| 词条 | Marina Vishmidt |
| 释义 |
WritingVishmidt has written and edited several publications including Speculation as a Mode of Production (forthcoming), Reproducing Autonomy: Work, Money, Crisis and Contemporary Art (2016) together with Kerstin Stakemeier [5] and Media Mutandis (2006) written together with Mary Anne Francis, Jo Walsh and Lewis Sykes.[6] Vishmidt contributed to various publications, such as the Exhibition catalogue for Grace Schwindt's exhibition Run a Home, Build a Town, Lead a Revolution. An Exhibition in Three Acts (2016), at MARCO - Museum of Contemporary Art, Vigo [7], and The Grand Domestic Revolution GOES ON [8] published by Casco, Utrecht in 2010. She authored several chapters in the Routledge Companion to Art and Politics which discusses the complex relationship between art and politics and was published in 2015. She is also a frequent contributor to various journals, including Afterall,[9] Texte zur Kunst[10] and E-flux.[11] CollaborationsMarina Vishmidt frequently collaborates with various artists and activists. In 2010, she contributed texts to the 4th instalment of the project Lying Freely by artist Ruth Buchanan which took the form of a book.[12] She was also part of a longterm research group of artists, writers, architects and musicians who worked together on the historical and contemporary presentation, documentation and reception of Victory over the Sun a Russian Futurist opera that premiered in 1913 in Saint Petersburg. The collective research efforts have been gathered in the publication Anfang Gut, Alles Gut - Actualizations of the Futurist Opera Victory Over the Sun 1913.[13] Vishmidt is part of the working group of Cinenova a London-based feminist film and video distributor.[14] She also collaborated with the Full Unemployment Cinema, a collective which screened films in independent, self-organised venues around London.[15] The films focus mostly on themes of work, non-work, refusal and struggle. References1. ^{{cite web|url=http://collection.fraclorraine.org/critique/print/21?lang=en|title=Scattering as Behaviour Toward Risk|publisher=49 nord 6 est Frac Lorraine|language=|accessdate=3 March 2018}} {{authority control}}{{DEFAULTSORT:Vishmidt, Marina}}2. ^{{Cite web|url=http://www.formerwest.org/Contributors/MarinaVishmidt|title=FORMER WEST – Marina Vishmidt|website=www.formerwest.org|access-date=2018-03-02}} 3. ^{{Cite news|url=https://www.bakonline.org/person/marina-vishmidt/|title=Marina Vishmidt|work=BAK|access-date=2018-03-09|language=en-US}} 4. ^{{Cite book|title=Speculation as a Mode of Production|last=Vishmidt|first=Marina|publisher=Brill|year=Forthcoming|isbn=|location=Leiden|pages=}} 5. ^{{Cite book|url=https://www.worldcat.org/oclc/967855147|title=Reproducing autonomy : work, money, crisis and contemporary art|last=1975-|first=Stakemeier, Kerstin,|isbn=1906496994|location=London|oclc=967855147}} 6. ^{{Cite book|url=https://www.worldcat.org/oclc/154678056|title=Media Mutandis : A Node.London reader|others=Vishmidt, Marina., Francis, Mary Anne., Walsh, Jo., Sykes, Lewis.|isbn=0955243505|location=[London]|oclc=154678056}} 7. ^{{Cite book|title=Grace Schwindt|last=Agar Ledo, Gill Park, Grace Schwindt, Marina Vishmidt|first=Bridget Crone|publisher=Fundacion MARCO & Goethe Institut|year=2016|isbn=978-84-943529-1-1|location=Vigo|pages=}} 8. ^{{Cite book|url=https://www.worldcat.org/oclc/697775234|title=The grand domestic revolution goes on|date=2010|publisher=London|others=Choi, Binna., Tanaka, Maiko., Casco, Office for Art, Design, and Theory.|isbn=9781907414145|location=Utrecht|oclc=697775234}} 9. ^{{Cite web|url=https://www.afterall.org/online/artists-at-work_maryam-jafri#.WpmoVRPOVZ0|title=Artists at Work: Maryam Jafri • Online • Afterall|website=www.afterall.org|access-date=2018-03-02}} 10. ^{{Cite web|url=https://www.textezurkunst.de/articles/sweetest-taboo/?highlight=marina%20vishmidt|title=The Sweetest Taboo|website=www.textezurkunst.de|language=en|access-date=2018-03-02}} 11. ^{{Cite web|url=http://www.e-flux.com/journal/43/60197/mimesis-of-the-hardened-and-alienated-social-practice-as-business-model/|title=“Mimesis of the Hardened and Alienated”: Social Practice as Business Model - Journal #43 March 2013 - e-flux|website=www.e-flux.com|language=en|access-date=2018-03-02}} 12. ^{{Cite book|title=Lying Freely|last=Ruth Buchanan|first=Marina Vishmidt|publisher=Jan van Eyck Academie and Casco Office for Art, Design and Theory|year=2010|isbn=978-90-72076-41-0|location=New Zealand|pages=}} 13. ^{{Cite book|url=https://www.worldcat.org/oclc/849898840|title=Anfang gut. Alles gut : Aktualisierungen der futuristischen Oper Sieg über die Sonne (1913) = Actualizations of the futurist opera Victory over the sun (1913)|date=2012|publisher=Walther König|others=Birkenstock, Eva, 1978-, Köller, Nina., Stakemeier, Kerstin, 1975-|isbn=9783863351441|location=Köln|oclc=849898840}} 14. ^{{Cite web|url=http://www.metamute.org/editorial/articles/out-past-interview-cinenova|title=Out of the Past: An Interview with Cinenova {{!}} Mute|website=www.metamute.org|language=en|access-date=2018-03-08}} 15. ^{{Cite news|url=https://fullunemploymentcinema.wordpress.com/about/|title=Who the FuC?|date=2013-05-12|work=Full Unemployment Cinema|access-date=2018-03-09|language=en-US}} 7 : 1976 births|Living people|Ukrainian writers|Ukrainian women writers|Art critics|Art educators|Academics of Goldsmiths, University of London |
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