| 词条 | HB-Werkstätten für Keramik |
| 释义 |
HB-Werkstätten für Keramik GmbH (HB Workshops for Ceramics) in the Brandenburg district of Marwitz were founded by Hedwig Bollhagen (1907–2001) and Heinrich Schild (1895–1978). Hedwig Bollhagen remained Artistic Director until shortly before her death in 2001. The HB Workshops produce hand-crafted tableware and sophisticated building ceramics in the former tiled stove factory in Marwitz which is protected as a listed building.[1] The building ceramics produced by the workshops are used in areas such as the preservation of historical monuments and in restoration work. Shaped bricks are produced by hand as one-off products or in short series production, in various different formats and profiles. These have been used, for example, in the Friedrichswerder Church and the Rotes Rathaus in Berlin, as well as in the Chorin Abbey and in the Sanssouci Palace in Potsdam. HistoryFollowing up a suggestion from her friend Nora Herz, Hedwig Bollhagen was able to restart production at the closed-down Haël Workshops for Artistic Ceramics, which had been founded by Margarete Heymann and Gustav Loebenstein, with the opening of the HB Workshops in 1934.[2] The new limited company made it possible to gradually re-employ the former employees of the workshops and to introduce a new product line – HB Ceramics – by taking on the employees (including [https://de.wikipedia.org/wiki/Theodor_Bogler Theodor Bogler] and [https://de.wikipedia.org/wiki/Werner_Burri Werner Burri]) of the [https://de.wikipedia.org/wiki/Steingutfabriken_Velten-Vordamm Velten-Vordamm stoneware factory] which had closed in 1931.[3] As had been the case for Margarete Heymann and the two employees mentioned above, the master craftswoman ceramicist Thoma Gräfin Grote, who was a developer and commercial assistant in the company from 1934/1935 onwards, had been trained by Gerhard Marcks in the ceramics workshop of the state-run Bauhaus on the Dornburg. The painter Charles Crodel (1894–1973), who was a friend of Gerhard Marcks, gave his support to the company from 1935 onwards.[4] He opened up the field of building ceramics and at the same time brought with him industrial experience in the development of decoration which he had gained at the United Lausitz Glassworks (Wilhelm Wagenfeld). After the war, Heinrich Schild, who was a member of the National Socialist German Workers' Party, fled to West Germany. Hedwig Bollhagen took on responsibility for running the business alone. In 1972 the workshops were nationalised, but Hedwig Bollhagen stayed on as Artistic Director. In 1992, the business was finally reprivatised. After Hedwig Bollhagen's death, the artist [https://de.wikipedia.org/wiki/Heidi_Manthey Heidi Manthey] took on the role of Artistic Director. Building ceramics{{refimprove section|date=September 2018}}The HB Workshops have produced building ceramics for, among others, the following buildings:
Discussion of historyIn the context of the gradual revival of production by Hedwig Bollhagen from 1934 onwards (she was at the time just 26 years old) and the re-employment of the employees of the two closed-down ceramic art factories—the [https://de.wikipedia.org/wiki/Steingutfabriken_Velten-Vordamm Velten-Vordamm stoneware factories G.m.b.H.](1931) and the Haël Workshops for Artistic Ceramics (1933)—through the mediation of the Cologne ceramicist Nora Herz, there was some talk, in a discussion relating to the exhibition to celebrate the 100th birthday of the founder, of expropriation and Aryanisation in line with the [https://de.wikipedia.org/wiki/Verordnung_zur_Ausschaltung_der_Juden_aus_dem_deutschen_Wirtschaftsleben Directive on the exclusion of the Jews from the German business economy of 12 November 1938].[6] In terms of setting up and profiting from the HB workshops, at least two Jewish ceramicists were involved, at least up until the end of 1936, these being Margarete Heymann and Nora Herz from Cologne.[7] See also
References1. ^List of historical monuments in Brandenburg 2. ^Astrid von Pufendorf: Erzwungenes Nomadentum. in: die tageszeitung – taz, Berlin, November 18, 2000 3. ^Jasmin Jouhar: Ton, Stein, Erbe. in: Frankfurter Allgemeine Zeitung Magazin, Fankfurt am Main, December 12, 2017 4. ^Cornelius Steckner: Hedwig Bollhagen - Charles Crodel. Letters and paintings, Mueller Baerbel Verlag {{ISBN|3980880907}}. 5. ^5. Roland Becker: [https://www.moz.de/landkreise/oberhavel/hennigsdorf/hennigsdorf-artikel/dg/0/1/1432022/ Bollhagen-Keramik saves ex-embassy.] in: Märkische Oderzeitung, Frankfurt (Oder), October 26, 2015. 6. ^Margarethe Loebenstein and Hedwig Bollhagen – an everyday story from the Third Reich (2008) 7. ^Jasmin Jouhar: Ton, Stein, Erbe. in: Frankfurter Allgemeine Zeitung Magazin, Fankfurt am Main, December 12, 2017 External links
3 : Ceramics manufacturers of Germany|Volkseigene Betriebe|1934 establishments in Germany |
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