词条 | Ema Saikō |
释义 |
Ema produced paintings, poetry and calligraphy throughout the 1820s-1850s, gaining fame both in her hometown as well as in Kyoto and becoming one of the first women bunjinga to gain widespread recognition. Her bamboo paintings were distinguished by their crisp and clear brushwork. Later in her career she began to produce fuller landscape paintings which used a unique method of combining dry brushstrokes with washes. Never married, many of Ema's poems suggest she was saddened by her solitary life. Other work is more cheerful and draws from nature imagery. She also took pride in the work of other female artists of the era: one of her scrolls listed paintings and calligraphy from 22 different women which Ema owned.[1][2] In 1856, she suffered a cerebral hemorrhage which severely affected her health. She produced paintings for the Toda clan and was invited to Ōgaki Castle to be recognized for her work, but suffered a stroke in 1861 and died later that year.[1][2] References1. ^1 2 {{cite book|last1=Fister|first1=Patricia|title=Japanese Women Artists 1600-1900|date=1988|publisher=Spencer Museum of Art, University of Kansas|location=Lawrence, Kansas|isbn=0-913689-25-4|pages=100–103}} {{authority control}}{{DEFAULTSORT:Ema, Saiko}}2. ^1 2 {{cite book|last1=Fister|first1=Patricia|editor1-last=Bernstein|editor1-first=Gail Lee|title=Recreating Japanese Women, 1600-1945|date=1991|publisher=University of California Press|isbn=9780520070172|chapter=Female Bunjin: The Life of Poet-Painter Ema Saikō}} 10 : 1787 births|1861 deaths|Japanese women poets|Japanese painters|Japanese calligraphers|Artists from Gifu Prefecture|19th-century Japanese poets|Women calligraphers|Writers from Gifu Prefecture|19th-century women writers |
随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识,基本涵盖了大多数领域的百科知识,是一部内容自由、开放的电子版国际百科全书。