| 词条 | Khamaj (thaat) |
| 释义 |
The Khamaj thaat can be obtained by replacing the Shuddha Nishad of Bilaval by Komal Nishad. The ragas of this thaat are full of Shringara Rasa (romantic) hence this raga is mostly rendered in the form of light classical thumris, tappas, horis, kajris etc. Its pictorial descriptions in the existing texts are sensuous and even today, the raga Khamaj is considered to be a 'flirtatious' raag. There is a theory which assumes that in the past, Khamaj scale found its way in Ch'in music of the late medieval China.{{cn|date=September 2018}} DescriptionThe parent-scale or Thaat of Khamaj, notated in sargam notation, has the following structure: Sa Re Ga Ma Pa Dha {{underline|Ni}} Sa'. In Western terms, assuming the tonic (Sa) to be at C, the scale would be: C D E F G A B-flat C. Khamaj thaat is thus equivalent to the mixolydian mode in Western classical music. The Carnatic music equivalent of the Khamaj Thaat is Harikambhoji, the 28th Melakarta raga. RagasRagas in Khamaj thaat include:
References1. ^{{cite book |last1=Bor |first1=Joep |last2=Rao |first2=Suvarnalata |title=The Raga Guide: A Survey of 74 Hindustani Ragas |date=1999 |publisher=Nimbus Records with Rotterdam Conservatory of Music |isbn=9780954397609 |page=3 |url=https://books.google.co.in/books?id=jCnoMgEACAAJ |language=en}} 1 : Hindustani music theory |
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