| 词条 | Li Xinmo |
| 释义 |
}}{{Chinese name|Li}} Li Xinmo ({{zh|c=李心沫}}; born 1976 in Yilan County, Heilongjiang) is a Chinese feminist artist, art critic, and teacher. She graduated from the Department of Chinese Painting, and received her master's degree from Tianjin Academy of Fine Arts in 2008 and now resides in Beijing. She is a member of the German IO culture institution, vice president of Chinese and Germany culture communication organization. Li is mainly devoted to feminist theory and contemporary art criticism research. Her creation involves a series of issues such as gender, ethnicity, environment, and national politics. Her artworks are based on a variety of media, especially performance, photography and painting. Her works have been exhibited in major art galleries such as the Louvre in France, the National Museums of World Culture in Gothenburg, Sweden, and the Bonn Women's Museum in Germany. She also participated in Toronto Photo Biennial and Prague Art Biennial. Many museums such as the Taida Museum and the Museum of Far Eastern Antiquities in Sweden have some of her works. Early lifeLi was born in 1976 in a traditional Chinese patriarchal family, and grew up in Heilongjiang Province in northern China. Xinmo once told that she grew up in a violent family in an interview.[1] What's more, she studied calligraphy from an early age. Education and early careerLi graduated from Art Education Department of Harbin Normal University in 1997 and taught at a private university for half a year. From 2005 to 2008, she was a graduate student of the Chinese Painting Department of the Tianjin Academy of Fine Arts and a lecturer at the School of Modern Art of Tianjin Academy Fine Arts. Currently living in Beijing, she teaches at the School of Modern Art at Beijing Geely University.{{cn|date=November 2018}} Exhibitions
Art Work“Memory of Vagina”[2] is one piece of art which targeting on the patriarchy society. Using a gun to describe the patriarchy society and visualized the damage to women from the community. This work is an example of how the invisible violence from the community has been materialized in the modern art. BarriersEven though Xinmo Li's art work has been accepted by many Western country, the impact of her idea and art has not been promoted to the public domestically. The conflicts between traditional Chinese culture and performance art have natively affect many feminist arts in China. Most feminists who use modern art to propose their idea to protect the rights for women are not accepted by the public.[3] References1. ^靳, 卫红. "对话李心沫." 画刊, 2012, 29-31 2. ^{{Cite web|url=http://fashion.163.com/14/0830/00/A4RSS2OM00264MK3.html|title=肉身的反抗：中国女艺术家的身体与她们的行为艺术_网易艺术|last=网易|website=fashion.163.com|access-date=2017-03-04}} 3. ^{{Cite web|url=http://fashion.163.com/14/0830/00/A4RSS2OM00264MK3.html|title=肉身的反抗：中国女艺术家的身体与她们的行为艺术_网易艺术|last=网易|website=fashion.163.com|access-date=2017-03-04}} External links
9 : 1976 births|Chinese women artists|Tianjin University alumni|Feminist artists|20th-century women artists|Ecofeminism|Living people|Artists from Heilongjiang|Harbin Normal University alumni |
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