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词条 Leon Coward
释义

  1. Biography

     Early life and career  Camerata Academica of the Antipodes (2014—present) 

  2. Compositions

     Original works  Arrangements  Film scores 

  3. Books

  4. Awards

  5. External links

  6. References

{{Multiple issues|{{COI|date=February 2018}}{{notability|1=Biographies|date=February 2018}}}}{{Infobox writer
| name = Leon Coward
| birth_date = 1991
| birth_place = Sydney, New South Wales, Australia
| occupation = Artist, Writer, Composer & Film-maker
| nationality = Australian
| alma_mater = University of New England (Australia), Charles Sturt University, Julian Ashton Art School
}}Leon Coward (born 1991) is an Australian artist, composer, writer, film-maker and co-founder of the chamber orchestra and vocal ensemble Camerata Academica of the Antipodes.[1]

Biography

Coward was homeschooled, and has an older sister, Imogen Coward, and brother, Taliésin Coward, who are also PhD graduates.[2][3] Coward studied at the Julian Ashton Art School and at the University of New England, graduating with a first class honours Bachelor of Arts degree in 2013. He completed his PhD study in 2017, writing his dissertation on creating a new method for analyzing film design, which was subsequently used in the creation of the film To Be or Naught To Be.[2] Since 2017, Coward has been a judge for the Sydney Indie Film Festival.[4]

Early life and career

At the age of 14, Coward saw the need to promote good reading for young readers and asked his local bookstore if he could organize events on their premises.[5] Between 2005-2008, Coward organized visits by popular Australian children's authors. He met the author and poet Libby Hathorn through these events, and later illustrated her book Vietnam Reflections[6] which was produced as a presentation gift to the Australian War Memorial and won the 2010 Poetry Prize at the Inaugural Woollahra Library Word Festival.[7]

Camerata Academica of the Antipodes (2014—present)

The Camerata ensemble was founded by Coward and his siblings with musicologists and multi-instrumentalists in 2014,[8] and the ensemble internationally established their "distinctly recognisable culture and ethos" of the 'performer as co-creator'.[9] The ensemble regularly supports the Australian Children's Music Foundation.[8][10] Coward performs piano, violin, and viola, and is a baritone bass.

Compositions

Coward first premiered selections from his music for Alice's Adventures in Wonderland at the Tate Liverpool's major exhibition Alice in Wonderland (November 2011 - January 2012) which celebrated the 150th anniversary of Carroll's book,[11] and later premiered "Beautiful Soup" in Sydney,[12] which scholar Timothy Harries described as "logical, as though it was 'always meant to exist'."[15]

Coward has written music for piano, strings, and voice, and performs his own piano works. His compositions have been positively received by Australian and international audiences, and regularly critiqued in the British Society for Eighteenth-Century Studies publication Criticks. Esther Lie described his work as "full of new invention," leading audiences "into a world full of colour."[13] His compositional style has been frequently described as "Chopin-esque,"[9][3][14] "Neo-Romantic",[3] and exhibiting "a love of nineteenth-century music."[15] Coward frequently engages audiences' imaginations before performing, such as describing ballet sequences for '"Two Kings" suite and "Imaginary Pas De Deux".[15][9]

Original works

  • "Beautiful Soup" (lyrics from Alice's Adventures in Wonderland by Lewis Carroll) - Piano & String Orchestra (2014), later re-arranged with Vocal Ensemble (2017)
  • "Sans Souci" - Piano (2017)
  • "Melody" - Piano & String Orchestra (2016)
  • "Lament" - Piano (2015)
  • "Imaginary Pas de Deux" - Piano (2015)
  • "Trio" - 2 Violins & Piano (2013)
  • "Consolation" - Piano (2013)
  • "Nocturne" - Piano (2013)
  • "The Embrace" - Piano (2012)

Arrangements

  • Giuseppe Cenci. "La Mantovana" arranged for String Orchestra (2017)
  • Arthur Sullivan. "Glee" from The Mikado arranged for String Orchestra (2014)
  • Wolfgang Amadeus Mozart. "Lacrimosa" from Requiem in D minor, K.626 arranged for Solo Piano (2013)

Film scores

  • To Be or Naught To Be (2016)

Books

  • Vietnam Reflections written by Libby Hathorn, illustrated by Leon Coward (Sydney: Pax Press, 2010)

Awards

Sydney Indie Film Festival (Sydney, Australia)

  • (2016) Won—Best Sci-Fi Short / To Be or Naught To Be

WILDsound Fest (Toronto, Canada)

  • (2017) Won—Best Film / To Be or Naught To Be

KaPow Intergalactic Film Festival (California, USA)

  • (2016) Won—Best Sci-Fi Short / To Be or Naught To Be

The Montreal International Wreath Awards Film Festival (Montreal, Canada)

  • (2016) Nominated—Best Picture / To Be or Naught To Be

The Golden Blasters Science Fiction Short Film Awards (The National Irish Science Fiction Film Festival) (Dublin, Ireland)

  • (2016) Nominated—Best Film / To Be or Naught To Be

Fantastic Planet Film Festival (Sydney Australia)

  • (2016) Nominated—Best Film / To Be or Naught To Be

Miami Short Film Festival (Miami, USA)

  • (2016) Semi-Finalist / To Be or Naught To Be

Best Short Fest (San Diego, USA)

  • (2016) Semi-Finalist / To Be or Naught To Be

External links

  • [https://www.youtube.com/channel/UCEk5PJ3W2qVFN9oEh529h0w Official YouTube Channel]
  • Camerata Academica of the Antipodes website

References

1. ^{{cite web | last1 = Harries | first1 = Timothy | last2 = Vergison | first2 = Jenny |title=Camerata Academica of the Antipodes |website=British Society for Eighteenth-Century Studies |url=https://www.bsecs.org.uk/criticks-reviews/camerata-academica-of-the-antipodes// |date=19 September 2014|accessdate=5 February 2018}}
2. ^{{cite interview |last=Masson |first=Sophie |author-link=Sophie Masson |title=2BR02B: the journey of a dystopian film–an interview with Leon Coward |website=Feathers of the Firebird |url=https://firebirdfeathers.com/2016/10/19/2br02b-the-journey-of-a-dystopian-film-an-interview-with-leon-coward/ |date=19 October 2016}}
3. ^{{cite web | last1 = Harries | first1 = Timothy | last2 = Vergison | first2 = Jenny | title=Camerata Academica of the Antipodes |website=Criticks | publisher=British Society for Eighteenth-Century Studies | url=https://www.bsecs.org.uk/criticks-reviews/camerata-academica-of-the-antipodes// |date=19 September 2014|accessdate=20 February 2018}}
4. ^{{cite web |title=Sydney Indie 2017 – It’s a Wrap! |website=Sydney Indie Film Festival |url=http://sydneyindiefilmfestival.com/festival/sydney-indie-2017-its-a-wrap// |accessdate=5 February 2018}}
5. ^{{cite book | title = Vietnam Reflections| first1 = Libby| last1 = Hathorn | first2 = Leon| last2= Coward |year = 2010 | publisher = Pax Press| location = Sydney, Australia |page= 31}}
6. ^{{cite web|url=https://www.bookdepository.com/Vietnam-Reflections-Libby-Hathorn/9780646514932|title=Vietnam Reflections : Libby Hathorn : 9780646514932|website=Book Depository}}
7. ^{{cite web | title=Awards Listings |website=Libby Hathorn: Author & Poet | url=http://libbyhathorn.com/libby-hathorn-biography/awards-listings// |accessdate=20 February 2018}}
8. ^{{cite web | title=Camerata Academica of the Antipodes and the ACMF |website=Australian Children's Music Foundation | url=http://acmf.com.au/camerata-academica-of-the-antipodes-and-the-acmf// |date=11 March 2015|accessdate=20 February 2018}}
9. ^{{cite web | last = Harries | first = Timothy |title=Camerata Academica of the Antipodes, August 2015 |website=Criticks | publisher=British Society for Eighteenth-Century Studies | url=https://www.bsecs.org.uk/criticks-reviews/camerata-academica-of-the-antipodes-august-2015// |date=14 September 2015|accessdate=20 February 2018}}
10. ^{{cite news | title=Greek-Australian musicians supporting charities |newspaper=The Greek Australian Vema Monthly National Bi-lingual Newspaper | publisher=St Andrew's Orthodox Press |date=August 2014| page=18}}
11. ^{{cite conference | title = The Endurance of Wonderland | date = 19 November 2011 | conference = "Alice in Wonderland" Postgraduate Symposium| location = Tate Liverpool, United Kingdom }}
12. ^{{cite web | last1 = Vergison | first1 = J | last2 = Black | first2 = A |title=Camerata Academica of the Antipodes: Corelli, Purcell, Mozart and Vivaldi |website=Criticks | publisher=British Society for Eighteenth-Century Studies | url=https://www.bsecs.org.uk/criticks-reviews/camerata-academica-of-the-antipodes-corelli-purcell-mozart-and-vivaldi// |date=25 January 2016|accessdate=20 February 2018}}
13. ^{{cite web | last = Li | first = Esther | title=Camerata Academica of the Antipodes: Corelli, Vivaldi, Telemann and Wieniawski’s Legende |website=Criticks | publisher=British Society for Eighteenth-Century Studies | url=https://www.bsecs.org.uk/criticks-reviews/camerata-academica-of-the-antipodes-corelli-vivaldi-telemann-and-wieniawskis-legende// |date=27 June 2016|accessdate=20 February 2018}}
14. ^{{cite web | last = Harries | first = Timothy | title=Camerata Academica of the Antipodes concert: Corelli, Purcell, Bach, Nachez, Gilbert and Sullivan |website=Criticks | publisher=British Society for Eighteenth-Century Studies | url=https://www.bsecs.org.uk/criticks-reviews/camerata-academica-of-the-antipodes-concert-corelli-purcell-bach-nachez-gilbert-and-sullivan// |date=21 January 2015|accessdate=20 February 2018}}
15. ^{{cite web | last = Vergison | first = Jenny |title=Camerata Academica of the Antipodes concert: Handel, Vivaldi, Telemann, G&S |website=Criticks | publisher=British Society for Eighteenth-Century Studies | url=https://www.bsecs.org.uk/criticks-reviews/camerata-academica-of-the-antipodes-concert-handel-vivaldi-telemann-gs// |date=16 June 2015|accessdate=20 February 2018}}
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6 : 1991 births|21st-century artists|21st-century composers|Living people|Australian composers|Julian Ashton Art School alumni

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