As of 1 February 2016, six hundred and fourteen Important Cultural Properties have been designated (including sixty-three *National Treasures), being of national significance.[2][3]
| Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
|---|
*Illustrated Biography of Shōtoku Taishi, colour on silk, by Hata no Chitei
{{nihongo2|綾本著色聖徳太子絵伝（絵殿旧障子絵）〈秦致真筆／（法隆寺献納）〉}}
ryōhon chakushoku Shōtoku Taishi eden (Edono kyū-shōji-e Hata no Chitei hitsu Hōryūji kennō) | 1069|1069}} | Taitō | Tokyo National Museum | ten panels; originally mounted on sliding doors at Hōryū-ji | 189.2|cm|in}} to {{convert|190.5|cm|in}} by {{convert|137.2|cm|in}} to {{convert|148.2|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
*Portrait of Takami Senseki, light colour on silk, by Watanabe Kazan
{{nihongo2|絹本淡彩鷹見泉石像〈渡辺崋山筆／〉}}
kenpon tansai Takami Senseki zō (Watanabe Kazan hitsu) | 1837|1837}} | Taitō | Tokyo National Museum | 115.1|cm|in}} by {{convert|57.1|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
*Illustrated Biography of Ippen Shōnin, colour on silk, by En'i
{{nihongo2|絹本著色一遍上人絵伝〈法眼円伊筆／巻第七〉}}
kenpon chakushoku Ippen Shōnin eden (Hōgen En'i hitsu maki dai-nana) | 1299|1299}} | Taitō | Tokyo National Museum | 37.8|cm|in}} by {{convert|802.0|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
*Kokūzō Bosatsu, colour on silk
{{nihongo2|絹本著色虚空蔵菩薩像}}
kenpon chakushoku Kokūzō bosatsu zō | 794.1185|Heian period}} | Taitō | Tokyo National Museum | 132.0|cm|in}} by {{convert|84.4|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
*Kujaku Myōō, colour on silk
{{nihongo2|絹本著色孔雀明王像}}
kenpon chakushoku Kujaku Myōō zō | 794.1185|Heian period}} | Taitō | Tokyo National Museum | 147.9|cm|in}} by {{convert|98.9|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
*Red and White Cotton Roses, colour on silk
{{nihongo2|絹本著色紅白芙蓉図}}
kenpon chakushoku kōhaku fuyō zu | 1127.1279|Southern Song}} | Taitō | Tokyo National Museum | by Li Di | 25.2|cm|in}} by {{convert|25.5|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
*Sixteen Arhats, colour on silk
{{nihongo2|絹本著色十六羅漢像}}
kenpon chakushoku jūroku rakan zu | 794.1185|Heian period}} | Taitō | Tokyo National Museum | sixteen scrolls | 95.9|cm|in}} to {{convert|97.2|cm|in}} by {{convert|51.8|cm|in}} to {{convert|52.2|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
*Senju Kannon, colour on silk
{{nihongo2|絹本著色千手観音像}}
kenpon chakushoku Senju Kannon zō | 794.1185|Heian period}} | Taitō | Tokyo National Museum | 138.0|cm|in}} by {{convert|69.4|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
*Pigeon on a Peach Branch, colour on silk
{{nihongo2|絹本著色桃鳩図〈徽宗筆／大観元年の年記がある〉}}
kenpon chakushoku momo hato zu (Kisō hitsu Daikan gannen no toshi-ki ga aru) | 1107|1107}} | Tokyo | private | by Emperor Huizong of Song; dated by its inscription to Daguan 1 | 28.5|cm|in}} by {{convert|16.1|cm|in}} | |
Portrait of Eroshenko, oil on canvas, by Nakamura Tsune
{{nihongo2|エロシェンコ像〈中村 彜筆 一九二〇年／油絵 麻布〉}}
Eroshenko zō (Nakamura Tsune hitsu 1920-nen abura-e mafu) | 1920|1920}} | Chiyoda | National Museum of Modern Art, Tokyo | 42.0|cm|in}} by {{convert|45.5|cm|in}} | 35.6905681|N|139.75472526|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=National Museum of Modern Art, Tokyo}} | |
Oiran, oil on canvas, by Takahashi Yuichi
{{nihongo2|花魁〈高橋由一筆／油絵 麻布〉}}
oiran (Takahashi Yuichi hitsu abura-e mafu) | 1872|1872}} | Taitō | The University Art Museum, Tokyo University of the Arts | 77.0|cm|in}} by {{convert|54.8|cm|in}} | 35.71934266|N|139.77162528|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=The University Art Museum, Tokyo University of the Arts}} | |
Kannon Riding a Dragon, oil on canvas, by Harada Naojirō
{{nihongo2|騎竜観音〈原田直次郎筆 一八九〇年／油絵 麻布〉}}
kiryū Kannon (Harada Naojirō hitsu 1890-nen abura-e mafu) | 1890|1890}} | Chiyoda | Gokoku-ji
(kept at the National Museum of Modern Art, Tokyo) | materials and techniques of western oil painting applied to the Japanese subject of a white-robed Kannon, holding a willow branch in one hand and a water jar in the other[4] | 272.0|cm|in}} by {{convert|181.0|cm|in}} | 35.6905681|N|139.75472526|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=National Museum of Modern Art, Tokyo}} | |
Shoemaker, oil on canvas, by Harada Naojirō
{{nihongo2|靴屋の親爺〈原田直次郎筆 一八八六年／油絵 麻布〉}}
kutsuya no oyaji (Harada Naojirō hitsu 1886-nen abura-e mafu) | 1886|1886}} | Taitō | The University Art Museum, Tokyo University of the Arts | 60.3|cm|in}} by {{convert|46.5|cm|in}} | 35.71934266|N|139.77162528|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=The University Art Museum, Tokyo University of the Arts}} | |
Yoroboshi, colour on silk with gold ground, byōbu by Shimomura Kanzan
{{nihongo2|絹本金地著色弱法師図〈下村観山筆／六曲屏風〉}}
kenpon kinji chakushoku Yoroboshi zu (Shimomura Kanzan hitsu rokkyoku byōbu) | 1915|1915}} | Taitō | Tokyo National Museum | pair of six-fold screens; inspired by the Noh play of the same name | 186.4|cm|in}} by {{convert|406.0|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Solitary Angler on the Wintery River, light colour on silk, attributed to Ma Yuan
{{nihongo2|絹本淡彩寒江独釣図〈（伝馬遠筆）／〉}}
kenpon tansai kankō dokuchō zu (den-Baen hitsu) | 1127.1279|Southern Song}} | Taitō | Tokyo National Museum | 26.7|cm|in}} by {{convert|50.6|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Kannon, light colour on silk, by Ryōzen
{{nihongo2|絹本淡彩観音図〈良全筆／〉}}
kenpon tansai Kannon zu (Ryōzen hitsu) | 1127.1279|Southern Song}} | Taitō | Tokyo National Museum | 109.6|cm|in}} by {{convert|44.1|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Landscape with Calligraphy, ink and light colour on silk, by Dong Qichang
{{nihongo2|絹本淡彩及墨画山水書画冊〈董其昌筆／〉}}
kenpon tansai oyobi bokuga sansui shoga satsu (Tō Kishō hitsu) | 1555.1636|Ming dynasty}} | Taitō | Tokyo National Museum | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Eight Views of Miyajima, light colour on silk, by Nagasawa Rosetsu
{{nihongo2|絹本淡彩宮島八景図〈長沢芦雪筆／甲寅（寛政六年）の款記がある〉}}
kenpon tansai Miyajima hakkei zu (Nagasawa Rosetsu hitsu kinoetora (Kansei roku-nen) no yoshimi-ki ga aru) | 1794|1794}} | Taitō | Agency for Cultural Affairs
(kept at Tokyo National Museum) | one volume | 35.71896467|N|139.77653504|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Landscape, light colour on silk, by Li Zai
{{nihongo2|絹本淡彩山水図〈李在筆／〉}}
kenpon tansai sansui zu (Ri Zai hitsu) | 1375.1441|Ming dynasty}} | Taitō | Tokyo National Museum | 138.8|cm|in}} by {{convert|83.2|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Hermit in a Mountainous Area, ink and light colour on silk, by Uragami Gyokudō
{{nihongo2|絹本淡彩山中結廬図〈浦上玉堂筆／寛政四年の自賛がある〉}}
kenpon tansai sanchū ketsuro zu (Uragami Gyokudō hitsu Kansei shi-nen no jisan ga aru) | 1792|1792}} | Taitō | Tokyo National Museum | 65.4|cm|in}} by {{convert|32.1|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Landscapes of the Four Seasons, light colour on silk
{{nihongo2|絹本淡彩四季山水図}}
kenpon tansai shiki sansui zu | 1337.1573|Muromachi period}} | Taitō | Tokyo National Museum | four scrolls | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Hen and Bamboo, light colour on silk, by Luo Chang
{{nihongo2|絹本淡彩竹鶏図〈蘿窓筆／自賛アリ〉}}
kenpon tansai chiku kei zu (Ra Sō hitsu jisan ari) | 1127.1279|Southern Song}} | Taitō | Tokyo National Museum | 96.3|cm|in}} by {{convert|42.4|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Grapes, light colour on silk, by Tachihara Kyōsho
{{nihongo2|絹本淡彩葡萄図〈立原杏所筆／〉}}
kenpon tansai buzō zu (Tachihara Kyōsho hitsu) | 1835|1835}} | Taitō | Tokyo National Museum | 89.7|cm|in}} by {{convert|40.1|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Landscape, light colour on silk, by I Fukyū
{{nihongo2|絹本淡彩離合山水図〈伊孚九筆／自賛がある〉}}
kenpon tansai rigō sansui zu (I Fukyū hitsu jisan ga aru) | 1700.1747|C18}} | Tokyo | private | three scrolls | |
Landscape with Pavilion, light colour on silk, by Sun Junze
{{nihongo2|絹本淡彩楼閣山水図〈孫君沢筆／〉}}
kenpon tansai rōkaku sansui zu (Son Kuntaku hitsu) | 1271.1368|Yuan Dynasty}} | Setagaya | Seikadō Bunko Art Museum | pair of scrolls | 35.62277756|N|139.61943506|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Seikadō Bunko Art Museum}} | |
Amida Triad, colour on silk
{{nihongo2|絹本著色阿弥陀三尊像}}
kenpon chakushoku Amida sanzon zō | 1200-1299|C13}} | Taitō, Tokyo | Iwaki City
(kept at the Tokyo National Museum) | 323.5|cm|in}} by {{convert|166.8|cm|in}} | 35.718817|N|139.776478|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
>Amida Nyorai, colour on silk
{{nihongo2|絹本著色阿弥陀如来像}}
kenpon chakushoku Amida Nyorai zō | 1306|1306}} | Minato | Nezu Museum | Goryeo Buddhist painting | 162.5|cm|in}} by {{convert|91.7|cm|in}} | 35.66225119|N|139.71708348|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Nezu Museum}} | |
Aizen Myōō, colour on silk
{{nihongo2|絹本著色愛染明王像}}
kenpon chakushoku Aizen Myōō zō | 1185.1333|Kamakura period}} | Tokyo | |
Aizen Myōō, colour on silk
{{nihongo2|絹本著色愛染明王像}}
kenpon chakushoku Aizen Myōō zō | 1185.1333|Kamakura period}} | Taitō | Gokoku-in|護国院}} | 35.719306|N|139.770167|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Gokokuin}} | |
Aizen Myōō, colour on silk
{{nihongo2|絹本著色愛染明王像}}
kenpon chakushoku Aizen Myōō zō | 1185.1333|Kamakura period}} | Minato | Nezu Museum | 123.8|cm|in}} by {{convert|95.0|cm|in}} | 35.66225119|N|139.71708348|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Nezu Museum}} | |
Aizen Myōō, colour on silk
{{nihongo2|絹本著色愛染明王像}}
kenpon chakushoku Aizen Myōō zō | 1185.1333|Kamakura period}} | Minato | Nezu Museum | 82.3|cm|in}} by {{convert|51.0|cm|in}} | 35.66225119|N|139.71708348|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Nezu Museum}} | |
Aizen Mandala, colour on silk
{{nihongo2|絹本著色愛染曼荼羅図}}
kenpon chakushoku Aizen mandara zu | 1185.1333|Kamakura period}} | Minato | Nezu Museum | 121.2|cm|in}} by {{convert|90.9|cm|in}} | 35.66225119|N|139.71708348|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Nezu Museum}} | |
Portrait of San'yūtei Enchō, colour on silk, by Kaburagi Kiyokata
{{nihongo2|三遊亭円朝像（鏑木清方筆／絹本著色）}}
San'yūtei Enchō zō (Kaburagi Kiyokata hitsu kenpon chakushoku) | 1930|1930}} | Chiyoda | National Museum of Modern Art, Tokyo | 138.5|cm|in}} by {{convert|76.0|cm|in}} | 35.6905681|N|139.75472526|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=National Museum of Modern Art, Tokyo}} | |
Camellia Petals Scattering, colour on paper with gold ground, byōbu by Hayami Gyoshū
{{nihongo2|紙本金地著色名樹散椿図〈速水御舟筆／二曲屏風〉}}
shihon kinji chakushoku meiju chiri tsubaki zu (Hayami Gyoshū hitsu ni-kyoku byōbu) | 1929|1929}} | Shibuya | Yamatane Museum | pair of two-panel screens | 169.6|cm|in}} by {{convert|167.9|cm|in}} | 35.6532|N|139.7137|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Yamatane Museum}} | |
Jo-no-mai, colour on silk, by Uemura Shōen
{{nihongo2|序の舞〈上村松園筆／絹本著色〉}}
Jo-no-mai (Uemura Shōen hitsu kenpon chakushoku) | 1936|1936}} | Taitō | The University Art Museum, Tokyo University of the Arts | 233.0|cm|in}} by {{convert|141.3|cm|in}} | 35.71934266|N|139.77162528|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=The University Art Museum, Tokyo University of the Arts}} | |
Hair, colour on silk, by Kobayashi Kokei
{{nihongo2|髪〈小林古径筆／絹本著色〉}}
kami (Kobayashi Kokei hitsu kenpon chakushoku) | 1931|1931}} | Bunkyō | Eisei Bunko Museum | 173.5|cm|in}} by {{convert|108.0|cm|in}} | 35.71323379|N|139.72322345|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Eisei Bunko Museum}} | |
Mother and Child]], colour on silk, by Uemura Shōen
{{nihongo2|母子〈上村松園筆/絹本著色〉}}
boshi (Uemura Shōen hitsu kenpon chakushoku) | 1934|1934}} | Chiyoda | National Museum of Modern Art, Tokyo | 168.0|cm|in}} by {{convert|115.5|cm|in}} | 35.6905681|N|139.75472526|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=National Museum of Modern Art, Tokyo}} | |
Camp at Kisegawa, colour on paper, byōbu by Yasuda Yukihiko
{{nihongo2|紙本著色黄瀬川陣〈安田靫彦筆/六曲屏風〉}}
shihon chakushoku Kisegawa-no-jin (Yasuda Yukihiko hitsu rokkyoku byōbu) | 1940.1941|1940/1}} | Chiyoda | National Museum of Modern Art, Tokyo | pair of six-fold screens; the subject of Minamoto no Yoshitsune coming to join Minamoto no Yoritomo is based on the Azuma Kagami[4] | 167.7|cm|in}} by {{convert|374.0|cm|in}} | 35.6905681|N|139.75472526|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=National Museum of Modern Art, Tokyo}} | |
Dancing in the Flames, colour on silk, by Hayami Gyoshū
{{nihongo2|絹本著色炎舞図〈速水御舟筆／〉}}
kenpon chakushoku enbu zu (Hayami Gyoshū hitsu) | 1925|1925}} | Shibuya | Yamatane Museum | 120.3|cm|in}} by {{convert|53.8|cm|in}} | 35.6532|N|139.7137|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Yamatane Museum}} | |
Serving Girl in a Spa, colour on silk, byōbu by Tsuchida Bakusen
{{nihongo2|絹本著色湯女図〈土田麦僊筆／二曲屏風〉}}
kenpon chakushoku yuna zu (Tsuchida Bakusen hitsu nikyoku byōbu) | 1918|1918}} | Chiyoda | National Museum of Modern Art, Tokyo | pair of two-fold screens | 197.6|cm|in}} by {{convert|195.5|cm|in}} | 35.6905681|N|139.75472526|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=National Museum of Modern Art, Tokyo}} | |
Kiyohime at the Hidaka River, colour on silk, by Murakami Kagaku
{{nihongo2|絹本著色日高河清姫図〈村上華岳筆／〉}}
kenpon chakushoku Hidaka-gawa Kiyohime zu (Murakami Kagaku hitsu) | 1919|1919}} | Chiyoda | National Museum of Modern Art, Tokyo | 142.5|cm|in}} by {{convert|55.7|cm|in}} | 35.6905681|N|139.75472526|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=National Museum of Modern Art, Tokyo}} | |
Tabby Cat, colour on silk, by Takeuchi Seihō
{{nihongo2|絹本著色斑猫図〈竹内栖鳳筆／〉}}
kenpon chakushoku hanbyō zu (Takeuchi Seihō hitsu) | 1924|1924}} | Shibuya | Yamatane Museum | 81.9|cm|in}} by {{convert|101.6|cm|in}} | 35.6532|N|139.7137|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Yamatane Museum}} | |
Eight Famous Sights along the Xiao River and the Xiang River, colour on silk, by Yokoyama Taikan
{{nihongo2|絹本著色瀟湘八景図〈横山大観筆／〉}}
kenpon chakushoku shōshō hakkei zu (Yokoyama Taikan hitsu) | 1912|1912}} | Taitō | Tokyo National Museum | Clouds and Sails off Distant Shore|遠浦雲帆}}, {{nihongo|Night Rain over the Xiao and Xiang|瀟湘夜雨}}, {{nihongo|Evening Bell from a Distant Temple|烟寺晩鐘}}, {{nihongo|Mountain Village after Storm|山市晴嵐}}, {{nihongo|Fishing Village in Sunset Glow|漁村返照}}, {{nihongo|Autumn Moon Over Lake Dongting|洞庭秋月}}, {{nihongo|Wild Geese Descending to Sandbar|平沙落雁}}, and {{nihongo|River Sky in Evening Snow|江天暮雪}}; Natsume Sōseki observed that the paintings have {{nihongo|"a charm that appears to be sophisticated and fatuous at the same time"|気の利いた様な間の抜けた様な趣}}[4] | 113.6|cm|in}} by {{convert|60.6|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Metempsychosis, ink on silk, by Yokoyama Taikan
{{nihongo2|絹本墨画生々流転図〈横山大観筆／〉}}
kenpon bokuga seisei ruten zu (Yokoyama Taikan hitsu) | 1923|1923}} | Chiyoda | National Museum of Modern Art, Tokyo | a drop of water from the vapours in the sky transforms into a mountain stream, which flows into a great river and on into the sea, whence rises a dragon (pictured) which again turns to vapour[5][6] | 55.3|cm|in}} by {{convert|4070.0|cm|in}} | 35.6905681|N|139.75472526|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=National Museum of Modern Art, Tokyo}} | |
Eight Famous Sights of Ōmi, colour on paper, by Imamura Shikō
{{nihongo2|紙本著色近江八景図〈今村紫紅筆／〉}}
shihon chakushoku Ōmi hakkei zu (Imamura Shikō hitsu) | 1912|1912}} | Taitō | Tokyo National Museum | eight scrolls; see Eight Views of Ōmi | 165.0|cm|in}} by {{convert|56.9|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Parting Spring, colour on paper, byōbu by Kawai Gyokudō
{{nihongo2|紙本著色行く春図〈川合玉堂筆／六曲屏風〉}}
shihon chakushoku yukuharu zu (Kawai Gyokudō hitsu rokkyoku byōbu) | 1916|1916}} | Chiyoda | National Museum of Modern Art, Tokyo | pair of six-fold screens | 183.0|cm|in}} by {{convert|390.0|cm|in}} | 35.6905681|N|139.75472526|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=National Museum of Modern Art, Tokyo}} | |
Sceneries in the Tropical Land, colour on paper, by Imamura Shikō
{{nihongo2|紙本著色熱国の巻〈今村紫紅筆／〉}}
shihon chakushoku nekkoku no maki (Imamura Shikō hitsu) | 1914|1914}} | Taitō | Tokyo National Museum | pair of scrolls, morning and evening | 47.5|cm|in}} by {{convert|954.5|cm|ftin}}; evening: {{convert|45.7|cm|in}} by {{convert|966.0|cm|ftin}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Road Cut Through a Hill, oil on canvas, by Kishida Ryūsei
{{nihongo2|切通しの写生〈岸田劉生筆 一九一五年／油絵 麻布〉}}
kiridōshi no shasei (Kishida Ryūsei hitsu 1915-nen abura-e mafu) | 1915|1915}} | Chiyoda | National Museum of Modern Art, Tokyo | 56.0|cm|in}} by {{convert|53.0|cm|in}} | 35.6905681|N|139.75472526|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=National Museum of Modern Art, Tokyo}} | |
Nude, colour on silk, by Murakami Kagaku
{{nihongo2|裸婦図〈村上華岳筆／絹本著色〉}}
rafu zu (Murakami Kagaku hitsu kenpon chakushoku) | 1920|1920}} | Shibuya | Yamatane Museum | 163.6|cm|in}} by {{convert|109.1|cm|in}} | 35.6532|N|139.7137|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Yamatane Museum}} | |
Portrait of Reiko, oil on canvas, by Kishida Ryūsei
{{nihongo2|麗子微笑〈岸田劉生筆 一九二一年／油絵 麻布〉}}
Reiko bishō (Kishida Ryūsei hitsu 1921-nen aburae mafu) | 1921|1921}} | Taitō | Tokyo National Museum | 44.2|cm|in}} by {{convert|36.4|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Bodhisattva Kenshu, colour on silk, by Hishida Shunsō
{{nihongo2|絹本著色賢首菩薩図〈菱田春草筆／〉}}
kenpon chakushoku Kenshu Bosatsu zō (Hishida Shunsō hitsu) | 1907|1907}} | Chiyoda | National Museum of Modern Art, Tokyo | Kenshu, also Genju or Fazang, third patriarch of the Kegon (Huayan) school, explains the Kegon Sutra (Flower Garland Sutra) to Empress Wu Zetian using the analogy of a golden lion[5] | 185.7|cm|in}} by {{convert|99.5|cm|in}} | 35.6905681|N|139.75472526|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=National Museum of Modern Art, Tokyo}} | |
Black Cat, colour on silk, by Hishida Shunsō
{{nihongo2|絹本著色賢首菩薩図〈菱田春草筆／〉}}
kenpon chakushoku kuroki neko zu (Hishida Shunsō hitsu) | 1910|1910}} | Bunkyō | Eisei Bunko Museum | 35.71323379|N|139.72322345|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Eisei Bunko Museum}} | |
Kannon as Compassionate Mother, colour on silk, by Kanō Hōgai
{{nihongo2|絹本著色悲母観音像〈狩野芳崖筆／〉}}
kenpon chakushoku hibo Kannon zō (Kanō Hōgai hitsu) | 1888|1888}} | Taitō | The University Art Museum, Tokyo University of the Arts | 195.8|cm|in}} by {{convert|86.1|cm|in}} | 35.71934266|N|139.77162528|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=The University Art Museum, Tokyo University of the Arts}} | |
Dragon and Tiger, colour on silk, byōbu by Hashimoto Gahō
{{nihongo2|絹本著色竜虎図〈橋本雅邦筆／六曲屏風〉}}
kenpon chakushoku ryū-ko zu (Hashimoto Gahō hitsu rokkyoku byōbu) | 1895|1895}} | Setagaya | Seikadō Bunko Art Museum | pair of six-fold screens | 35.62277756|N|139.61943506|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Seikadō Bunko Art Museum}} | |
Lakeside, oil on canvas, by Kuroda Seiki
{{nihongo2|湖畔〈黒田清輝筆 一八九七年／油絵 麻布〉}}
kohan (Kuroda Seiki hitsu 1897-nen abura-e mafu) | 1897|1897}} | Taitō | Tokyo National Museum | 69.0|cm|in}} by {{convert|84.7|cm|in}} | 35.71886768|N|139.77328704|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Black Fan, oil on canvas, by Fujishima Takeji
{{nihongo2|黒扇〈藤島武二筆／油絵 麻布〉}}
kokusen (Fujishima Takeji hitsu abura-e mafu) | 1908.1909|1908/9}} | Chūō | Bridgestone Museum of Art | 42.4|cm|in}} by {{convert|63.7|cm|in}} | 35.678779|N|139.771868|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Bridgestone Museum of Art}} | |
Salmon, oil on paper, by Takahashi Yuichi
{{nihongo2|鮭〈高橋由一筆／油絵 紙〉}}
sake (Takahashi Yuichi hitsu abura-e kami) | 1877|c.1877}} | Taitō | The University Art Museum, Tokyo University of the Arts | 140.0|cm|in}} by {{convert|46.5|cm|in}} | 35.71934266|N|139.77162528|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=The University Art Museum, Tokyo University of the Arts}} | |
White Clouds and Autumn Leaves, colour on paper, by Hashimoto Gahō
{{nihongo2|紙本著色白雲紅樹図〈橋本雅邦筆／〉}}
shihon chakushoku hakuun kōju zu (Hashimoto Gahō hitsu) | 1890|1890}} | Taitō | The University Art Museum, Tokyo University of the Arts | 265.8|cm|in}} by {{convert|159.3|cm|in}} | 35.71934266|N|139.77162528|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=The University Art Museum, Tokyo University of the Arts}} | |
Fudō Myōō, colour on paper, by Kanō Hōgai
{{nihongo2|紙本著色不動明王図〈狩野芳崖筆／〉}}
shihon chakushoku Fudō Myōō zu (Kanō Hōgai hitsu) | 1887|1887}} | Taitō | The University Art Museum, Tokyo University of the Arts | 158.0|cm|in}} by {{convert|78.8|cm|in}} | 35.71934266|N|139.77162528|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=The University Art Museum, Tokyo University of the Arts}} | |
Fallen Leaves, colour on paper, byōbu by Hishida Shunsō
{{nihongo2|紙本著色落葉図〈菱田春草筆／六曲屏風〉}}
shihon chakushoku rakuyō zu (Hishida Shunsō hitsu rokkyoku byōbu) | 1909|1909}} | Bunkyō | Eisei Bunko Museum | pair of six-fold screens | 35.71323379|N|139.72322345|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Eisei Bunko Museum}} | |
Harvest, oil on canvas, by Asai Chū
{{nihongo2|収穫〈浅井忠筆 一八九〇年／油絵 麻布〉}}
shūkaku (Asai Chū hitsu 1890-nen abura-e mafu) | 1890|1890}} | Taitō | The University Art Museum, Tokyo University of the Arts | 69.6|cm|in}} by {{convert|98.2|cm|in}} | 35.71934266|N|139.77162528|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=The University Art Museum, Tokyo University of the Arts}} | |
Spring Ridge, oil on canvas, by Asai Chū
{{nihongo2|春畝〈浅井 忠筆 一八八八年／油絵 麻布〉}}
shunpo (Asai Chū hitsu 1888-nen abura-e mafu) | 1888|1888}} | Taitō | Tokyo National Museum | 84.0|cm|in}} by {{convert|102.5|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Wisdom Impression Sentiment, oil on canvas, by Kuroda Seiki
{{nihongo2|智・感・情〈黒田清輝筆 一八九九年／油絵 麻布〉}}
chi-kan-jō (Kuroda Seiki hitsu 1899-nen abura-e mafu) | 1899|1899}} | Taitō | Tokyo National Museum | 180.6|cm|in}} by {{convert|99.8|cm|in}} | 35.71886768|N|139.77328704|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Maiko, oil on canvas, by Kuroda Seiki
{{nihongo2|舞妓〈黒田清輝筆／油絵 麻布〉}}
maiko (Kuroda Seiki hitsu abura-e mafu) | 1893|1893}} | Taitō | Tokyo National Museum | 80.4|cm|in}} by {{convert|65.3|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Nude Beauty, oil on canvas, by Yorozu Tetsugorō
{{nihongo2|裸体美人〈萬鐵五郎筆／油絵 麻布〉}}
ratai bijin (Yorozu Tetsugorō hitsu abura-e mafu) | 1912|1912}} | Chiyoda | National Museum of Modern Art, Tokyo | 162.0|cm|in}} by {{convert|97.0|cm|in}} | 35.6905681|N|139.75472526|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=National Museum of Modern Art, Tokyo}} | |
Summer Landscape, ink on silk, by Chen Shaoying
{{nihongo2|絹本墨画夏景山水図〈陳紹英筆／順治十年九月の年記がある〉}}
kenpon bokuga kakei sansui zu (Chen Shaoying hitsu Junchi jū-nen ku-gatsu no nenki ga aru) | 1653|1653}} | Setagaya | Seikadō Bunko Art Museum | dated by an inscription to the tenth year of the Shunzhi Emperor | 35.62277756|N|139.61943506|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Seikadō Bunko Art Museum}} | |
Excellent Ox, light colour on paper
{{nihongo2|紙本淡彩駿牛図断簡}}
shihon tansai sungyū zu dankan | 1185.1333|Kamakura period}} | Taitō | Tokyo National Museum | 27.2|cm|in}} by {{convert|32.4|cm|in}} | 35.71994403|N|139.77563736|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Excellent Ox, light colour on paper
{{nihongo2|紙本淡彩駿牛図断簡}}
shihon tansai sungyū zu dankan | 1185.1333|Kamakura period}} | Taitō | Agency for Cultural Affairs
(kept at Tokyo National Museum) | 35.71896467|N|139.77653504|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Tokyo National Museum}} | |
Excellent Ox, light colour on paper
{{nihongo2|紙本淡彩駿牛図断簡}}
shihon tansai shungyū zu dankan | 1185.1333|Kamakura period}} | Setagaya | Gotoh Museum | 31.5|cm|in}} by {{convert|32.4|cm|in}} | 35.61229621|N|139.63557325|E|display=inline|format=dms|type:landmark_region:JP_scale:10000|name=Gotoh Museum}} | |
|
As of 10 February 2016, twenty-four properties have been designated at a metropolitan level.[7]
1. ^{{cite web |url=http://www.bunka.go.jp/tokei_hakusho_shuppan/shuppanbutsu/bunkazai_pamphlet/pamphlet_en.html |title=Cultural Properties for Future Generations |publisher=Agency for Cultural Affairs |accessdate=10 February 2016}}
2. ^{{cite web |url=http://www.bunka.go.jp/seisaku/bunkazai/shokai/shitei.html |script-title=ja:国宝・重要文化財 |trans-title=Number of National Treasures and Important Cultural Properties by Prefecture |language=Japanese |publisher=Agency for Cultural Affairs |date=1 February 2016 |accessdate=10 February 2016}}
3. ^{{cite web |url=http://kunishitei.bunka.go.jp/bsys/index_pc.html |title=Database of National Cultural Properties: 国宝・重要文化財（美術品）(絵画 東京都) |language=Japanese |publisher=Agency for Cultural Affairs |accessdate=10 February 2016}}
4. ^{{cite web |url=http://www.emuseum.jp/detail/100289 |title=Eight famous sights along the Xiao River and the Xiang River |publisher=National Institutes for Cultural Heritage |accessdate=7 April 2016}}
5. ^1 2 3 {{cite web |url=http://www.momat.go.jp/english/am/collection/masterpieces/ |title=Masterpieces |publisher=National Museum of Modern Art, Tokyo |accessdate=13 February 2016}}
6. ^{{cite web |url=http://search.artmuseums.go.jp/records.php?sakuhin=2807 |script-title=ja:横山大観 生々流転 |trans-title=Metempsychosis by Yokoyama Taikan |language=Japanese |publisher=National Institutes for Cultural Heritage |accessdate=13 February 2016}}
7. ^{{cite web |url=http://bunkazai.metro.tokyo.jp/index.html |script-title=ja:有形文化財（絵画 絵画・典籍 典籍･絵画）|trans-title=Tangible Cultural Properties - Paintings |language=Japanese |publisher=Tokyo Metropolis |accessdate=10 February 2016}}