| 词条 | Frances Phoenix |
| 释义 |
| honorific_prefix = | name = | honorific_suffix = | image = | image_size = | alt = | caption = | birth_name = | birth_date = | birth_place = | death_date = | death_place = | resting_place = | resting_place_coordinates = | nationality = | education = | alma_mater = | known_for = | notable_works = | style = | movement = | spouse = | awards = | elected = | patrons = | memorials = | website = | module = | native_name = | native_name_lang = }} Frances Phoenix (née Budden) (1950-2017) was an Australian feminist artist known for needlework and poster designs. Phoenix contributed to both Sydney and Adelaide's Women's Art Movements and multiple community art projects.[1] With Marie McMahon, she was a founding member of the Women's Domestic Needlework Group and contributed to Judy Chicago's The Dinner Party (1974-1979).[2] She continued to study and practice art for the rest of her life. Her needlework and poster designs are held in national collections. BiographyFrances Phoenix, née Budden, was born in 1950. She originally studied to become a teacher at the National Art School and Alexander Mackie Teacher’s College, Sydney. In 1974, she joined Australia's first Women's Art Movement, based in Sydney.[3] Around this time, Phoenix began experimentations with domestic needlework, generating central core imagery, Australiana and activist slogans in stitch.[3] With Marie McMahon, Phoenix began a doily archive, researching the history of women's needlework and running women's needlework classes at Sydney University's Tin Sheds.[4] With Joan Grounds, Bernadette Krone, Kathy Letray, Patricia McDonald, Noela Taylor and Loretta Vieceli, McMahon and Phoenix formed the Women's Domestic Needlework collection, preparing the archive for a touring exhibition, beginning at Watters Gallery, Sydney.[5] The group supplemented the exhibition with research in Lip, two publications: The D’oyley Show: An Exhibition of Women’s Domestic Fancywork [6] and Work for Dainty Fingers [5] and a series of 10 screenprinted posters.[7] With Marie Machon, Phoenix travelled to the united States of America to contribute needlework skills to Judy Chicago's The Dinner Party (1974–79). Phoenix' account of the experience is detailed in her publication Our story/Herstory? Working on Judy Chicago's Dinner Party.[8] While in Sydney, Phoenix was also a founding member of Matilda Graphics and the local feminist arts publication F/Arts. In the early 1980s, Phoenix joined the Adelaide Women's Art Movement. She spearheaded multiple community art projects including Double our Numbers and The Alchemists' Teaparty. She continued to study throughout her life, completing Masters of Visual Art on The critical corpse : re-(inter)preting the abject dead animal in visual art at the University of South Australia.[9] Works
Exhibitions
References1. ^{{Cite web|url=http://www.nationalwomenslibrary.org.au/wp-content/uploads/2017/11/November-2017.pdf|title="Frances Phoenix: feminist and artist" in Jessie Street National Women's Library newsletter|last=Mayhew|first=Louise|date=|website=|archive-url=https://web.archive.org/web/20180311060246/http://www.nationalwomenslibrary.org.au/wp-content/uploads/2017/11/November-2017.pdf|archive-date=11 March 2018|dead-url=no|access-date=|df=dmy-all}} {{authority control}}{{DEFAULTSORT:Phoenix, Frances}}2. ^{{Cite web|url=https://collection.maas.museum/object/369339|title='Women who toiled' poster by the Womens Domestic Needlework Group|website=collection.maas.museum|language=en|access-date=11 March 2018|deadurl=no|archiveurl=https://web.archive.org/web/20180311060244/https://collection.maas.museum/object/369339|archivedate=11 March 2018|df=dmy-all}} 3. ^1 {{Cite web|url=http://www.outskirts.arts.uwa.edu.au/volumes/volume-29/adams-jude-looking-with-in|title=Jude Adams|last=Australia,|first=The University of Western|website=www.outskirts.arts.uwa.edu.au|language=en|access-date=11 March 2018|deadurl=no|archiveurl=https://web.archive.org/web/20170701033500/http://www.outskirts.arts.uwa.edu.au/volumes/volume-29/adams-jude-looking-with-in|archivedate=1 July 2017|df=dmy-all}} 4. ^{{Cite book|url=https://www.worldcat.org/oclc/36180987|title=Under a hot tin roof : art, passion, and politics at the Tin Sheds Art Workshop|last=Therese.|first=Kenyon,|date=1995|publisher=State Library of New South Wales Press|others=Tin Sheds Art Workshop., Power Institute of Fine Arts.|isbn=9780730589334|location=Sydney|oclc=36180987}} 5. ^1 {{Cite book|url=https://www.worldcat.org/oclc/27622188|title=The D'oyley show : an exhibition of women's domestic fancywork.|date=1979|publisher=D'oyley Publications|isbn=9780959579512|location=Sydney|oclc=27622188}} 6. ^{{Cite book|title=Work for Dainty Fingers|last=Women's Domestic Needlework Group|publisher=D'Oyley Publications|year=1979|isbn=|location=|pages=}} 7. ^{{Cite web|url=https://collection.maas.museum/search?people[0]=Womens%20Domestic%20Needlework%20Group|title=|last=|first=|date=|website=|archive-url=https://web.archive.org/web/20180311060244/https://collection.maas.museum/search?people|archive-date=11 March 2018|dead-url=no|access-date=|df=dmy-all}} 8. ^{{Cite book|title=Our story/ herstory?: working on Judy Chicago's 'Dinner party'|last=Phoenix|first=Frances|publisher=Phoenix Publications|year=1982|isbn=|location=|pages=}} 9. ^{{Cite book|title=The critical corpse : re-(inter)preting the abject dead animal in visual art|last=Phoenix|first=Frances|publisher=|year=|isbn=|location=|pages=}} 4 : 1950 births|2017 deaths|National Art School alumni|Australian women artists |
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