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词条 Glenn Adamson
释义

  1. Personal life

  2. Museum and curatorial work

     Museum of Arts and Design  Victoria and Albert Museum  Chipstone Foundation  Guest curatorial work 

  3. Selected publications

     Books  Book collaborations  Articles and essays  The Journal of Modern Craft 

  4. References

{{Infobox person
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| nationality = American
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| alma_mater = Cornell University
Yale University
| occupation = Author,
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Researcher
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}}Glenn Adamson (born 1972) is an American curator, author, and historian whose research and work focuses on the intersections of design, craft, and contemporary art.[1] Adamson is currently the Senior Scholar at the Yale Center for British Art,[2] Editor-at-Large of The Magazine Antiques,[3] Editor of Journal of Modern Craft, and a freelance writer and curator. Adamson has held previous notable appointments as the Director of the Museum of Arts and Design, Head of Research at the Victoria and Albert Museum, and as Curator at the Chipstone Foundation.[4]

Personal life

Glenn Adamson was born in 1972 and raised in Boston, Massachusetts along with his identical twin brother Peter Adamson.[5] Glenn Adamson earned his B.A. in History of Art from Cornell University in 1994 and his PhD in Art History from Yale University in 2001.[6] Adamson is currently based in Brooklyn, New York.[7]

Museum and curatorial work

Museum of Arts and Design

From 2013 to 2016 Glenn Adamson served as the Nanette L. Laitman Director of the Museum of Arts and Design in New York City, NY. Adamson's hire at the Museum of Arts and Design came as a somewhat surprise.[8] Previously, Adamson had been a critic of the museum, using a 2011 review of the exhibition The Global Africa Project in the magazine Art in America to critique the institution itself. Adamson's critiques included the architecture of the museum's new building and their gallery layouts, the 2002 name change, and the "incoherent execution" of exhibitions.[9] Holly Hotchner, director of the Museum of Arts and Design from 1996 to 2013, responded to Adamson's critiques in a letter to the editor of Art in America in 2011 where she defended many of the topics Adamson critiqued.[10] In spite of this previous tension, the museum found Adamson to be the "most exciting candidate"[8] when searching for Hotchner's replacement in 2013.

In 2016, when Adamson stepped down from his post as Director at the Museum of Arts and Design, the museum stated:

"During his tenure, Dr. Adamson led the institution through a period of significant growth of its programming and resources, and built a new leadership team. Dr. Adamson spearheaded an exhibitions program that explored and expanded MAD’s unique mission and role in the arts ecology of New York and the nation, including NYC Makers: The MAD Biennial; Ralph Pucci: The Art of the Mannequin; Pathmakers: Women in Art, Craft, and Design, Midcentury and Today; Wendell Castle Remastered; Studio Job: MAD HOUSE; and Voulkos: The Breakthrough Years. Dr. Adamson created the position of Windgate Research Curator, in collaboration with the Bard Graduate Center, to further enhance the scholarship of MAD’s publications and exhibitions. He also expanded MAD’s noted artist-in-residence program by engaging younger artists from traditionally under-represented communities, through an initiative funded by a grant from the New York Community Trust." [11]

Victoria and Albert Museum

From 2005 to 2013 Glenn Adamson served as the Head of Research at the Victoria and Albert Museum.[12] During his time there, Adamson published several books and essays, as well as co-curated the exhibition Postmodernism: Style and Subversion 1970-1990 along with Jane Pavitt.[13] Adamson was also a key proponent in initiating the "Rapid Response Unit" of the V&A, where contemporary objects like 3D printed guns and "pussy hats" are added to the museum's collection quickly in direct response to contemporary culture.[14]

Chipstone Foundation

Glenn Adamson served as Curator for the Chipstone Foundation from 2000-2005.[3] The Chipstone Foundation focuses on the study, preservation, and championing of American material culture with heavy emphases on the decorative arts.[15] This mission can be seen reflected in Adamson's work there, where he curated such historically American focused exhibitions as Skin Deep: Three Masters of American Inlay and Tea Table Coffee Table.[16][17] In addition to his curatorial work, Adamson also made regular contributions to the Chipstone's journals American Furniture and Ceramics in America.[18][19][20][21]

Guest curatorial work

  • 2003 Industrial Strength Design: How Brooks Stevens Shaped Your World, Milwaukee Art Museum, Milwaukee, WI[22][23]
  • 2013 fix fix fix, Gallery SO, London, UK[24][25]
  • 2017 "Things of Beauty Growing”: British Studio Pottery (co-curated with Martina Droth and Simon Olding), Yale Center for British Art, New Haven, CT[26]
  • 2017 Static,Friedman Benda Gallery, New York City, NY[27][28]
  • 2017 Beazley Designs of the Year, Design Museum, London, UK[29][30]
  • 2018 Raw Design, Museum of Craft and Design, San Francisco, CA[31]
  • 2018 When Attitudes Becomes Chairs, Pizzuti Collection, Columbus, OH [32][33]

Selected publications

Books

  • Fewer Better Things: The Hidden Wisdom of Objects (Bloomsbury, 2018)[34]
  • The Invention of Craft (Bloomsbury, 2013)[35]
  • The Craft Reader (Berg, 2010)[36]
  • Thinking Through Craft (Berg, 2007)[37]
  • Industrial Strength Design: How Brooks Stevens Shaped Your World (MIT Press, 2003)[38]

Book collaborations

  • Creating Ourselves: The Self in Art (Whitechapel Gallery, 2017) (co-authored with Frances Borzello, Nicholas Cullinan, and Amelia Jones)[39]
  • Art in the Making: Artists and Their Materials from the Studio to Crowdsourcing (Thames & Hudson, 2016) (co-authored with Julia Bryan-Wilson)[40]
  • Things of Beauty Growing: British Studio Pottery (Yale University Press, 2016) (co-edited with Martina Droth, and Simon Olding)[2]
  • Peter Voulkos: The Breakthrough Years (Black Dog Publishing, 2016) (co-authored with Elissa Auther, Barbara Paris Gifford, Jim Melchert, Ruby Neri, Andrew Perchuk, and Jenni Sorkin)[41]
  • Paul Evans: Crossing Boundaries and Crafting Modernism (Arnoldsche, 2014) (co-authored with Edward S. Cooke, Jr., Helen W. Drutt English, Robert Slifkin, and Gregory Wittkopp)[42]
  • Surface tensions: Surface, finish and the meaning of objects (Manchester University Press, 2013) (co-edited with Victoria Kelley)[43]
  • Global Design History (Routledge, 2011) (co-edited with Giorgio Riello and Sarah Teasley)[44]
  • Postmodernism: Style and Subversion (V & A Publishing, 2011) (co-edited with Jane Pavitt)[45]
  • Hand + Made: The Performative Impulse in Art and Craft (Contemporary Arts Museum, Houston, 2010) (co-authored with Valerie Cassel Oliver and Namita Wiggers)[46]
  • Unpacking the Collection: Selections from the Museum of Contemporary Craft (Museum of Contemporary Craft, 2010) (co-authored with Janet Koplos and Namita Wiggers)[47]

Articles and essays

  • A Young Designer’s Pulpy and Surprisingly Personal Furniture (Hyperallergic, 2018)[48]
  • Katherine Westphal, Fiber Art Pioneer, Dies at 99 (Hyperallergic, 2018)[49]
  • A Shrewd Designer Balances Craft and Commerce (Hyperallergic, 2018)[50]
  • Great Estates: How Contemporary Ceramics Are Keeping Chatsworth Relevant(Frieze, 2018)[51]
  • Fallen Idylls (The Magazine Antiques, 2018) [52]
  • The Future Starts Here: Jes Fan (Crafts Magazine, 2018)[53]
  • The Seamless Weaving of Fine Arts with Crafts (Hyperallergic, 2017)[54]
  • Weaving Together the Story of a Forgotten Pop Artist and Her Rugs (Hyperallergic, 2017)[55]
  • Normal Design (Art in America, 2017)[56]
  • Silver Spoons (Frieze, 2017)[57]
  • The Complexity Complex (Frieze, 2017)[58]
  • Demo Job: Craft, Art, and the Politics of Demonstration (Art Jewelry Forum, 2016)[59]
  • Summer Work: The Art of Pae White (Afterall, 2013)[60]
  • Issues & Commentary: Tsunami Africa (Art in America, 2011)[9]
  • The American Arcanum: Porcelain and the Alchemical Tradition (Ceramics in America, 2007)[20]
  • Mannerism in Early American Furniture: Connoisseurship, Intention, and Theatricality (American Furniture, 2005)[18]
  • The Politics of the Caned Chair (American Furniture, 2002)[19]
  • The Furniture of Sam Maloof (American Furniture, 2002)[21]

The Journal of Modern Craft

The Journal of Modern Craft (first launched in 2008) is a peer reviewed academic journal focused on interdisciplinary writings on the topics of design, craft, art, architecture, and related fields.[61] The journal is published by Taylor & Francis, and releases three issues a year. The editorial board consists of Glenn Adamson (USA); Tanya Harrod, Independent Scholar (UK); Edward S. Cooke Jr., Yale University (USA); Stephen Knott, Kingston University (UK); Elissa Auther, Windgate Research Curator, Bard Graduate Center and Center for Craft, Creativity and Design (USA); Jenni Sorkin, University of California (USA). The journal is funded in part by the Windgate Charitable Foundation and The Center for Craft, Creativity & Design, with Joseph McBrinn, University of Ulster (UK) as the Book Review Editor, and Namita Wiggers, Museum of Contemporary Craft (USA) as the Exhibition Review Editor.[62]

References

1. ^{{cite web|url=https://www.blouinartinfo.com/news/story/1042316/mad-man-glenn-adamson-on-making-new-york-citys-first-craft|title=MAD Man: Glenn Adamson on Making New York City's First Craft Biennial|website=Blouinartinfo.com|accessdate=11 December 2018}}
2. ^1 {{cite web|url=https://yalebooks.yale.edu/book/9780300227468/things-beauty-growing|title=Things of Beauty Growing - Yale University Press|website=yalebooks.yale.edu|accessdate=11 December 2018}}
3. ^1 {{cite web|url=http://adht.parsons.edu/blog/glenn-adamson-leads-course-on-material-culture-and-politics-at-adht/|title=Glenn Adamson Leads Course on Material Culture and Current Events|last=daren|date=10 November 2016|website=ADHT|accessdate=11 December 2018}}
4. ^{{cite web|url=https://artjewelryforum.org/authors/glenn-adamson|title=Glenn Adamson - Art Jewelry Forum|website=artjewelryforum.org|accessdate=11 December 2018}}
5. ^{{cite web|url=https://madmuseum.org/press/releases/glenn-adamson-appointed-director-museum-arts-and-design|title=Glenn Adamson Appointed As Director Of Museum of Arts And Design|website=madmuseum.org|accessdate=11 December 2018}}
6. ^{{cite web|url=https://www.artinamericamagazine.com/news-features/news/glenn-adamson-appointed-director-museum-of-arts-and-design/|title=Glenn Adamson Appointed Director, Museum of Arts and Design|website=Artinamericamagazine.com|accessdate=11 December 2018}}
7. ^{{cite web|url=https://www.glennadamson.com/bio/|title=Glenn Adamson — Bio|website=Glenn Adamson|accessdate=11 December 2018}}
8. ^1 {{cite web|url=https://www.nytimes.com/2013/09/05/arts/design/museum-of-arts-and-design-hires-a-critic-as-new-leader.html|title=A Critic of a Design Museum Will Lead It|first=Robin|last=Pogrebin|date=4 September 2013|accessdate=11 December 2018|website=Nytimes.com}}
9. ^1 {{cite web|url=https://www.artinamericamagazine.com/news-features/magazines/tsunami-africa/|title=Issues & Commentary: Tsunami Africa|website=Artinamericamagazine.com|accessdate=11 December 2018}}
10. ^{{cite web|url=http://gap.madmuseum.org/content/response-tsunami-africa-glenn-adamson%E2%80%99s-commentary-global-africa-project-march-issue-art-ame|title=A Response to 'Tsunami Africa,' Glenn Adamson's Commentary on 'The Global Africa Project' in the March issue of 'Art in America' - gap.madmuseum.org|website=gap.madmuseum.org|accessdate=11 December 2018}}
11. ^{{cite web|url=https://madmuseum.org/about/museum-history|title=Museum History|website=Madmuseum.org|accessdate=11 December 2018}}
12. ^{{cite web|url=https://hyperallergic.com/291562/glenn-adamson-on-new-york-and-londons-distinct-museum-cultures/|title=Glenn Adamson on New York and London's Distinct Museum Cultures|date=5 May 2016|website=Hyperallergic|accessdate=11 December 2018}}
13. ^{{cite web|url=https://www.wmagazine.com/story/postmodernism|title=Sept 24: "Postmodernism: Style and Subversion 1970-1990"|first=Monica|last=Khemsurov|website=W Magazine|accessdate=11 December 2018}}
14. ^{{cite web|url=https://www.ft.com/content/b55e2838-91ca-11e7-bdfa-eda243196c2c|title=Subscribe to read|website=Financial Times|accessdate=11 December 2018}}
15. ^{{cite web|url=http://www.chipstone.org/content.php/5/Mission|title=Chipstone's Mission|website=Chipstone.org|accessdate=11 December 2018}}
16. ^{{cite web|url=http://www.antiquesandfineart.com/articles/article.cfm?request=565|title=Tea Tables and Coffee Tables by Sarah Fayen from Antiques & Fine Art magazine|website=Antiquesandfineart.com|accessdate=11 December 2018}}
17. ^{{cite web|url=https://www.glennadamson.com/design-history/|title=Glenn Adamson — Design History|website=Glenn Adamson|accessdate=11 December 2018}}
18. ^1 {{cite web|url=http://www.chipstone.org/article.php/199/American-Furniture-2005/?s=glenn+adamson|title=Glenn Adamson - Mannerism in Early American Furniture: Connoisseurship, Intention, and Theatrically - American Furniture 2005|website=Chipstone.org|accessdate=11 December 2018}}
19. ^1 {{cite web|url=http://www.chipstone.org/article.php/144/American-Furniture-2002/?s=glenn+adamson|title=Glenn Adamson - The Politics of the Caned Chair - American Furniture 2002|website=Chipstone.org|accessdate=11 December 2018}}
20. ^1 {{cite web|url=http://www.chipstone.org/article.php/394/Ceramics-in-America-2007/?s=glenn+adamson|title=Glenn Adamson - The American Arcanum: Porcelain and the Alchemical Tradition - Ceramics in America 2007|website=Chipstone.org|accessdate=11 December 2018}}
21. ^1 {{cite web|url=http://www.chipstone.org/article.php/667/American-Furniture-2002/?s=glenn+adamson|title=Jeremy Adamson - The Furniture of Sam Maloof - Review by Glenn Adamson|website=Chipstone.org|accessdate=11 December 2018}}
22. ^{{cite web|url=https://mitpress.mit.edu/contributors/glenn-adamson|title=Glenn Adamson|first=The MIT|last=Press|website=The MIT Press|accessdate=11 December 2018}}
23. ^{{cite web|url=https://www.glennadamson.com/work/2017/7/20/industrial-strength-design|title=Industrial Strength Design|website=Glenn Adamson|accessdate=11 December 2018}}
24. ^{{cite web|url=https://www.glennadamson.com/work/2017/7/20/fix-fix-fix|title=fix fix fix|website=Glenn Adamson|accessdate=11 December 2018}}
25. ^{{cite web|url=https://www.galleryso.com/exhibitions/12/overview/|title=Fix Fix Fix - 15 February - 24 March 2013|website=Gallery SO|accessdate=11 December 2018}}
26. ^{{cite web|url=https://britishart.yale.edu/exhibitions/things-beauty-growing-british-studio-pottery|title="Things of Beauty Growing": British Studio Pottery - Yale Center for British Art|website=britishart.yale.edu|accessdate=11 December 2018}}
27. ^{{cite web|url=https://www.glennadamson.com/work/2017/7/31/static|title=Static|website=Glenn Adamson|accessdate=11 December 2018}}
28. ^{{cite web|url=http://www.friedmanbenda.com/exhibitions/past/static|title=Static - Exhibitions - Friedman Benda|website=Friedmanbenda.com|accessdate=11 December 2018}}
29. ^{{cite web|url=https://www.glennadamson.com/work/2017/7/20/beazley-designs-of-the-year|title=Beazley Designs of the Year|website=Glenn Adamson|accessdate=11 December 2018}}
30. ^{{cite web|url=https://www.cnn.com/style/article/beazley-designs-of-the-year-2017-design-museum/index.html|title=And the best designs of the year are...|first=Oscar Holland|last=CNN|date=16 August 2017|website=CNN Style|accessdate=11 December 2018}}
31. ^{{cite web|url=https://www.blouinartinfo.com/news/story/3229141/raw-design-at-the-museum-of-craft-and-design-san-francisco|title="Raw Design" at the Museum of Craft and Design, San Francisco |website=Blouinartinfo.com|accessdate=11 December 2018}}
32. ^{{cite web|url=https://www.pizzuticollection.org/when-attitudes-becomes-chairs/|title=When Attitudes Becomes Chairs|website=Pizzuti Collection|accessdate=11 December 2018}}
33. ^{{cite web|url=https://www.thelantern.com/2018/09/pizzuti-collection-makes-a-powerful-reopening/|title=Pizzuti Collection makes a powerful reopening|last=ray.461|website=The Lantern|accessdate=11 December 2018}}
34. ^{{cite web|url=https://www.bloomsbury.com/us/fewer-better-things-9781632869647/|title=Fewer, Better Things : The Hidden Wisdom of Objects|author=Glenn Adamson|website=Bloomsbury.com|accessdate=11 December 2018}}
35. ^{{cite web|url=https://www.bloomsbury.com/uk/the-invention-of-craft-9780857850645/|title=The Invention of Craft|author=Glenn Adamson|website=Bloomsbury.com|accessdate=11 December 2018}}
36. ^{{cite web|url=https://www.bloomsbury.com/uk/the-craft-reader-9781847883032/|title=The Craft Reader|author=Glenn Adamson|website=Bloomsbury.com|accessdate=11 December 2018}}
37. ^{{cite web|url=https://www.bloomsbury.com/us/thinking-through-craft-9781845206475/|title=Thinking Through Craft|author=Glenn Adamson|website=Bloomsbury.com|accessdate=11 December 2018}}
38. ^{{cite web|url=https://mitpress.mit.edu/books/industrial-strength-design|title=Industrial Strength Design|website=Mitpress.mit.edu|accessdate=11 December 2018}}
39. ^{{cite book|url=http://www.artbook.com/9780854882571.html|title=Creating Ourselves ARTBOOK - D.A.P. 2017 Catalog Whitechapel Gallery Books Exhibition Catalogues 9780854882571|website=Artbook.com|accessdate=11 December 2018}}
40. ^{{cite web|url=https://www.thamesandhudsonusa.com/books/art-in-the-making-artists-and-their-materials-from-the-studio-to-crowdsourcing-hardcover|title=Art in the Making: Artists and their Materials from the Studio to Crowdsourcing|website=Thames & Hudson USA|accessdate=11 December 2018}}
41. ^{{cite web|url=https://www.blackdogonline.com/imported-products-13/peter-voulkos|title=Peter Voulkos: The Breakthrough Years|website=Black Dog Press|accessdate=11 December 2018}}
42. ^{{cite web|url=https://cranbrookartmuseum.org/product/paul-evans-crossing-boundaries-and-crafting-modernism/|title=Paul Evans: Crossing Boundaries and Crafting Modernism|website=Cranbrook Art Museum|accessdate=11 December 2018}}
43. ^{{cite web|url=http://www.manchesteruniversitypress.co.uk/9780719087516|title=Manchester University Press - Surface tensions|website=Manchesteruniversitypress.co.uk|accessdate=11 December 2018}}
44. ^{{cite web|url=https://www.routledge.com/Global-Design-History-1st-Edition/Adamson-Riello-Teasley/p/book/9780415572873|title=Global Design History: 1st Edition (Paperback) - Routledge|website=Routledge.com|accessdate=11 December 2018}}
45. ^{{cite web|url=https://www.vam.ac.uk/shop/postmodernism-style-and-subversion-1970-90-hardback.html|title=Postmodernism: Style and Subversion 1970-90 (Hardback)|website=Vam.ac.uk|accessdate=11 December 2018}}
46. ^{{cite book|url=http://www.artbook.com/9781933619262.html|title=Hand + Made The Performative Impulse in Art and Craft ARTBOOK - D.A.P. 2010 Catalog 9781933619262|accessdate=11 December 2018|website=Artbook.com}}
47. ^{{cite book|url=http://www.artbook.com/9780972898133.html|title=Unpacking the Collection ARTBOOK - D.A.P. 2010 Catalog Museum of Contemporary Craft Books Exhibition Catalogues 9780972898133|accessdate=11 December 2018|website=Artbook.com}}
48. ^{{cite web|url=https://hyperallergic.com/434058/thomas-berger-furniture-salon-94-design-review/|title=A Young Designer's Pulpy and Surprisingly Personal Furniture|date=22 March 2018|website=Hyperallergic|accessdate=11 December 2018}}
49. ^{{cite web|url=https://hyperallergic.com/433118/katherine-westphal-obituary-fiber-artist/|title=Katherine Westphal, Fiber Art Pioneer, Dies at 99|date=16 March 2018|website=Hyperallergic|accessdate=11 December 2018}}
50. ^{{cite web|url=https://hyperallergic.com/426097/a-shrewd-designer-balances-craft-and-commerce/|title=A Shrewd Designer Balances Craft and Commerce|date=12 February 2018|website=Hyperallergic|accessdate=11 December 2018}}
51. ^{{cite web|url=https://frieze.com/article/great-estates-how-contemporary-ceramics-are-keeping-chatsworth-relevant|title=Great Estates: How Contemporary Ceramics Are Keeping Chatsworth Relevant|website=frieze.com|accessdate=11 December 2018}}
52. ^{{cite web|url=http://www.themagazineantiques.com/article/fallen-idylls/|title=Fallen Idylls|date=10 April 2018|website=The Magazine Antiques|accessdate=11 December 2018}}
53. ^{{cite web|url=https://www.craftscouncil.org.uk/magazine/issues/crafts-magazine-issue-no-274/|title=Introducing our September/October 2018 issue - Crafts Council|website=Craftscouncil.org.uk|accessdate=11 December 2018}}
54. ^{{cite web|url=https://hyperallergic.com/417805/the-seamless-weaving-of-fine-arts-with-crafts/|title=The Seamless Weaving of Fine Arts with Crafts|date=18 December 2017|website=Hyperallergic|accessdate=11 December 2018}}
55. ^{{cite web|url=https://hyperallergic.com/369863/weaving-together-the-story-of-a-forgotten-pop-artist-and-her-rugs/|title=Weaving Together the Story of a Forgotten Pop Artist and Her Rugs|date=5 April 2017|website=Hyperallergic|accessdate=11 December 2018}}
56. ^{{cite web|url=https://www.artinamericamagazine.com/news-features/magazines/normal-design/|title=Normal Design|website=Artinamericamagazine.com|accessdate=11 December 2018}}
57. ^{{cite web|url=https://frieze.com/article/silver-spoons|title=Silver Spoons|website=frieze.com|accessdate=11 December 2018}}
58. ^{{cite web|url=https://frieze.com/article/complexity-complex|title=The Complexity Complex|website=frieze.com|accessdate=11 December 2018}}
59. ^{{cite web|url=https://artjewelryforum.org/demo-job-craft-art-and-the-politics-of-demonstration|title=Demo Job: Craft, Art, and the Politics of Demonstration - Art Jewelry Forum|website=artjewelryforum.org|accessdate=11 December 2018}}
60. ^{{cite web|url=https://www.afterall.org/journal/issue.32/summer-work-the-art-of-pae-white|title=Summer Work: The Art of Pae White • 32 - Spring 2013|website=Afterall.org|accessdate=11 December 2018}}
61. ^{{cite web|url=https://www.tandfonline.com/action/journalInformation?show=aimsScope&journalCode=rfmc20&|title=The Journal of Modern Craft|website=Tandfonline.com|accessdate=11 December 2018}}
62. ^{{cite web|url=https://www.tandfonline.com/action/journalInformation?show=editorialBoard&journalCode=rfmc20&|title=The Journal of Modern Craft|website=Tandfonline.com|accessdate=11 December 2018}}
{{Authority control}}{{DEFAULTSORT:Adamson, Glenn}}

4 : 1972 births|Living people|American curators|Cornell University alumni
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