| 词条 | Marc Honegger |
| 释义 |
| name = | image = Migot-La mise au tombeau-Cathédrale de Strasbourg-1969.jpg | imagesize = | caption = Marc Honneger conducting the Mise au tombeau by Georges Migot in the Strasbourg cathedral (1969). | birth_name = | birth_date = 17 May 1926 | birth_place = Paris | death_date = {{Death date and age|df=yes|2003|08|27|1926|05|17}} | death_place = Saint-Martin-de-Vers (Lot) | othername = | occupation = Musicologist Choirmaster | years_active = | spouse = | signature = }} Marc Honegger (17 May 1926 – 8 September 2003) was a French musicologist and choirmaster. BiographyTrainingHonegger studied at the Sorbonne, where he was a pupil of Paul-Marie Masson. He received a very complete musical training: He studied piano with Santiago Riera (1942-1949), musical composition with Georges Migot from 1946 and conducting with Ion Constantinesco (1947-1948). TeachingAn assistant of Jacques Chailley at the Institut de Musicologie of Paris Sorbonne (1954-1958), then teaching assistant at the Strasbourg University (from 1958), he became full professor in 1970. He also taught abroad in Canada. He directed the Institute of Musicology of the Marc Bloch University of Strasbourg from 1958 to 1983. He was also president of the {{ill|Société française de musicologie|fr}} 1977–1980) and vice-president of the International Musicological Society 1982–1992). MusicologistHonegger's research focused mainly on music from the 16th century. He supported two doctoral thesis, one on the origins of Reformed Protestant music in France, Les Chansons spirituelles de Didier Lupi et les débuts de la musique protestante en France au XVIe[1] and the other on the alterations (flats or sharps) not noted in the Renaissance music, Les Messes de Josquin des Prés dans la tablature de Diego Pisador (Salamanque 1552): contribution à l'étude des altérations au XVIe.[2] He contributed to the publication of works by composers of the 16th century such as Paschal de L'Estocart, Claudin de Sermisy, Pierre Certon, Didier Lupi Second, and Claude Goudimel. The dictionaries he has coordinated are today still reference works. Honegger was also interested in 20th-century music, notably that of Georges Migot (1891–1976), who was his teacher, and whose work he wanted to make known. He became secretary-general of the association of Friends of the work and thought of Georges Migot. He published the Catalogue des œuvres musicales de Georges Migot in 1977. He helped publish musical scores such as 26 Monodies permodales in 1990, L'Annonciation, oratorio for two soloists, chorus with three voices of women and string orchestra (1993). He produced recordings, Le petit Evangéliaire, nine choruses a capella, Requiem a capella for mixed choir or vocal quartet, recorded with his Ensemble Les Chanteurs Traditioneles de Paris. He also organized exhibitions on Georges Migot. ChoirmasterAt the age of 21, he began a career as a choirmaster, in the Parisian protestant churches of the {{ill|Temple protestant du Foyer de l'Âme|fr|3=Temple protestant du Foyer de l'Âme|lt=Foyer de l'âme}} (1947–1952) and the holly spirit (1952–1954). From 1952 until 1959, he directed the "chœur des Chanteurs traditionnels de Paris", with which he restored and published religious or profane music of the fifteenth and sixteenth centuries. As a choir conductor, he recorded La Bataille de Marignan by Clément Janequin, The French masters of the Renaissance, and especially the three-voice Tournai Mass. He obtained the {{ill|Grand prix du disque de l'Association de la presse phonographique|fr|3=Grand prix du disque de l'Association de la presse phonographique|lt=Grand Prix de l'Académie du disque}} in 1958. In 1961, Honegger established the « Journées de Chant Choral » of Strasbourg which became one of the biggest festivals of their kind in Europe. Writings
Bibliography
References1. ^[https://books.google.com/books/about/Les_chansons_spirituelles_de_Didier_Lupi.html?id=OoGBAQAACAAJ&redir_esc=y Les Chansons spirituelles de Didier Lupi et les débuts de la musique protestante en France au XVIe] 2. ^Les Messes de Josquin des Prés dans la tablature de Diego Pisador (Salamanque 1552): contribution à l'étude des altérations au XVIe 3. ^[https://www.amazon.fr/Dictionnaire-musique-hommes-leurs-oeuvres/dp/2040107215 Dictionnaire de la musique : les hommes et leurs œuvres] 4. ^[https://www.abebooks.com/9782040055851/DICTIONNAIRE-MUSIQUE-SCIENCE-FORMES-TECHNIQUES-2040055851/plp Dictionnaire de la musique : technique, formes, instruments] 5. ^[https://www.abebooks.fr/rechercher-livre/titre/dictionnaire-de-la-musique/auteur/marc-honegger/ Dictionnaire usuel de la Musique] 6. ^Connaissance de la Musique (de A à Z) 7. ^Dictionnaire du musicien External links
9 : 20th-century French musicologists|French choral conductors|French male conductors (music)|1926 births|Writers from Paris|Musicians from Paris|2003 deaths|20th-century conductors (music)|20th-century male musicians |
| 随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。