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词条 Lightnin' Hopkins (album)
释义

  1. Reception

  2. Track listing

  3. Personnel

     Performance  Production 

  4. References

{{mergefrom|The Roots of Lightnin' Hopkins|discuss=Talk:Lightnin' Hopkins (album)#Merger proposal|date=November 2018}}{{Infobox album
| name = Lightnin' Hopkins
| type = Album
| artist = Lightnin' Hopkins
| cover = Lightnin' Hopkins (album).jpg
| alt =
| released = 1959
| recorded = January 16, 1959
| venue =
| studio = 2803 Hadley St., Houston, TX
| genre = Blues
| length = 30:55
| label = Folkways
{{small|FS3822}}
| producer = Samuel Charters
| chronology = Lightnin' Hopkins
| prev_title = Lightnin' and the Blues
| prev_year = 1960
| next_title = Country Blues
| next_year = 1959
}}Lightnin' Hopkins (re-released as The Roots of Lightnin' Hopkins) is an album by blues musician Lightnin' Hopkins, recorded in 1959 and released on the Folkways label.[1][2][3][4]

Reception

{{Album ratings
| rev1 = AllMusic
| rev1Score = {{rating|5|5}}[5]
| rev2 = The Penguin Guide to Blues Recordings
| rev2Score = {{rating|3|4}}[6]
}}AllMusic reviewer Thom Owens stated: "Upon its initial release, it was a pivotal part of the blues revival and helped re-spark interest in Hopkins. Before it was recorded, the bluesman had disappeared from sight; after a great deal of searching, Sam Charters found Hopkins in a rented one-room apartment in Houston. Persuading Lightnin' with a bottle of gin, Charters convinced Hopkins to record ten songs in that room, using only one microphone. The resulting record was one of the greatest albums in Hopkins' catalog, a skeletal record that is absolutely naked in its loneliness and haunting in its despair. These unvarnished performances arguably capture the essence of Lightnin' Hopkins better than any of his other recordings, and it is certainly one of the landmarks of the late-'50s/early-'60s blues revival".[5]The Penguin Guide to Blues Recordings awarded the album 3 stars stating "'Exciting' may not be the word everyone would choose to describe this intimate, unplugged performance, but it was greeted on its original release with considerable enthusiasm, a response moulded by interpretation of the blues as folk music, suspicion of electric guitars, and other views current in the '50s and '60s among the sort of people who bought Folkways albums. It remains an estimable record".[6]

Track listing

All compositions by Sam "Lightnin'" Hopkins except where noted

  1. "Penitentiary Blues" (Traditional) – 2:45
  2. "Bad Luck and Trouble" (Hopkins, Mack McCormick) – 3:40
  3. "Come Go Home With Me" (Hopkins, McCormick) – 3:45
  4. "Trouble Stay 'Way from My Door" – 4:00
  5. "See That My Grave Is Kept Clean" (Blind Lemon Jefferson) – 2:05
  6. "Goin' Back to Florida" – 3:10
  7. "Reminiscenses of Blind Lemon" – 2:10
  8. "Fan It" – 2:40
  9. "Tell Me, Baby" – 2:30
  10. "She's Mine" – 4:10

Personnel

Performance

  • Lightnin' Hopkins – guitar, vocals

Production

  • Samuel Charters – supervision, engineer

References

1. ^[https://folkways.si.edu/lightnin-hopkins Smithsonian Folkways: album details] accessed November 7, 2018
2. ^Both Sides Now: Verve Folkways/Forecast Label Discography accessed November 7, 2018
3. ^[https://www.wirz.de/music/hopkins.htm Wirz' American Music: Sam "Lightnin'" Hopkins discography] accessed November 7, 2018
4. ^O'Brien, T. J. [https://lightninghopkins.wordpress.com/lightning-album-of-the-week/ Lightnin' Album of the Week: Week 2 September 4, 2010] accessed November 7, 2018
5. ^{{Allmusic|first=Thom |last=Owens |class=album |id=mw0000690912 |title= Lightnin' Hopkins: Lightnin' Hopkins [Smithsonian/Folkways] – Review |accessdate= November 7, 2018}}
6. ^{{cite book|last = Russell|first = Tony|author2= Smith, Chris|title = The Penguin Guide to Blues Recordings|year = 2006|publisher = Penguin|location = London|isbn = 978-0-140-51384-4|pages = 278}}

3 : Lightnin' Hopkins albums|1959 albums|Folkways Records albums

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