| 词条 | Abhogi |
| 释义 |
| name = Abhogi | synonym = | image_name = | image_alt = | mela = 22nd, Kharaharapriya{{sfn|OEMI:A}} | chakra = | type = Audava–Audava{{sfn|OEMI:A}} | arohanam = {{svaraC|S|R2|G2|M1|D2|S'}}{{sfn|OEMI:A}} | avarohanam = {{svaraC|S'|D2|M1|G2|R2|S}}{{sfn|OEMI:A}} | jeeva = {{svaraC|G2}}{{sfn|OEMI:A}} | chhaya = {{svaraC|D2}}{{sfn|OEMI:A}} | nyasa = | vishesha = | equivalent = Abhogi Kanada | similar = }}{{Carnatic}}Abhogi ({{IAST|Ābhōgi}}) is a raga in Carnatic music and has been adapted to Hindustani music.{{sfn|Bor|Rao|1999}} It is a pentatonic scale, an audava raga. It is a derived scale (janya raga), as it does not have all the seven swaras (musical notes). Ābhōgi has been borrowed from Carnatic music into Hindustani music and is also quite popular in the latter.[1][2] TheoryThe Carnatic raga Abhogi is a symmetric pentatonic scale that does not contain panchamam and nishadam. It is called an audava-audava raga,[1][2] as it has 5 notes in both ascending and descending scales. Its {{IAST|ārohaṇa-avarohaṇa}} structure is as follows:
The notes used are shadjam, chathusruti rishabham, sadharana gandharam, shuddha madhyamam and chathusruthi dhaivatham. Ābhōgi is considered a janya raga of Kharaharapriya, the 22nd Melakarta raga, though it can be derived from Gourimanohari too, by dropping both panchamam and nishadam.{{cn|date=October 2018}} Graha bhedamGraha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. Abhogi's notes, when shifted using Graha bhedam, yields another pentatonic rāgam, Valaji. For more details and illustration of this concept refer Graha bhedam on Ābhōgi. According to P.Moutal, the raga Kalavati is a transposition of Abhogi.[3] Scale similarities
Notable compositionsAbhogi is a raga used for compositions in a medium to fast tempo. It has been used by many composers in classical music and film music. Notable traditional compositions in Abhogi include:
In Hindustani music{{Infobox raga| name = Abhogi Kanada | image_name = | image_alt = | thaat = Kafi{{sfn|Bor|Rao|1999}} | type = Audava–Audava | time = Early night, 9–12{{sfn|Bor|Rao|1999}} | season = | arohana = {{svaraH|S|R|g|m|D|S'}}{{sfn|OEMI:AK}} | avarohana = {{ubl|{{svaraH|S'|D|m|g|m|R|S}}|{{svaraH|S'|D|m|g|R|S}}}} | vadi = | samavadi = | pakad = | chalan = | synonym = Abhogi | equivalent = | similar = Bageshri{{sfn|Bor|Rao|1999}} }} The Carnatic raga was incorporated relatively recently into Hindustani classical music where it is known as Abhogi Kanada ({{IAST3|Abhogi Kānaḍā}}) or simply, Abhogi. The Kanada indicates its origin as a member of the Kanada group. Abhogi Kanada is assigned to the Kafi thaat.{{sfn|Bor|Rao|1999}}{{sfn|OEMI:AK}} The Carnatic and Hindustani Abhogis have almost identical arohanas and avarohanas. However, one major differences is that the Carnatic raga uses the Kanada vakra (out of sequence) phrase {{svaraC|G2|M1|R2|S|foot=yes}} in a straight manner.{{sfn|OEMI:A}} TheoryPa and Ni are omitted. Also Re is often omitted in ascent. Flat Ga is often approached from Ma in ascent and has a slight oscillation to show the typical Kanada. In descent often the typical Kanada phrase {{svaraH|g|M|R|S}} is used.{{cn|date=October 2018}}
Related ragas: Bageshree. However, Bageshree also includes flat Ni and a limited use of Pa, which gives a different flavour.{{sfn|Bor|Rao|1999}} CompositionsHindustani compositions of note in Abhogi Kanada include:{{sfn|OEMI:AK}}
Important Recordings
See also{{Portal|Indian classical music}}
Notes{{notelist|30em}}References1. ^1 Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications 2. ^1 Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras 3. ^P.Moutal, p. 462 Sources
External links
2 : Hindustani ragas|Janya Ragas |
| 随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。