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词条 Ænima
释义

  1. Background

  2. Lyrics and themes

  3. Artwork

  4. Release and reception

      Accolades  

  5. Track listing

  6. Personnel

      Additional musicians    Production  

  7. Charts

      Album    Singles  

  8. Certifications

  9. References

      Sources  

  10. External links

{{About|the Tool album|the song from the album|Ænema|the Portuguese band|Aenima (band)}}{{Use mdy dates|date=October 2012}}{{Infobox album
| name = Ænima
| type = studio
| artist = Tool
| cover = Aenima.jpg
| alt = Cover art for Ænima, featuring artist Cam de Leon's painting "Smoke Box", with animated smoke and encompassing eyes
| released ={{Start date|1996|9|17}}[1][2]
| recorded = September 1995 - March 1996
| venue =
| studio = Ocean Way, Hollywood, CA
The Hook, North Hollywood, CA
| genre = *Alternative metal[3]
  • progressive metal[4]

| length = 77:18
| label = Zoo Entertainment
| producer = David Bottrill
| prev_title = Undertow
| prev_year = 1993
| next_title = Salival
| next_year = 2000
| misc = {{Singles
| name = Ænima
| type = studio
| single1 = Stinkfist
| single1date = October 11, 1996
| single2 = H.
| single2date = March 19, 1997
| single3 = Ænema
| single3date = August 9, 1997
| single4 = Forty Six & 2
| single4date = January 5, 1998
}}

Ænima ({{IPAc-en|ˈ|ɑː|n|ɪ|m|ə}} {{respell|AH|ni|mə}})[5] is the second studio album by American rock band Tool. It was released in vinyl format on September 17, 1996, and in compact disc format on October 1, 1996[1][2][6] through Zoo Entertainment. The album was recorded and cut at Ocean Way, Hollywood and The Hook, North Hollywood from 1995 to 1996. The album was produced by David Bottrill.

The album debuted at No. 2 on the Billboard 200 chart upon its initial release, selling 148,000 copies in its first week.[7] It was certified triple platinum by the RIAA on March 4, 2003.[8] The album appeared on several lists of the best albums of 1996,[9] including that of Kerrang![10] and Terrorizer.[11] The title track won the Grammy Award for Best Metal Performance in 1998.[12] In 2003, Ænima was ranked the sixth most influential album of all time by Kerrang![13] Rolling Stone listed the album at No. 18 on its list of The 100 Greatest Metal Albums of All Time.[14]

Background

Ænima is Tool's first studio album with former Peach bassist Justin Chancellor.

The title Ænima is a combination of the words 'anima' (Latin for 'soul' and associated with the ideas of "life force", and a term often used by psychologist Carl Jung) and 'enema', the medical procedure involving the injection of fluids into the rectum.[15]

Promotional singles were issued, in order of release, for "Stinkfist", "H.", "Ænema" and "Forty-Six & 2" with just the first and third receiving music videos.[16]

Several of the songs are short segues or interludes that connect to longer songs,[19] pushing the total duration of the CD towards the maximum of around 80 minutes. These segues are "Useful Idiot", "Message to Harry Manback", "Intermission", "Die Eier von Satan", "Cesaro Summability", and "(-) Ions".

Lyrics and themes

{{Multiple issues|section=yes|{{Very long|section|date=March 2018}}{{Cleanup rewrite|2=section|date=March 2018}}
}}

The liner notes included references to ketamine producing dissociative anesthesia as well as Timothy Leary, ritual magic, and religious fundamentalism. The band dedicated the album to Bill Hicks (a comedian who the band felt was going in the same direction as them) and said this album to be partly inspired by him.[17] The inside cover displays art featuring a painting of a disabled patient that shows a resemblance to singer Maynard James Keenan and Bill Hicks depicted as a doctor or "healer" with the line, "Another Dead Hero". Lines from Bill Hicks' standup set, "One Good Drug Story" and "The War on Drugs" are sampled before the song "Third Eye".

Demo versions of the songs "Pushit", "Stinkfist", "Ænema", and "Eulogy" were recorded with Paul D'Amour on bass, before he left the band.{{Citation needed|date=July 2017|reason=This claim needs a reliable source; There is no proof that the bass player on that demo tape is D'Amour (at one point during Pushit a pitch shifted bass tone can be heard. D'Amour is not known for using a pitch shifter whereas Chancellor is well known for using a DigiTech Whammy); Chancellor is credited as co-writer on Ænema by the ASCAP Clearence Express; The Tool FAQ is not a reliable source.}} These appeared online in early 2007. D'Amour also worked on "H.", as he is credited as a co-songwriter on ASCAP's website.

Speculation has surrounded the song "H." The "meaning" of this song has seldom been detailed by the band, as they do not regularly comment on such things. However, on several occasions, specifically on November 23, 1996 during a show at the Electric Factory in Philadelphia, Maynard did grant some insight into the meaning of the song. Speaking to the audience, he said, "Any of you ever seen those old Warner Bros. cartoons? Sometimes there's that one where the guy is trying to make a decision, and he's got an angel on one shoulder and the devil on the other. Seems pretty obvious, right? The angel is trying to give him good advice while the devil is trying to get him to do what's bad for him. It's not always that simple, though. A lot of times they're not really angels or devils, but friends giving you advice, looking out for your best interest but not really understanding what's going to be best for you. So it kind of comes down to you. You have to make the decision yourself. This song is called 'H.'" The song was discussed live during a few other shows around this time, one example being on February 23, 1997, when Maynard introduced this song by referring to the shoulder angel and devil, and also said it is about a hurtful yet dependent relationship.[18] In an interview Keenan gave in December 1996, he commented, "My son's name is Devo H. That's all I'll say." It is also of note that the song's working title was "Half Empty", as it was introduced during a mini-tour of California by the band in December 1995.

The track "Useful Idiot" features the sound of the needle skipping at the end of a gramophone record growing louder as the track progresses. The track was set at the end of side 1 of the vinyl versions of Ænima as a joke to fool those who owned the version. The song (on vinyl) not only ends in a locked groove, which requires manual lifting of the needle to end playback, but also continues on the run-in groove of side 2.

"Message to Harry Manback" features calming new-age piano music and the background noises of seagulls while a message from an answering machine plays. The person who leaves the message is reportedly an uninvited Italian houseguest of Keenan's; the guest consumed much of the available food supply and spent much time on the phone. Upon being forced to leave, the guest called "Harry Manback", a pseudonym for Keenan's friend, and launched into a diatribe against him, forming the basis of the message. There was a follow up message that the guest left on the answering machine which became "Message to Harry Manback II", found on Salival.

"Hooker with a Penis" refers to a fan who accused the band of selling out after their first EP.[19][20] "OGT" is taken to stand for "Original Gangster Tool".[21] Keenan whispers in the left channel throughout the song. At 1:41, "consume, be fruitful, and multiply" may be alluding to Genesis, which contains the phrase "be fruitful and multiply" six times.[22] During Lollapalooza 1997, a version of "Hooker with a Penis" remixed by Billy Howerdel in the form of lounge music played over the public address system between sets.[23]

During 1996 concerts, Maynard told audiences that the song "jimmy" is the sequel to "Prison Sex", and how it's about getting through the abuse.[24] It is preceded by "Intermission", a short organ adaptation of the opening riff of "jimmy".

The fourth, and most controversial segue is the NDH style "Die Eier von Satan". It is introduced by a distorted bassline giving way to a heavy industrial guitar, starting at the :23 mark and lasting only ten seconds, playing a single chord in Drop C tuning over a reversed drum beat in compound triple meter or {{music|time|9|8}} time. The lyrical component of the song is spoken in German by Marko Fox, bass player for ZAUM and SexTapes. He is backed by a sound that resembles a hydraulic press,[28] and crowd cheering and applause that increase in volume as the lyrics are read with increasing ferocity. These combined effects make the song sound like a militant[25] German rant[26] or Nazi rally.[27] While the tone is aggressive, the speaker is merely reciting a recipe for a cannabis edible.[19][27] The band tried working titles like "The Final Recipe" (playing on Final Solution) and "Holocaust in {{music|time|9|8}}", an allusion to the 1972 Genesis epic "Supper's Ready" and its final sections "Apocalypse in {{music|time|9|8}}" and "As Sure As Eggs Is Eggs".{{Citation needed|date=March 2014}} The song was originally translated by Gudrun Fox. According to Blair McKenzie Blake, the maintainer of the official Tool website, "Die Eier von Satan" originally were cookies that "Marko Fox's grandmother used to bake for him as a child, without using eggs as an ingredient. The substitution for eggs is a magical incantation from the worm-eaten pages of some moldering grimoire."[28] This magical incantation ("sim salabim bamba sala do saladim") is taken from the German children's song "Auf einem Baum ein Kuckuck" and popularized by Harry August Jansen.[29] According to the lyrics, the special ingredient besides this "incantation" is "a knife-tip of Turkish hashish". The title is a play on deviled eggs, translating to "The eggs of Satan" in English[25] or "The balls of Satan", due to a German double entendre of "eier", which can either mean "eggs" or testicles. While there may not be eggs, "balls" do appear in the form of "ground nuts" (150 grams) while the dough itself is rolled into tiny balls before baking. So far the only time it has been performed live in its entirety was on December 19, 1996 at the Universal Amphitheatre in Los Angeles.[30] The track has been compared to the work of industrial and experimental artists such as Einstürzende Neubauten, Rammstein and Tom Waits.[31][32][33][34]

"Pushit" was titled as a single word to emphasize the ambiguity of the pronunciation in regard to the "s" word (push it on me/push shit on me). An alternate version of "Pushit" was performed live, including an Aloke Dutta tabla solo, and appears on Salival.[35]

The song "Third Eye" contains samples of comedian Bill Hicks.[36] The title may be a reference to Hicks' assertions that psilocybe mushrooms could be used to "squeegee [one's] third eye clean."[37] A goal of the album as a whole was to "open people up in some way and help open their third eye and help them on a path."[38]

"Ænema" makes lyrical references to Bill Hicks' set Arizona Bay, in which the San Andreas fault collapses, purging the continent of Southern California and the Baja Peninsula which would give Arizona its own oceanfront. This is further illustrated in the lenticular map under the CD tray. The alternate spelling for the song emphasizes the "enema" portion of the combined title also used for the album; in this way, it differentiates the meaning of the song (with California's collapse seen as a 'flushing out' for the country) from the meaning of the album (the "anima" emphasis indicating a spiritual, Jungian focus for the album in its entirety) while retaining the song's placement as the title track, though the differing spelling and pronunciation marks a different approach from other Tool albums that are named directly after songs (Opiate,Lateralus and Undertow) or sections of songs (10,000 Days).

Many regional versions stated the track times for tracks 3 and 4 in reverse. This is noted on all pressings from Australia, UK, and Europe.

Artwork

The packaging for Ænima was nominated for the Grammy Award for Best Recording Package.[39] North American pressings of the album were packaged in a custom lenticular jewel case (called a "Multi-Image CD case" in the liner notes) for the cover and interior disc tray. The cover art and other images in the liner notes can be set behind the lenticular "lens" to create an effect of sequential animation. European pressings of the CD featured a standard case, and the insert contained a catalog of sixteen humorously titled "other albums available by Tool".

The special images used for the lenticular effect are:

  • Cam de Leon's painting Smoke Box,[40] with animated smoke and encompassing eyes.
  • A touched-up version of Cam de Leon's painting Ocular Orifice,[41] with the pupil of the eye animated to rotate completely around.
  • A photo of contortionist Alana Cain, legs wrapped behind head.[42] Shown sitting on a couch to the right are Danny Carey (nude) and Justin Chancellor. Adam Jones is squatting next to them while Maynard James Keenan, also nude, gets up to throw a single rose on the ground in front of Alana with his left hand covering his genitals. Another image of the contortionist can be seen on the disc itself.
  • An image of California before and after a major earthquake is shown in the tray behind where the disc lies – a reference to the song "Ænema" and the Arizona Bay sketch by Bill Hicks. The inlay image of the US incorrectly depicts the Oklahoma Panhandle with Cimarron County being in the state of Texas. It is unknown whether or not this was intentional.
{{Clear}}

Release and reception

{{Album reviews
| rev1 = AllMusic
|rev1Score = {{Rating|4.5|5}}[43]
| rev2 = Encyclopedia of Popular Music
| rev2Score = {{Rating|4|5}}[44]
| rev3 = Entertainment Weekly
| rev3Score = A−[45]
| rev4 = Houston Chronicle
| rev4Score = {{Rating|4|5}}[46]
| rev5 = Los Angeles Times
| rev5Score = {{Rating|3.5|4}}[47]
| rev6 = The Rolling Stone Album Guide
| rev6Score = {{Rating|2.5|5}}[48]
| rev7 = USA Today
| rev7score = {{Rating|3|4}}[49]
}}

Upon its release, the album was met with generally favorable reviews by mainstream music critics, citing the band's innovation and ambitions within the album's sound. Rob Theakston of AllMusic gave the album a positive review, stating that "Tool explore the progressive rock territory previously forged by such bands as King Crimson. However, Tool are conceptually innovative with every minute detail of their art, which sets them apart from most bands."[43] Jon Wiederhorn of Entertainment Weekly said that Ænima was "one of 1996's strangest and strongest alt-metal records".[45] David Fricke of Rolling Stone said that the band shoves "their iron-spike riffing and shock-therapy polemics right up the claustrophobic dead end of so-called alternative metal in the name of a greater metaphysical glory", calling it "very admirable" and "even a bit impressive", going on to say that "the best parts of Ænima come when Tool just let the music rip".[50] USA Today{{'}}s Edna Gundersen cited it as Tool's best release, adding that the combination of the band's sound combined with the vocal capabilities of frontman Maynard James Keenan creates an album that is "Pandora's toolbox".[49]

Among negative reviews, The Rolling Stone Album Guide was extremely critical of the album, citing its weaknesses especially when compared to the likes of the band's later releases: "With Aenima, the band's ambitions nearly get the best of them. The increasing density of their relentlessly downcast music, augmented by occasional electronic noises, begins to feel ponderous. 'I've been wallowing in my own chaotic insecure delusions,' Maynard James Keenan mutters, and the music indulges him. The claustrophobic production doesn't help."[48]

Accolades

The album appeared on several lists of the best albums of 1996,[9] including that of Kerrang![10] and Terrorizer.[11] The track "Ænema" won the Grammy Award for Best Metal Performance in 1998.[12] In 2003, Ænima was ranked the 6th most influential album of all time by Kerrang![13] In 2006, it placed 14th on a Guitar World readers poll that attempted to find the best 100 guitar albums.[51] In 2014, readers of Rhythm voted it the third greatest drumming album in the history of progressive rock.[52]

Track listing

{{Track listing
| headline = Standard
| total_length = 77:18
| all_writing =
| all_lyrics = Maynard James Keenan
| all_music = Adam Jones, Danny Carey, Maynard James Keenan, and Justin Chancellor, unless otherwise noted[53]
| title1 = Stinkfist
| music1 = Jones, Carey, Keenan, Paul D'Amour
| length1 = 5:11
| title2 = Eulogy
| music2 = Jones, Carey, Keenan, D'Amour
| length2 = 8:28
| title3 = H.
| music3 = Jones, Carey, Keenan, D'Amour
| length3 = 6:07
| title4 = Useful Idiot
| note4 = instrumental
| length4 = 0:38
| title5 = Forty Six & 2
| length5 = 6:04
| title6 = Message to Harry Manback
| note6 = spoken word
| length6 = 1:53
| title7 = Hooker with a Penis
| length7 = 4:33
| title8 = Intermission
| note8 = instrumental
| length8 = 0:56
| title9 = jimmy
| length9 = 5:24
| title10 = Die Eier von Satan
| note10 = in German
| length10 = 2:17
| title11 = Pushit
| music11 = Jones, Carey, Keenan, D'Amour
| length11 = 9:55
| title12 = Cesaro Summability
| note12 = instrumental
| length12 = 1:26
| title13 = Ænema
| length13 = 6:39
| title14 = (-) Ions
| note14 = instrumental
| length14 = 4:00
| title15 = Third Eye*
| length15 = 13:47
| title16 =
| length16 =
| title17 =
| length17 =
| title18 =

}}Samples:

  • Bill Hicks – audio sampled on "Third Eye".

Personnel

{{col-begin}}{{col-2}}
  • Maynard James Keenan – vocals
  • Adam Jones – guitar
  • Justin Chancellor – bass guitar
  • Danny Carey – drums, percussion, samples

Additional musicians

  • Marko Fox – vocals on "Die Eier von Satan"
  • Eban Schletter – organ on "Intermission"
  • Chris Pitman – additional synthesizer on "Third Eye"
  • David Bottrill – piano and keyboards on "Message to Harry Manback"[54]
{{col-end}}

Production

{{div col|colwidth=}}
  • David Bottrill – keyboards, producer, engineer, mixing
  • Alana Cain – model (contortionist)
  • Cam de Leon – artwork, computer illustration
  • Fabrico DiSanto – photography, photo assistance
  • Gudrun Fox – translation of "Die Eier von Satan"
  • Adam Jones – production, artwork direction
  • Jeremy Glasgow – assistant percussionist
  • Concetta Halstead – producer, design
  • Billy Howerdel – guitar tech, 'Pro Tools' technician
  • Joel Larson
  • Karen Mason
  • Jeff Novack – photography
  • Mark Rappaport – effects consultant
  • Keith Willis – artwork
  • Kevin Willis – producer, art direction, paintings
{{div col end}}

Charts

Album

YearChartPositionNotes
1996 Billboard 2002140,000 copies sold

Singles

YearSingleChartPosition
1996"Stinkfist" Modern Rock Tracks (U.S.)19
Mainstream Rock Tracks (U.S.)17
1997 "H."23
"Ænema"25
"Forty-Six & 2"22

Certifications

On March 4, 2003, the album was certified triple platinum by the Recording Industry Association of America,[8] and has been certified platinum by the ARIA[55] and platinum by MC.[56] The album debuted at No. 2 on the Billboard 200 chart upon its initial release, selling 148,000 copies in its first week of release.[7] As of July 7, 2010, Ænima has sold 3,429,000 copies in the US.

References

1. ^1 {{cite web|url=http://toolshed.down.net/news/oldnews/old96b.html|title=Tool News|publisher=|accessdate=October 3, 2016}}
2. ^1 {{cite web|url=http://toolshed.down.net/news/tales/aenimainfo.html|title=Tool News: AENIMA INFO|publisher=|accessdate=October 3, 2016}}
3. ^{{cite web|title=THE BEST METAL ALBUMS FROM 40 SUBGENRES|url=http://loudwire.com/best-metal-albums-subgenres/|website=Loudwire|accessdate=2018-01-15}}
4. ^{{cite web|url=https://www.revolvermag.com/music/tools-aenima-10-things-you-didnt-know-about-bands-watershed-second-album|title=Tool's 'Aenima': 10 Things You Didn't Know About Band's Watershed Second Album|last=Wiederhorn|first=Jon|date=September 17, 2018|website=Revolver|access-date=February 3, 2019}}
5. ^The Tool FAQ, G2.
6. ^{{cite web|url=http://toolshed.down.net/faq/faq.html|title=The Tool FAQ|publisher=|accessdate=October 3, 2016}}
7. ^1 {{cite web|title=Tool's 'Lateralus' Leads Five Top-10 Debuts|url=http://www.billboard.com/articles/news/79641/tools-lateralus-leads-five-top-10-debuts}}
8. ^1 {{Cite web | last =Theiner | first =Manny | title =Concert Review: Tool's prog pleases populace | work =Pittsburgh Post-Gazette |date=September 28, 2006 | url =http://www.post-gazette.com/pg/06271/725443-42.stm |quote =...from its triple-platinum 1996 release, "Ænima." }}
9. ^1 {{cite web | url=http://www.acclaimedmusic.net/061024/A3618.htm | title=Tool – Ænima | work=acclaimedmusic.net | accessdate=June 25, 2007}}
10. ^1 {{cite web |url=http://www.rocklistmusic.co.uk/kerrang.html |title=Kerrang! End of Year Lists |accessdate=July 27, 2007 |work=Kerrang! }}
11. ^1 {{cite web |url=http://www.rocklistmusic.co.uk/terroris.htm |title=Terrorizer End of Year Lists |accessdate=July 27, 2007 |work=Terrorizer }}
12. ^1 {{cite web | title =40th Annual Grammy Awards – 1998 | work =Rock on the Net | url =http://www.rockonthenet.com/archive/1998/grammys.htm | accessdate =May 14, 2007 }}
13. ^1 {{cite web |url = http://www.rocklistmusic.co.uk/kerrang.html#50%20Most%20Influential|title = The Kerrang! 50 Most Influential Albums Of All Time|accessdate = February 21, 2011}}
14. ^{{Cite web|url=https://www.rollingstone.com/music/lists/the-100-greatest-metal-albums-of-all-time-w486923/tool-nima-1996-w487131|title=The 100 Greatest Metal Albums of All Time|website=Rolling Stone|access-date=2017-09-28}}
15. ^Radio interview which can be downloaded from the band's website.
16. ^The Tool FAQ, G25.
17. ^{{cite book | url = https://books.google.com/?id=grWO5XKtbCoC | title = Nu-Metal: The Next Generation of Rock & Punk | author = Joel McIver | publisher = Omnibus | year = 2002 | pages = 137 | accessdate = January 27, 2008 | isbn = 0-7119-9209-6}}
18. ^The Tool FAQ, G31.
19. ^{{cite journal | url=http://toolshed.down.net/articles/index.php?action=view-article&id=August_1997--Circus.html | date= August 1997 | title=Never Wanted To Be Rock Stars But They Are | journal=Circus | accessdate=June 25, 2006 | first=Edward | volume = 8 | last=Fruchtman }}
20. ^{{cite news | url = https://query.nytimes.com/gst/fullpage.html?res=9D03E7D71538F936A35752C1A960958260&n=Top/Reference/Times%20Topics/Subjects/R/Recordings%20(Audio) | title = Mad at Everybody, Including Themselves | author = Jon Pareles | work=The New York Times | date = November 5, 1996 | accessdate = January 27, 2008}}
21. ^The Tool FAQ, G43.
22. ^{{cite web |url=http://www.gracecathedral.org/enrichment/brush_excerpts/brush_20030226.shtml |title=Be Fruitful and Multiply |author=Macrone, Michael |work=Brush Up Your Bible |date=September 1993 |accessdate=March 8, 2007 |deadurl=yes |archiveurl=https://web.archive.org/web/20070414041701/http://www.gracecathedral.org/enrichment/brush_excerpts/brush_20030226.shtml |archivedate=April 14, 2007}}
23. ^The Tool FAQ, D7.
24. ^{{cite web|url=http://toolshed.down.net/tour/fall96/9611112.html|title=A Review of the Fall 1996 Tour|publisher=|accessdate=October 3, 2016}}
25. ^1 {{cite news | url = http://www.highbeam.com/doc/1P1-16769525.html | archive-url = https://web.archive.org/web/20121023052138/http://www.highbeam.com/doc/1P1-16769525.html | dead-url = yes | archive-date = October 23, 2012 | title = Tool: A Trip to Rock's Darker Side | publisher = The Columbian | date = August 20, 1998 | accessdate = May 21, 2007 | format = fee required | quote = ..."Die Eier Von Satan, or "The Egg of Satan," which sounds like A militant German speech.}}
26. ^{{cite news | url = http://www.highbeam.com/doc/1P2-810126.html | archive-url = https://web.archive.org/web/20121023052218/http://www.highbeam.com/doc/1P2-810126.html | dead-url = yes | archive-date = October 23, 2012 | title = Tool Could Use Some Retooling | author = Mark Jenkins | work=The Washington Post | date = November 29, 1996 | accessdate = May 21, 2007 | format = fee required | quote = ...a German rant on "Die Eier von Satan," ...}}
27. ^1 {{cite news | url = http://nl.newsbank.com/nl-search/we/Archives?p_product=AS&p_theme=as&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0F81CCFD331A6968&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D | title = Tool of the devil or tuneful psychonauts? | publisher = Anchorage Daily News | date = September 27, 2002 | accessdate = May 21, 2007 | format = fee required | quote = Die Eier von Satan from 1996's Aenima sounds like a Nazi pep rally But is really a megaphone recitation of a cookie recipe in German...}}
28. ^{{cite web | url = http://www.toolband.com/news/letter/2005_09.php | title = Tool Newsletter, September, 2005 e.v. | author = Blair MacKenzie Blake | publisher = Tool| accessdate = May 21, 2007}}
29. ^{{cite web | url = http://ingeb.org/Lieder/aufeinem.html | title = Auf einem Baum ein Kuckuck saß | author = Frank Petersohn | publisher = ingeb.org | accessdate = May 21, 2007 | language = German}}
30. ^{{cite web|url=https://www.youtube.com/watch?v=h-j-fgHdGbk|title=Tool - Die Eier Von Satan (Live) [Rare]|first=|last=Fox Gonzo Humbert|date=October 1, 2013|publisher=|accessdate=October 3, 2016|via=YouTube}}
31. ^1 2 {{cite web | url = http://www.mywire.com/pubs/RoughGuidesMusic/1999/10/01/284720?extID=10051 | title = Rough Guides Music: TOOL | author = Craig Joyce | publisher = Rough Guides, KeepMedia | date = October 1, 1999 | accessdate = May 21, 2007 | quote = ...“Die Eier Von Satan” being an interesting attempt at Einstürzende Neubauten-type experimentation, and the lyrics being a recitation in German of a Mexican wedding cookie recipe.}}
32. ^1 {{cite web | url = http://www.collegian.psu.edu:8080/archive/1996_jan-dec/1996_oct/1996-10-25_the_daily_collegian/1996-10-25d05-008.htm | title = Tool's Ænima: More songs about paranoia and death | author = David Andrews | publisher = The Daily Collegian | date = October 25, 1996 | accessdate = May 21, 2007 | quote = ...rhythms of "Die Eier Von Satan," which sounds like a hydraulic press. The song diverges briefly from the usual Tool sound, showing experimentation in an apparent homage to Einstürzende Neubauten, a German prototype to similarly revolutionary music. }}
33. ^{{cite news | url = http://www.highbeam.com/doc/1G1-30581564.html | archive-url = https://web.archive.org/web/20121023052227/http://www.highbeam.com/doc/1G1-30581564.html | dead-url = yes | archive-date = October 23, 2012 | title = Aenima: Tool | publisher = What Magazine | date = November 1, 1996 | accessdate = May 21, 2007 | format = fee required | quote = "Die Eier Von Satan" and is as hokee lokee as any Tom Waits or Einsterzende Neubaten tip of the ice pick could ever be.}}
34. ^{{cite news | url = http://nl.newsbank.com/nl-search/we/Archives?p_product=NJ&p_theme=nj&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0FAD9AA0E01A0658&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D | title = Tool hammers 'prog metal' | author = Rick de Yampert | work = The Daytona Beach News-Journal | date = December 13, 1996 | accessdate = January 27, 2008 | format = fee required | quote = "Pushit" is a chilling bad-love song in which we don't know if the narrator is victim...}}
35. ^{{cite news | url = http://www.variety.com/review/VE1117467336.html?categoryid=34&cs=1 | title = Tool Review | author = Troy J. Augusto | work = Variety | date = April 2, 1998 | accessdate = January 27, 2008 | quote = "Pushit" was slowed and bent into a somber mood piece...}}
36. ^{{cite news | url = http://www.lacitybeat.com/article.php?id=1428&IssueNum=77 | title = Pix Mix Hicks Licks | author = Don Waller | publisher = Los Angeles CityBeat | date = November 25, 2004 | accessdate = May 21, 2007 | archiveurl = https://web.archive.org/web/20070926222912/http://www.lacitybeat.com/article.php?id=1428&IssueNum=77 |archivedate = September 26, 2007}}
37. ^{{cite web | url = http://men.style.com/details/features/full?id=content_4121 | title = Matthew McConaughey | author = Bart Blasengame | publisher = Style.com | accessdate = May 21, 2007 | pages = 1 }}
38. ^{{cite news | url = http://www.theage.com.au/news/music/is-anyone-listening/2006/05/03/1146335806864.html | title = Is anyone listening?| work=The Age |location=Australia | pages = 1 | date = May 5, 2006 | accessdate = January 18, 2008}}
39. ^The Tool FAQ, D11.
40. ^{{cite web | url = http://www.happypencil.com/illus/illus1.html | title = Smoke Box – digital composite | author = Cam de Leon | publisher = Happy Pencil | accessdate = May 21, 2007}}
41. ^{{cite web | url = http://www.happypencil.com/illus/illus3.html | title = Ocular Orifice – Photoshop | author = Cam de Leon | publisher = Happy Pencil | accessdate = May 21, 2007}}
42. ^The Tool FAQ G8
43. ^1 {{cite web|url=http://www.allmusic.com/album/%C3nima-mw0000074782|title=Ænima – Tool|publisher=AllMusic|accessdate=October 3, 2016|last=Theakston|first=Rob}}
44. ^{{cite book|title=The Encyclopedia of Popular Music|last=Larkin|first=Colin|authorlink=Colin Larkin (writer)|publisher=Omnibus Press|edition=5th concise|year=2011|isbn=0-85712-595-8}}
45. ^1 {{cite web|url=http://www.ew.com/ew/article/0,,294377,00.html|title=Aenima|work=Entertainment Weekly|date=October 4, 1996|accessdate=April 23, 2012|last=Wiederhorn|first=Jon|page=62}}
46. ^{{cite news|url=https://www.chron.com/music/article/POP-CDS-Live-Nirvana-Over-the-Brink-2965317.php|title=Tool, Aenima, Zoo|work=Houston Chronicle|date=September 29, 1996|accessdate=February 24, 2018|last=Vaziri|first=Aidin}}
47. ^{{cite news|url=http://articles.latimes.com/1996-10-06/entertainment/ca-50938_1_new-tools|title=Hammering It Out With New Tools|work=Los Angeles Times|date=October 6, 1996|accessdate=February 24, 2018|last=Masuo|first=Sandy}}
48. ^1 {{cite book|chapter=Tool|last=Kot|first=Greg|authorlink=Greg Kot|title=The New Rolling Stone Album Guide|editor1-last=Brackett|editor1-first=Nathan|editor2-last=Hoard|editor2-first=Christian|publisher=Simon & Schuster|edition=4th|year=2004|isbn=0-7432-0169-8|pages=818–19}}
49. ^1 {{cite news|url=https://pqasb.pqarchiver.com/USAToday/doc/306766696.html?FMT=ABS&FMTS=ABS:FT&date=Oct+29%2C+1996&author=Gundersen%2C+Edna%3B+Jones%2C+Steve%3B+Stearns%2C+David+Patrick%3B+Zimmerman%2C+David&pub=USA+TODAY+(pre-1997+Fulltext)&edition=&startpage=&desc=Sheik%27s+wide%2C+romantic+rock+Other+strong+offerings+from+Johnnys+Paycheck+and+Gill|title=Tool, Aenima|work=USA Today|date=October 29, 1996|accessdate=August 20, 2013|last=Gundersen|first=Edna|authorlink=Edna Gundersen}}
50. ^{{cite web|url=https://www.rollingstone.com/music/albumreviews/aenima-19961205|title=Aenima|last=Fricke|first=David|authorlink=David Fricke|work=Rolling Stone|date=December 5, 1996|accessdate=April 24, 2014}}
51. ^{{Cite journal|journal=Guitar World|date=October 2006|title=100 Greatest Guitar Albums}} A copy can be found at {{cite web |url= http://rateyourmusic.com/list/Boggs1027/guitar_worlds_100_greatest_guitar_albums_of_all_time |title=Guitar World's 100 Greatest Guitar Albums Of All Time – Rate Your Music |work=rateyourmusic.com |accessdate=October 12, 2011}}
52. ^{{cite web | url= https://www.teamrock.com/news/2014-10-03/rush-neil-peart-influential-prog-drummer | title= Peart named most influential prog drummer | publisher=TeamRock | date=3 October 2014 | accessdate=21 August 2015}}
53. ^{{Cite web|url=https://www.ascap.com/repertory|title=ACE Repertory|last=ACE|website=www.ascap.com|access-date=2017-07-05}}
54. ^http://www.firstpost.com/living/as-tools-aenima-turns-20-years-old-producer-david-bottrill-tells-us-if-it-has-aged-and-much-more-3029390.html
55. ^{{cite web | url=http://www.aria.com.au/pages/aria-charts-accreditations-albums-1997.htm | title=Accreditations - 1997 albums | publisher=Australian Recording Industry Association | accessdate=January 26, 2013}}
56. ^{{cite web|url=http://www.musiccanada.com/GPSearchResult.aspx?st=&sa=Tool&smt=0|title=Page not found|publisher=|accessdate=October 3, 2016|deadurl=yes|archiveurl=https://www.webcitation.org/6JeHErqyK?url=http://www.musiccanada.com/GPSearchResult.aspx?st%3D%26sa%3DTool%26smt%3D0|archivedate=September 15, 2013|df=mdy-all}}

Sources

  • {{cite web | url = http://toolshed.down.net/faq/faq.html | title = The Tool FAQ | author = Kabir Akhtar | publisher = The Tool Page | date = July 16, 2001 | accessdate = May 13, 2007}}

External links

{{Wikiquote}}
  • [https://www.discogs.com/Tool-Aenima-Advance-Copy/master/1402 Ænima] at Discogs
  • {{MusicBrainz release group|id=ef1e8130-dd5f-336a-85fa-4936a47342bd}}
{{Tool (band)}}{{Portal bar|1990s|United States|Heavy metal|Progressive rock|Rock music|Music}}{{DEFAULTSORT:Aenima}}

6 : Alternative metal albums|Tool (band) albums|Albums produced by David Bottrill|1996 albums|Zoo Entertainment (record label) albums|Grammy Award for Best Metal Performance
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