| 词条 | Joy Navasie |
| 释义 |
Navasie carries on the white ware pottery tradition from her mother, which she contends was developed around 1951 or 1952. She is particularly known for her black and red on white designs, and her favorite motifs include rain, clouds, parrots, and feathers. Her pots are signed with a frog—a hallmark she began around 1939. Her signature differs from her mother's in that it features web feet rather than short toes.[1] All Navasie's pottery is made the traditional way, from the gathering of the clay to the polishing and painting. Pots are fired in sheep dung, which she says is getting more difficult to acquire, but she prefers this over commercial products.[3] Navasie's pots can be found in a number of museums (Museum of Northern Arizona, Heard Museum, and Spurlock Museum) and have fetched high prices at auction, some over $1,000.[1] References1. ^1 2 {{Cite book|title=Hopi-Tewa pottery : 500 artist biographies, ca. 1800-present : with value/price guide featuring over 20 years of auction records|last=1953-|first=Schaaf, Gregory,|date=1998|publisher=CIAC Press|others=Howard, Richard M.|isbn=978-0966694802|edition=1st|location=Santa Fe, N.M.|oclc=41016610}} {{authority control}}{{DEFAULTSORT:Navasie, Joy}}{{ceramics-stub}}2. ^{{cite web |title=JOY NAVASIE (SECOND FROG WOMAN) (1919-2012) HOPI-TEWA POLYCHROME JAR |url=https://www.worthpoint.com/worthopedia/joy-navasie-second-frog-woman-1919-1814518895 |publisher=Worthpoint |accessdate=4 February 2019}} 3. ^{{Cite book|title=Fourteen families in Pueblo pottery|last=Rick,|first=Dillingham,|others=Brody, J. J.,|isbn=978-0826314987|edition=First|location=Albuquerque|oclc=28586743|year = 1994}} 7 : 1919 births|2012 deaths|Pueblo artists|Native American potters|Women ceramists|21st-century women artists|21st-century ceramists |
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