词条 | Gilles Carpentier |
释义 |
BiographyAfter various menial jobs at the PTT or in the cinema, then a journalist with the cultural section of {{ill|Rouge (presse)|fr|3=Rouge (presse)|lt=Rouge}} in the 1970s, where he published numerous chronicles on free jazz, Carpentier also became a reader for the Éditions du Seuil.[1] In charge of the manuscript service and member of its reading committee from 1981, he was a full-fledged publisher in 1992 and until 2003.[1] He discovered Agota Kristof with the novel {{ill|Le Grand Cahier|fr|3=|lt= The Notebook}}[2] which became a great success in France and also the writer Abdelhak Serhane.[1] He also edited numerous African and Francophone authors including Aimé Césaire (whose complete poetry he edited), Ahmadou Kourouma, Sony Labou Tansi, Kateb Yacine, Kossi Efoui, or Tierno Monenembo.[1][2] Éditions du Seuil greeted him as an "immense reader and discoverer of talent".[1] He was also the author of six books, which were all in one way or another about one of his favorite subjects, the contemporary city. His latest novel, Les Bienveillantes [not to be mistaken with J. Littell's eponymous work (2006)] is written in an entirely dialogued form. Les Manuscrits de la marmotte published in 1984, earned him the Prix Fénéon for literature. Works
References1. ^1 2 3 4 5 Disparition de Gilles Carpentier {{Authority control}}{{Portal bar|French literature|Africa}}{{DEFAULTSORT:Carpentier, Gilles}}2. ^1 Mort de Gilles Carpentier 9 : 1950 births|Writers from Paris|2016 deaths|20th-century French writers|20th-century French male writers|21st-century French writers|French editors|Prix Fénéon winners|French male non-fiction writers |
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