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词条 James Haar
释义

  1. References

  2. Further reading

{{Use mdy dates|date=February 2016}}James Haar (July 4, 1929 – September 15, 2018)[1] was an American musicologist and W.R. Kenan Jr. Professor Emeritus of Music at the University of North Carolina at Chapel Hill. A specialist in Renaissance music, he was the Editor-in-chief of the Journal of the American Musicological Society from 1966 to 1969 and served as the president of American Musicological Society from 1976 to 1978. He was elected a member of the American Academy of Arts and Sciences in 1987.[2][3]

Haar was born in St. Louis, Missouri. He received his BA from Harvard in 1950 and his MA from the University of North Carolina at Chapel Hill in 1954. He returned to Harvard to complete his PhD under John Ward and Nino Pirrotta, graduating in 1961. His doctoral dissertation, Musica mundana: Variations on a Pythagorean Theme, explored the ancient belief in musica universalis and its effect on musical thought in the Middle Ages and early Renaissance. It remains one of the standard works on the subject.[2][4]

His teaching career began at Harvard (1960–1967), followed by the University of Pennsylvania (1967–1969), and then New York University where he was appointed a professor in the music department in 1969 and served as chair of the department from 1971 to 1977. In 1978 Haar was appointed Professor of Music at the University of North Carolina at Chapel Hill where he remained for the rest of his academic career.[2][5]

The Science and Art of Renaissance Music, a collection of some of Haar's key essays and studies written over three decades, was published by Princeton University Press in 1998.[6]

References

1. ^[https://www.legacy.com/obituaries/newsobserver/obituary.aspx?pid=190288470 James Edward Haar Ph.D.]
2. ^Slonimsky, Nicolas and Kuhn, Laura (2001). [https://web.archive.org/web/20160220190845/https://www.highbeam.com/doc/1G2-3491805061.html "Haar, James"]. Baker's Biographical Dictionary of Musicians. Schirmer Books. {{ISBN|9780028655253}}. Online version retrieved February 9, 2016 {{subscription}}.
3. ^University of North Carolina at Chapel Hill. Faculty in the American Academy of Arts and Sciences. Retrieved February 9, 2016.
4. ^Haines, John Dickinson (2010). [https://books.google.co.uk/books?id=gD0aG3i6oeEC&pg=PA117 Medieval Song in Romance Languages], p. 117. Cambridge University Press. {{ISBN|0521765749}}
5. ^New York University Department of Music. Department Chronology. Retrieved February 9, 2016.
6. ^Lange, Marjory E. (Winter, 2000). [https://www.jstor.org/stable/2671257 Review: The Science and Art of Renaissance Music by James Haar, Paul Corneilson"]. The Sixteenth Century Journal, Vol. 31, No. 4 , pp. 1203–1204. Retrieved via JSTOR February 9, 2016 {{subscription}}.

Further reading

  • LaRue, Jan (1994) [https://www.jstor.org/stable/764085 "Salutation"] (pp. 235–236) in The Journal of Musicology, Vol. 12, No. 3. Special issue: Aspects of Musical Language and Culture in the Renaissance. A Birthday Tribute to James Haar. University of California Press {{subscription}}
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10 : American musicologists|Harvard University alumni|Harvard University faculty|New York University faculty|University of North Carolina at Chapel Hill alumni|University of North Carolina at Chapel Hill faculty|University of Pennsylvania faculty|1929 births|2018 deaths|Fellows of the American Academy of Arts and Sciences

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