| 词条 | Flemish Expressionism | ||||
| 释义 |
DevelopmentThe movement originated with Albert Servaes, member of the first artist colony at Sint-Martens-Latem, who gradually moved from Symbolism to a new style from 1905 on.[4] From 1911 on, his influence became visible in the work of Constant Permeke, who is usually considered the foremost master of the movement.[5] It was centred around an art colony in Sint-Martens-Latem, an idyllic village on the banks of the river Lys in East Flanders, near Ghent. Permeke had studied art in Ghent, together with Gustave de Smet and Frits Van den Berghe. Before the First World War, emerging Belgian Expressionists such as Frits Van den Berghe, Gustave De Smet and Constant Permeke were inspired by Fauvism and to some extent by Cubism, emulating the bright Impressionist approach of Émile Claus and Théo van Rysselberghe. Rik Wouters in particular was attracted by the Fauvists but he died in 1916 after suffering from a serious illness.[6] During World War I, most painters from Sint-Martens-Latem fled Belgium: Gustaaf Van de Woestijne, Léon de Smet and others lived in London, where they continued working in a late Impressionistic style. Permeke also lived in England but already painted in a monumental, dark expressionism. Gustave De Smet and Frits Van den Berghe lived in the Netherlands, where in about 1916 they changed their style from a melancholy Impressionism to the new Expressionism, influenced by Dutch painters like Jan Sluyters, the German Heinrich Campendonk, and the French cubist Henri Le Fauconnier who also lived in the Netherlands during the war.[4] This version of Flemish Expressionism, influenced by contructivism, futurism and cubism, continued after the war in the short-lived art colony in Blaricum, where van den Berghe and De Smet joined Jozef Cantré.[4] After the war, most artists went to live in and around Sint-Martens-Latem, establishing what has been called the second school of Latem. In the 1920s, while Permeke, De Smet and Van den Berghe painted in Ghent, at the European level it was Brussels which became closely associated with the evolving Flemish Expressionist scene. By 1930, Van den Berghe had been attracted by Surrealism while Realism had influenced the work of De Smet. On the other hand, Edgard Tytgat developed his Expressionist style rather later than the others. Concentrating on story telling, he presented a somewhat satirical view of mankind, especially in his paintings of men and women.[6] Flemish Expressionism has been called "Belgium's most important contribution to modern art".[7] Artists
GalleryNotes1. ^1 2 3 {{cite journal|last1=Cygelman|first1=Adele|title=Flemish Expressionism|journal=Orange Coast Magazine|date=December 1986|url=https://books.google.be/books?id=IxEEAAAAMBAJ&pg=PA319&dq=%22flemish+expressionism%22&hl=en&sa=X&ved=0ahUKEwjisfOrzYLaAhXpJsAKHVPyCWoQ6AEILzAB#v=onepage&q=%22flemish%20expressionism%22&f=false}} 2. ^{{cite book|last1=Brooker|first1=Peter|title=The Oxford Critical and Cultural History of Modernist Magazines: Europe 1880 - 1940|date=2013|publisher=Oxford University Press|isbn=9780199659586|page=354|url=https://books.google.be/books?id=bvsfioiQ8k8C&pg=PA322&dq=%22flemish+expressionism%22&hl=en&sa=X&ved=0ahUKEwjisfOrzYLaAhXpJsAKHVPyCWoQ6AEIPTAE#v=onepage&q=%22flemish%20expressionism%22&f=false}} 3. ^{{cite web|url=http://belgischekunst.be/2012/10/het-vlaams-expressionisme/|title=Het Vlaams expressionisme|author=Elias, Willen|publisher=Aspecten van de Belgische kunst na '45|date=5 October 2012|accessdate=30 March 2018 |language=Dutch}} 4. ^1 2 {{cite book|last1=Peeters|first1=Guido|title=Kunst in Vlaanderen|date=1979|publisher=Elsevier|page=84-87}} 5. ^{{cite book|last1=Ruhrberg|first1=Karl|title=Art of the 20th Century, Part 1|date=2000|publisher=Taschen|isbn=9783822859070|page=65|url=https://books.google.be/books?id=069rL6vA1BAC&pg=PA65&dq=%22flemish+expressionism%22&hl=en&sa=X&ved=0ahUKEwjisfOrzYLaAhXpJsAKHVPyCWoQ6AEISDAG#v=onepage&q=%22flemish%20expressionism%22&f=false}} 6. ^1 {{cite web|url=http://www.kunstbus.nl/kunst/vlaams-expressionisme.html|title=Vlaams-Expressionisme|publisher=Kunstbus|accessdate=30 March 2018 |language=Dutch}} 7. ^{{cite book|last1=Muller|first1=Sheila D.|title=Dutch Art: An Encyclopedia|date=2013|publisher=Routledge|isbn=9781135495749|page=41|url=https://books.google.be/books?id=ZPhLoy0FICMC&pg=PA41&dq=%22flemish+expressionism%22&hl=en&sa=X&ved=0ahUKEwjisfOrzYLaAhXpJsAKHVPyCWoQ6AEIODAD#v=onepage&q=%22flemish%20expressionism%22&f=false}} 3 : Expressionism|Belgian art movements|Flemish art |
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