.

At the time, radio was traditional R&B and was playing very little reggae. DJ Wiz was the visionary and person who thought of the idea, concept, and name, "Mix shows" for Soul of Music on KWiZ.

Radio DJs or radio personalities introduce and play music that is broadcast on AM, Wiz Radio stations.

1994-KWIZ used to be a radio station in Santa Ana, California, on 1480 kHz, with a sister FM station, KWIZ-FM/96.7. KWIZ operated with 5,000 directional watts day and night. KWIZ-FM was a station operating from Orange, California with 3 kW. DJ Wiz along with DJ Gee Wax produced one of the first Caribbean radio stations in the early 90’s changing the entire format in radio. They introduced and pioneered the Saturday Night Mix Show Are You on Your Way to the Club? and Sunday Rebel Music The three (3) O’clock Reggae Road Black on KWIZ

“DJ WIZ was the only DJ in Southern California who could play for the Trinidadians, Belizeans, Jamaicans, Haitians, Panamanians, Cubans, and the Puerto Ricans,” stated Wiz. “The idea was to have people come to you while you were playing and say ‘You are good. Would you play at my function?’ It was all about sharing my passion with people, that’s why I became a DJ--to make people dance.”

A lot of producers, promoters and other DJ’s didn’t think it was cool to play what people wanted to hear; even in the studio, mixing music for radio commercials or for rappers. Wiz mixed for the people who would be listening to the commercial. He loved playing for his friends when they came over to his house and enjoyed sharing his music with people. He is someone who could move hearts and minds on the dance floor with his music—it was a balancing act.

While hanging out with DJ Gus and Bobcat Windsor was approached by Mitchell Cohen an Arista Records Executive and asked to promote Hip Hop in the Caribbean Clubs in exchange for free records, T-shirts, give-a-ways and baseball caps. He agreed and became a member.

When Capitol Heard about what was being done with Arista they also approached him and wanted the same arrangement.

He was also approached by a Hollywood Records Music Executive Laura Ziffren Wasserman from Deaf Jam Records, Ruthless Records and Atlantic records for a similar arrangement.

Mix-CDs

• 1998: Mix Me Down Wizardry Mix Me Down!

• 1999: Rub Down the Mix!

• 2000: Bob Marley Drop Mix! Tribute to Bob Marley

• 2000: DJ Retirement Party Mix CD in West LA

• 2001: Peter Tosh Equal Right and Justice Mix!

• 2003: Soca on Fire Mix

• 2004: Zouk Mix! Zouk La Sé Sèl Médikaman Nou Ni

• 2005: Non-Stop Mixture Mix. Reggae, Soca, Zouk, Compa, Salsa, Son Montuno, Soukous

• 2006: Citizen Reggae Mix

• 2008: Jah Music Remix

• 2010: Reggae Remix by Sub Zero Sound

• 2011: Soca Mix “ Wine to the Side”

TopDeejays, San Francisco, California. 36,790 likes · 12 talking about this. TopDeejays is the world's biggest organized DJ database. A DJ database founded and operated by FM Agencija it used an algorithm that measures general social media influence of a DJ by combining their Facebook, Twitter, Google Plus, SoundCloud, MySpace, Last.fm and YouTubefans, subscribers and followers TDJ calculates and applies TDJ points to in order rank artists global, national and by genre influence. These are the statistics for topdeejays as of 6 November 2002

[Insert TDJ Stats here]

From 1995-97, Wiz Participated in the Long Beach Carnaval with Rainbow Production and 3NI Production. In 1998, Wiz continued to promote festivals, concerts, shows and night clubs.

In 1999 Windsor retired from the Turn Tables to only Promotion, promoting the Seaport Marina Hotel, Club Bahama Mama, Festivals and shows with major Reggae and Soca artists

In 2003, Windsor worked with Sea Breeze Records Annual Festival at the Queen Mary, assisted Ragga Muffins Bob Marley Festival at the Long Beach Convention Center. Windsor started research on the cultures and traditions of the countries participating for the positioning of the International Carnaval Festival, attending75% of events in Southern California.

In 2004, Windsor helped 3NI with their promotions and sales while helping other groups and organizations. Carnaval Access was founded with the primary goal of increasing awareness of the Carnaval phenomenon to Southern California as well as demonstrating the correct nature of Carnaval tradition throughout the world.

As the CEO of Carnaval Access, Windsor has over 20 years coordinating events, festivals and Carnaval-style entertainment including helping many different groups and organizations in the Los Angeles area. Windsor also has extensive experience promoting artists whose music originates in Carnaval nations including Steel Pulse, Morgan Heritage, and UB-40, Calypso Rose, The Mighty Sparrow, Baron, Shadow, Tabou Combo, TVice, and Mini All-Stars.

In 2005, Windsor continued promoting shows and festivals showcasing cultures and traditions. All presentations also included performance, dancing, arts & crafts, food and more.

In 2006, Windsor provided Immigrant Magazine with media and promotion.

In 2007, Windsor started working with JB Production artists such as Spiritual in Chicago, Alba Rosy in Europe and planning the return of some of older artists from Jamaica. Windsor assisted with the promotion of the Hollywood Park Jazz Festival and also promoted The Martini Lounge on Melrose.

2009, Windsor continued working on the International celebration logistics, positioning of investors, and securing sponsorships.

In 2010, Windsor partnered with collaborators DJ Don at The Studio in Downey California. Windsor signed on as DJ/Music Supervisor and designed & choreographed three big festival stage shows in Southern California. Windsor was on stage jamming music originated from his first sound system name “Niceness” which stands for music so nice you have to play it twice.

Windsor was one of the first producers in the reggae seen to work with club owners, festivals and artists from English, French and Spanish speaking countries. After working with various festival promoters and night clubs from the Caribbean countries, DJ Wiz along with good friend and business associates DJ Gee Wax he produced the Sounds of The Chronic Sound System and became known as a musical Festival production genius and one of the most influential producers in the Caribbean market!

Caribbean Cultural Festival at El Camino College Promoted by SSCIP My Boy (Chris Di Tiger Harris), Tabou Combo at the Music Machine DJ’d for Jean Claude Love, Bob Marley Festival at the Long Beach Convention Center with Barbara Barabino, African Caribbean and Latino Festival Hollywood Bowl Produced by the African Connection and Panama Top Promotion, Sam Records Annual Show and Dance, Barton Records Annual Show and Dance With Miss Wire Waist, 3NI Annual Carnaval Mass Camp and Dance in Los Angeles Produced by Wayne “Tac” Joseph and the other three.

Windsor Valcinus leverages his extensive experience in music, entertainment, promotions and event coordinating to provide the Southern California Caribbean community with a variety of well-coordinated and intricately designed opportunities to celebrate the Afro-caribe culture while supporting some of the most enterprising nonprofit organizations serving SoCal residents for over 20 years.

To add to DJ Wiz's impressive track record, he was voted world music DJ who can play music for all of the Caribbean: Haiti, Jamaica, Trinidad, Barbados, including Cuba, Belize and Puerto Rico. Honored by all of his peers in the entire Music community and was presented with a DJ Award, by the-famous Record Shop Barton and Sam Records.

2000 Barton and Sam’s Record Shop: DJ Music Award Best Caribbean DJ in L.A. Won

References

1. https://caricom.org/media-center/communications/press-releases/culture-in-the-future-of-the-caribbean-community-by-hon-maxine-henry-wilso

4. https://ffl.org

5. https://www.pmsartwork.com

6. http://www.premiereventslive.com

8. https://www.irs.gov/charities-non-profits/charitable-organizations/exemption-requirements-section-501c3-organizations

9. https://www.merriam-webster.com/dictionary/immigrant

10. http://www.cura.umn.edu/research/underserved-and-underrepresented-groups

11. https://www.treatment-centers.net/directory/california/los-angeles/avalon-carver-community-center.html

13. https://www.irs.gov/charities-non-profits/charitable-organizations/charitable-contribution-deductions

14. http://www.petfoodshop.com

54. http://www.cerwinvega.com/pro-audio/mixers/CVM-1224FXUSB.html

58. http://articles.latimes.com/2000/jun/18/local/me-42284

67. https://www.presstelegram.com/2017/02/02/is-long-beachs-famed-seaport-marina-hotel-closed-for-good-yes-we-think-so/

68. http://www.everythinglongbeach.com/caribbean-seabreeze-reggae-festival-returns-to-queen-mary/

69. http://www.immigrantmagazine.com/about-us-business/

70. http://jbproductions.in

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