| 词条 | Judith Palmer |
| 释义 |
| name = Judith Palmer | image = | birth_place = Ohio, United States | occupation = Registered Piano Technician, Singer, Composer, Arranger | nationality = American | genre = Folk, 4-part harmony (Barbershop), Political humor | notableworks = "Menopause Song", "37 Bumper Stickers", arrangements of "Plain Song for Kenny", and "Mrs. Harold Righteousbomber" | website = Quality Piano Service }} Judith Palmer is a Philadelphia-area composer, singer, and arranger. She is one of the founding members of Anna Crusis Women's Choir[1], America's oldest and longest running feminist choir[2]. Early lifeJudith Palmer grew up in rural Ohio. Her mother used to say she "came out of the womb singing." The local, public school system, exposed her to musical instrument lessons, and singing opportunities. Her first composition, in 1963, was “The Class Song.” It was conducted by Judith and sung at high school graduation by all 32 members of her graduating class. Wine, Women and SongIn 1970, Judith helped start the feminist singing group Wine, Women and Song. The motivation for starting the group was to make up for the dearth of women-composed, women-centered music, and to create music for a day-long radio program of original feminist music for International Women's Day. Judith's first arrangement was for this program, "Free of the Burden", to the tune of "Get Along Home Cindy, Cindy". In 1975, Cathy Roma recruited singers from Wine, Women and Song to form Anna Crusis Women's Choir. Anna Crusis Women's ChoirJudith is a founding member of Anna Crusis Women's Choir. Since 1975, she has sung in the first soprano section and has served as choir arranger and composer, particularly of four- and five- part acappella pieces written for small ensembles. ANNA’s mission to participate in political dialogue, foster social change and advance the empowerment of women provided a venue for the musical expression of Judith's political commentary. Access to fine singers and the choir’s commitment to LGBTQ+ issues has also provided a place for reflections on her own personal journey. Compositions and arrangements
References1. ^1 Mckelvey, Anita (2007). "The Passions of Anna Crusis". Philadelphia Music Makers. 6 (2): 47–49. {{authority control}}{{DEFAULTSORT:Palmer, Judith}}2. ^Vukovich, Dyana (1988). "The Anna Crusis Women's Choir". Women & Performance: a journal of feminist theory. 4 (1): 50-63. 3. ^1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 Palmer, Judith (2009). "Musical Musings in 4 Parts: Original songs and arrangements encompassing 35 years of singing with ANNA CRUSIS Women's Choir" 4. ^Colletta, Jen (May 14, 2009). "Women's Choir Strives for Social Justice Through Music, Art". Philadelphia Gay News. http://www.epgn.com/news/local/957-2559744-womens-choir-strives-for-social-justice-through-music-art 5. ^Trillin, Calvin (May 4, 2006). "Cheney at the Pump". The Nation. https://www.thenation.com/article/cheney-pump/ 6. ^Hamilton, Nicole (May 13, 2002). "Muse makes fun music, but with a message". The Cincinnati Enquirer. http://enquirer.com/editions/2002/05/13/tem_muse_makes_fun_music.html 7. ^{{cite web|url=https://www.philly.com/philly/columnists/dianna_marder/20100610_Anna_Crusis_Women_s_Choir_still_singing_with_a_sting.html|title=Anna Crusis Women's Choir still singing with a sting|author=Marder, Dianna|publisher=The Inquirer|date=10 June 2010|accessdate=2 April 2019 |language=}} 8. ^Portland Gay Men's Chorus (July 10, 2012). "The Young Person's Guide to the Gay Men's Chorus". GALA Choruses Festival, Denver 2012. http://www.tresonamultimedia.com/ckfinder/userfiles/files/PortlandGMC.pdf 4 : Living people|People from Philadelphia|20th-century American composers|American female composers |
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