词条 | Lindsey Drager |
释义 |
Education and careerDrager was born in Toledo, Ohio. She earned her BA in writing and English language and literature from Grand Valley State University in Allendale, Michigan, and an MFA in fiction from the University of Illinois. While at Illinois, she studied under the novelist Richard Powers and worked for Dalkey Archive Press. After spending a year in Los Angeles working for a textbook publishing company, she entered the PhD program at the University of Denver where she worked as an editor of the Denver Quarterly and a writing consultant at the St. Francis Center, a day shelter for those experiencing homelessness. She also taught writing at the Rocky Mountain College of Art + Design as well as Lighthouse Writer’s Workshop. She is currently{{when|date=December 2017}} an assistant professor of creative writing at the College of Charleston where she teaches in the MFA program and serves as associate fiction editor of Crazyhorse.[2] Writing and receptionDrager has said she is highly influenced by visual art, in particular the work of Escher.[3] In a Tupelo Quarterly interview, she said, "Much of my interest has been to reveal how language behaves in certain environments, and what forces are—overtly or obliquely—governing those behaviors."[4] Her first novel, The Sorrow Proper (Dzanc, 2015), explores the hypothetical end of the public library system. Called "a remarkable and mature debut"[5] in a starred Library Journal review, it was awarded the 2016 Binghamton University John Gardner Fiction Prize and received Silver in the 2015 INDIEFAB Book of the Year Awards in Literary Fiction. In 2017, it was made available in braille.[6] In 2017, Dzanc released her second novel, The Lost Daughter Collective, a "gender-bending gothic cautionary tale".[7] The book was deemed "intelligent and densely layered" (Kirkus Reviews) and "formally rich" (Publisher’s Weekly). In her The Rumpus review, Ilana Masad noted, "Drager continues to be a force and should be recognized widely for her work."[8] Drager says her projects try to explore the questions: "What does it mean to have a body, to own a body, be a body, be bodied? How is that body constructed by others when it enters the public arena? How is that body governed by time, both the literal constructs of the temporal (bodies move always toward decay) and cultural periods, zeitgeist (bodies, depending on era, mean differently)? In other words: How are our bodies—like our books—authored and read?"[4] Her influences include Rikki Ducornet, Carole Maso, Renee Gladman, Zora Neale Hurston, Kate Bernheimer, Kathryn Davis, Mary Shelley, Percival Everett, Thalia Field, Donald Barthelme, Michael Ondaatje and Herman Melville.[7] Books
Selected essays
References1. ^{{cite web|url=http://english.cofc.edu/graduate-programs/master-fine-arts-creative-writing/faculty-and-staff-listing/index.php |title=Faculty and Staff |website=College of Charleston |accessdate=April 8, 2017}} {{Authority control}}{{DEFAULTSORT:Drager, Lindsey}}2. ^{{Cite web|url=http://crazyhorse.cofc.edu/masthead/|title=Masthead – Crazyhorse|last=http://agileleague.com/|website=crazyhorse.cofc.edu|accessdate=December 15, 2017}} 3. ^{{Cite news|url=http://www.dzancbooks.org/blog/2017/3/2/countdowntopub-the-lost-daughter-collective-an-artists-articulation-of-sorts|title=#CountdowntoPub: The Lost Daughter Collective: An Artist’s Articulation, Of Sorts|work=Dzanc Books|accessdate=December 15, 2017}} 4. ^1 {{Cite web|url=http://www.tupeloquarterly.com/daughters-live-in-places-the-men-cannot-access-a-conversation-with-lindsey-drager-curated-by-kristina-marie-darling/|title="Daughters live in places the men cannot access": A Conversation with Lindsey Drager, curated by Kristina Marie Darling |website=Tupelo Quarterly|accessdate=December 15, 2017|date=2017-02-14 }} 5. ^{{Cite news|url=http://reviews.libraryjournal.com/2015/04/books/fiction/new-authors-alvar-clifford-drager-ohanesian-walker-many-others-debut-fiction-april-15-2015/|title=New Authors Alvar, Clifford, Drager, Ohanesian, Walker, & Many Others|work=Library Journal Reviews|accessdate=December 15, 2017}} 6. ^{{Cite web|url=https://btbl.library.ca.gov/ca1aopac/title/summary.jsf?id=347021530.3232|title=The Sorrow Proper |website=California BTBL|accessdate=December 15, 2017}} 7. ^1 {{Cite news|url=https://issuu.com/shelfunbound/docs/shelf_unbound_august-september_2017|title=Shelf Unbound August-September 2017|work=issuu|accessdate=December 15, 2017}} 8. ^{{Cite news|url=http://therumpus.net/2017/02/the-lost-daughter-collective-by-lindsey-drager/|title=The Lost Daughter Collective by Lindsey Drager|date=February 28, 2017|work=The Rumpus.net|accessdate=December 15, 2017}} 9. ^{{Cite web|url=http://www.dzancbooks.org/print-books-in-eformat/the-sorrow-proper-by-lindsey-drager?rq=sorrow%20proper|title=The Sorrow Proper|last=Drager|first=Lindsey|date=|website=|publisher=|accessdate=}} 6 : 1986 births|Living people|Grand Valley State University alumni|University of Illinois at Urbana–Champaign alumni|University of Denver alumni|College of Charleston faculty |
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