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词条 Kate - la bisbetica domata
释义

  1. Background

  2. Production

  3. Awards

  4. Reception

  5. References

  6. External links

{{Orphan|date=March 2018}}{{Infobox film
| name = Kate – the Taming of the Shrew
| image =
| alt =
| caption =
| film name = {{Infobox name module|English| Kate – the Taming of the Shrew}}
| director = Roberto Lione
| producer = Roberto Lione
| writers = Roberto Lione, Andrea Sfiligoi
| screenplay =
| story =
| based on = {{based on|The Taming of the Shrew|William Shakespeare}}
| starring =
| narrator =
| music = Giovanni Bacalov
| cinematography = Roberto Lione
| production companies = {{ubl|Crayons Pictures Srl |The Taming of The Shrew LLC}}
| distributor = Lanta srl
| released = 2004
| country = Italy
| language = Italian
| budget = €5 million
| gross =
}}

Kate - the Taming of the Shrew [Kate – La bisbetica domata] is a 2004 stop-motion-musical adaptation film of Shakespeare's The Taming of the Shrew, directed by Roberto Lione.[1] The film, which uses a stop motion animation based on paper cut-out figures that Lione called "papermotion", claims to be Italy's first feature-length stop-motion animation film.

Background

After four years in the making for a budget expenditure of €5 million, the highly original "Kate" made its debut on April 23, 2004 at the Cartoons on the Bay festival on the Amalfi coast.

Kate updates Shakespeare's play, setting it in the 21st century with Kate as a skateboard-riding firebrand, the daughter of a spaghetti magnate, and Petruchio a womanizing "Don Giovanni" spendthrift who needs Kate's wealth to pay off his debts.[2]

The director, Roberto Lione is an award-winning filmmaker, screenwriter, Mod-Art artist and director of photography. "Papermotion", Lione's technique of stop-motion using folded paper figures, was also used in the 53 Taco & Paco television cartoons that he coproduced with RaiFiction and in 10 theatrical 35mm shorts. Italian film critics have described his approach to film animation in Kate as "having a poetical dimension, almost metaphysical which recalls De Chirico and the Surrealists."[3]

Production

For the production of Kate, 200 custom-made bronze armatures were made for the 6 inch tall characters which were painstakingly animated by hand. Ten miniature sets were built, each with up 40 light sources. More than 50 miniature scenes were constructed. Almost a half square mile of colored paper was used and over 230,000 photos were taken, one at a time for every single frame of the film. Each animator averaged 5 seconds of filmed animation a day.

Awards

The film won the prize for best full-length animation at the Chicago International Kinder Film Festival in 2004.[4]

Reception

Kate received several positive reviews:

  • "…last night the audience applauded the lively and amusing Italian version of Kate, very freely inspired by Shakespeare with its allusive subtitle The Taming of the Shrew."

— Nino Marchesano, La Repubblica, 24 April 2004[5]

  • "Kate now becomes a foul-tempered doll in paper and stop motion for the new Italian cartoon version of The Taming of the Shrew, one of the most beautiful of Shakespeare’s comedies."

— "Cartoons on the Bay". Rai Trade 14 April 2004[6]

  • "Shakespeare in 'stop motion' - a delightful comedy with an English atmosphere, revisited with Italian taste which transformed it into an animated film for both adults and children. Inspired by Shakespeare’s masterpiece…"

— Marida Caterini, Panorama 23 April 2004[7]

  • "And entirely made in Italy is also another delightful animated cartoon seen at Positano, 'Kate – The Taming of the Shrew,' by Roberto Lione. 'The film,' the director explained, 'cost 5 million euros and four years of hard work, and is the first feature-length film in the world ever made with the papermotion technique, which uses colored paper to craft the characters and the sets.'"

— Luciano Giannini, Il Mattino 24 April 2004[8]

  • "A postmodern revisitation of the musical “Kiss me Kate” created with paper puppets animated in stop motion by Roberto Lione."

— Biagio Coscia, Corriere della Sera 24 April 2004[9]

  • "Yesterday was the turn for the presentation of “Kate” a animated paper version of Shakespeare’s “Taming of the Shrew”, with unusual time leaps between the centuries, to the rhythm of rock, jazz and classical music. It is another Italian product (the director is Roberto Lione) certainly original and interesting from the point of view of narrative and technical solutions …"

— Roberto Davide Papini, La Nazione / Il Resto del Carlino / Il Giorno 24 April 2004[10]

References

1. ^{{cite web|title=Kate - La Bisbetica Domata|url=http://bufvc.ac.uk/shakespeare/index.php/title/av69367|publisher=British Universities Film & Video Council|accessdate=11 November 2016}}
2. ^{{cite web|title=Kate - La bisbetica domata (2004)|url=http://www.archiviodelcinemaitaliano.it/index.php/scheda.html?codice=FP5625&jjj=1478893010243|publisher=Archivio del Cinema Italiano|accessdate=11 November 2016|language=it}}
3. ^{{cite web |title=Kate - La bisbetica domata |url=http://www.mymovies.it/dizionario/recensione.asp?id=35520 |publisher=MyMovies.it |accessdate=11 November 2016 |language=it}}
4. ^{{cite web|last1=Nano|first1=Chiara|title="La bisbetica domata" vince a Chicago|url=http://news.cinecitta.com/IT/it-it/news/53/25610/la-bisbetica-domata-vince-a-chicago.aspx|website=Cinecitta' News|accessdate=11 November 2016}}
5. ^Nino Marchesano, La Repubblica, 24 April 2004
6. ^"Cartoons on the Bay". Rai Trade 14 April 2004
7. ^Marida Caterini, Panorama 23 April 2004
8. ^Luciano Giannini, Il Mattino 24 April 2004
9. ^Biagio Coscia, Corriere della Sera 24 April 2004
10. ^Roberto Davide Papini, La Nazione / Il Resto del Carlino / Il Giorno 24 April 2004

External links

  • {{IMDb title|0442289}}
  • Commentary - Animation Consultants International 2004
  • Doppiaggio Kate - Antonio Genna

1 : 2004 animated films

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