“Fifth Moon Group”的意思、由来-开放百科全书

Fifth Moon Group ({{zh|s=五月画会|t=五月畫會}}), also known as Fifth Moon Art Group, is a group of contemporary Chinese artists who pioneered the modern art movement in post-war Taiwan between 1956/57 and the 1970s. Members of the group were born in Mainland China and later migrated to Taiwan. The heyday of the group came during the 1960s–70s, coinciding with the period of the Great Cultural Revolution in Mainland China. Fifth Moon Group is closely related to and usually associated with the Eastern Painting Group (東方畫會) in membership, artistic works and exhibitions.

Formation

The idea of Fifth Moon Group came about as an answer to the group of friends’ growing discontent with the conservative and lackluster art scene in Taiwan. During their first three years of National Taiwan Normal University, the would-be members of the Fifth Moon Group visited the annual Taiwan Provincial Fine Arts Exhibition and found the award-winning artworks to be poorly made and lacking in both diversity and variety. In their fourth year, the group decided to participate and did not get chosen into the exhibition. Incentivized by the incident, the group decided to hold their own exhibition; later, they received support from their university tutor.^[1]

Fifth Moon Group was officially founded in May 1957 by a group of painters who were graduates from the Art Department at the National Taiwan Normal University (Traditional Chinese: 國立臺灣師範大學). The leading figure of the group is Liu Kuo-sung, and core members consist of Liu Kuo-sung (Liu Guosong, 劉國松), Chuang Tse (Zhuang Zhi, 莊喆), Feng Chung-jui (Feng Zhongrui, 馮鍾睿), Kuo Tung-jung (Guo Dongrong, 郭東榮), Li Fang-chih (Li Fangzhi, 李芳枝), Kuo Yu-lun (Guo Yulun, 郭豫倫), Chen Jing-rong (陳景容), and Ku Fu-Sheng (Gu Fusheng, 顧福生), and they were subsequently joined by other artists including Chen Ting-shi (陳庭詩) and Han Hsiang-ning (Han Xiangning, 韓湘寧).^[2]

Development

Artistic style

Since their emergence, Fifth Moon Group has been reputed to be the pioneers who modernised Chinese paintings and revolutionised the Taiwanese art scene.

While artists in the West were developing and experimenting new styles since the late 19th and early 20th centuries, artists in China were still content with banal or overused representations of the past and (or) social realism. Many were constrained by the pressure of traditional styles and very few were able to produced works that might be qualified as modern. The Fifth Moon Group’s emergence and works helped to pitch Chinese painting into the twentieth century. From the 1960s onwards, the Group became the pioneering art society in Taiwan, using the new modern style as their visual manifesto.^[3] Their iconic style is a hybridisation of bold brush strokes of Eastern calligraphy tradition and shapes and colours of Western aesthetics, characterised by innovative representation of freedom, conceptualisation, and format of painting.^[4]

Members

Chuang Tse (Zhuang Zhi, 莊喆), Feng Chung-jui (Feng Zhongrui, 馮鍾睿), Kuo Tung-jung (Guo Dongrong, 郭東榮), Li Fang-chih (Li Fangzhi, 李芳枝), Kuo Yu-lun (Guo Yulun, 郭豫倫), Chen Jing-rong (陳景容), and Ku Fu-Sheng (Gu Fusheng, 顧福生), and they were subsequently joined by other artists including Chen Ting-shi (陳庭詩) and Han Hsiang-ning (Han Xiangning, 韓湘寧).

When Liu Kuo-sung went to the United States in 1966, he invited Margaret Chang to join the Fifth Moon Group's exhibition. During the 1970s, she participated in many exhibitions of the group.

Exhibitions

Collections

Notes and references

1. ^{{Cite news|url=https://www.blouinartinfo.com/news/story/1383159/interview-liu-kuo-sung-on-the-formation-of-the-fifth-moon|title=Interview: Liu Kuo-Sung on the Formation of the Fifth Moon Group {{!}} Artinfo|work=Artinfo|access-date=2018-11-24|language=en}}
2. ^{{Citation|last=McIntyre|first=Sophie|title=Fifth Moon Art Group (Wu yue hua hui)|url=https://www.rem.routledge.com/articles/fifth-moon-art-group-wu-yue-hua-hui|work=Routledge Encyclopedia of Modernism|publisher=Routledge|language=en|doi=10.4324/0123456789-rem1892-1|isbn=9781135000356|access-date=2018-11-24}}
3. ^{{Cite web|url=http://huchichung.com/Hu_Chi_Chung___Artist_-_The_Fifth_Moon_Group.html|title=Hu Chi Chung {{!}} Artist - The Fifth Moon Group|website=huchichung.com|language=en|access-date=2018-11-24}}
4. ^{{Cite news|url=https://www.blouinartinfo.com/news/story/1383159/interview-liu-kuo-sung-on-the-formation-of-the-fifth-moon|title=Interview: Liu Kuo-Sung on the Formation of the Fifth Moon Group {{!}} Artinfo|work=Artinfo|access-date=2018-11-24|language=en}}
5. ^The Search for the Avant-Garde 1946-69. TFAM Collection Catalogue. Taipei Fine Arts Museum, volume II, 2011 reprint 2012, {{p.|229}} {{ISBN|978-986-03-0997-3}}
6. ^The Search for the Avant-Garde 1946–69. TFAM Collection Catalogue. Taipei Fine Arts Museum, volume II, 2011 reprint 2012, {{p.|125}} {{ISBN|978-986-03-0997-3}}
7. ^The Search for the Avant-Garde 1946–69. TFAM Collection Catalogue. Taipei Fine Arts Museum, volume II, 2011 reprint 2012, {{p.|309}} {{ISBN|978-986-03-0997-3}}
8. ^Michael Sullivan. Art and Artists of Twentieth-Century China. University of California Press, 1996, {{p.|210}} {{ISBN|978-0-520-07556-6}}
9. ^{{Cite news|url=https://english.zsh.gov.taipei/News_Content.aspx?n=F0B9627681BE3EB7&sms=2190547C60526D6B&s=1CC7CDC49E62AB56|title=Major Events in the History of Zhongshan Hall|last=Hall|first=Taipei Zhongshan|date=2016-03-15|work=Taipei Zhongshan Hall|access-date=2018-11-24|language=English}}

Catalogues

Lü Peng. Histoire de l'art chinois au XXe siècle. Somogy, éditions d'art. Paris. 2013, {{p.|438–469}}. {{ISBN|978-2-7572-0702-4}}

Michael Sullivan. Art and Artists of Twentieth-Century China. University of California Press. 1996, 1984–85. {{ISBN|978-0-520-07556-6}}. Consulté le 3 juillet 2012.

Five Chinese Painters, Fifth Moon Exhibition. National Museum of History, Taipei, 1970.

Julia F.Andrews and Kuiyi Shen. The Art of Modern China. University of California Press, 2012. {{p.|248–49}}.

Michael Sullivan. Moderne chinese artists, a biographical dictionary. University of California Press. 2006. {{ISBN|978-0-520-24449-8}}

Asian traditions/ modern expressions: Asian American Artists and Abstractions, 1945–1970. Edited by Jeffrey Weschler, Harry N. Abrams, Inc., Publishers, in association with the Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey. 1997. Reminiscences of Mi Chou: The First Chinese Gallery in America by Franck Fulai Cho {{p.|210}}. {{ISBN|0-8109-1976-1}}

Formless Form: Taiwanese Abstract Art. Taipei Fine Arts Museum. 2012. {{ISBN|978-986-03-5352-5}}

The Search for the Avant-Garde 1946–69. TFAM Collection Catalogue. Volume II. Taipei Fine Arts Museum. 2011. reprint 2012. {{p.|11}}. {{ISBN|978-986-03-0997-3}}

The Modernist Wave. Taiwan Art in the 1950s and 1960s. National Taiwan Museum of Fine Arts. 2011. {{p.|137}}, 139, 147, 148, {{ISBN|978-986-02-8859-9}}

Julia F. Andrews et Kuiyi Shen. The Art of Modern China. University of California Press, 2012. {{p.|248–49}}.