词条 | Le Désespéré |
释义 |
In the 1840s Courbet produced portraits of his friends and clients as well as self-portraits, including Self-Portrait with a Black Dog (1842). He spent time in the Louvre copying works by José de Ribera, Zurbaran, Velasquez and Rembrandt[2] which started to influence his work. He broke from his traditional vertical format for the work. He was attached to Le Désespéré, taking it with him when he went into exile in Switzerland in 1873. A few years later doctor Paul Collin's description of Courbet's studio included a mention of "a painting showing Courbet with a desperate expression, for this reason entitled Désespoir"[3]. References1. ^{{fr icon}} dossier du Musée Fabre Montpellier réalisé par des élèves de terminale L, « Gustave Courbet, un artiste engagé », 30 September 2013, p. 22 2. ^{{cite web|language= Fr|title= Musée Fabre|url = http://museefabre.montpellier-agglo.com}} 3. ^{{fr icon}} Sylvain Amic, Catalogue de l'exposition Courbet au Grand Palais 2007 Bibliography (in French)
5 : Paintings by Gustave Courbet|Self-portraits|19th-century portraits|1845 paintings|Romantic paintings |
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