| 词条 | Martha Boto |
| 释义 |
| name = Martha Boto | image = Martha Boto (1995).png | imagesize = | caption = Martha Boto (1995) | birth_name = | birth_date = {{birth date|1925|12|27|mf=y}} | birth_place = Buenos Aires, Argentina | death_date = {{death date and age|2004|10|13|1925|12|27|mf=y}} | death_place = Paris, France | nationality = Argentinian | education = Escuela Superior de Bellas Artes | field = Sculpture | training = | movement = Kinetic art | works = | patrons = | awards = | spouse = Gregorio Vardanega }}Martha Boto (27 December 1925 – 13 October 2004) was an Argentinian artist.[1] Boto was born in Buenos Aires, Argentina, and was co-founder of the Group of Non-Figurative Artists of Argentina. She is considered to be a pioneer of kinetic and programmed art.[2] LifeComing from a family of artists, where they always supported her in her vocation. She studied drawing and painting at Escuela Superior de Bellas Artes in 1944, and graduated in 1950.[3] She moved to Paris in 1959 with her husband and collaborator Gregorio Vardanega, where she lived until her death in 2004.[1] WorkBoto's earliest work was primarily geometric abstractions.[4] During the 50s she had her first concerns regarding space, which ended in creations of structures where she made use of plexiglass with colored water. By 1956, she joined the Concrete art group "Arte Nuevo".[3] She was among the first artists in Buenos Aires to use movement as a component in her sculptures.[1] In 1957, she started the group Artistas No Figurativos de la Argentina alongside Gregorio Vardanega.[3] In 1959 she moved to Paris and a year later she took part in the I Biennale de Paris where her career as a kinetic artist took off, her work was centered on the concepts of movement, light and color.[5] After Boto moved to Paris, Denise René promoted her work.[4] Boto began to incorporate more industrial materials, such as electric motors, into her sculptures at this time. She was known for her "investigations led on the principle of repetition in the world of reflection".[6] Boto looked for an art capable of awakening different emotions, psychological reactions of joy and tension, an art that could become a medicine for the spirit.[7] Representative Artworks
Personal Exhibitions
Collective exhibitions
Bibliography
References1. ^1 2 {{cite web|url=http://www.guggenheim-venice.it/inglese/collections/artisti/biografia.php?id_art=25|title=Martha Boto - Peggy Guggenheim Collection}} {{Authority control}}{{DEFAULTSORT:Boto}}2. ^{{cite web|url=https://books.google.com/books?id=TBtWDAAAQBAJ&pg=PA100&dq=Martha%20Boto&hl=en&sa=X&ved=0ahUKEwi41__HpI7PAhWGkh4KHd6_B_k4ChDoAQgtMAQ|title=New Tendencies: Art at the Threshold of the Information Revolution (1961 - 1978)|last=Medosch|first=Armin|date=10 June 2016|publisher=MIT Press|via=Google Books}} 3. ^1 2 {{cite web|url=http://www.sicardi.com/artists/martha-boto/artists-artist-works/|title=Martha Boto - Sicardi Gallery}} 4. ^1 {{cite web|url=http://www.leontovargallery.com/martha-boto|title=Martha Boto}} 5. ^{{Cite book|url=https://www.worldcat.org/oclc/815824078|title=Real/Virtual : arte cinético argentino en los años sesenta|others=Herrera, María José,, Museo Nacional de Bellas Artes (Argentina),|isbn=9789871428137|location=[Buenos Aires, Argentina]|oclc=815824078}} 6. ^{{Cite book|url=https://www.worldcat.org/oclc/20140788|title=Contemporary artists|date=1989|publisher=St. James Press|others=Naylor, Colin.|isbn=0912289961|edition= 3rd|location=Chicago|oclc=20140788}} 7. ^{{Cite book|url=https://www.worldcat.org/oclc/713560782|title=Palabra de artista : textos sobre arte argentino, 1961-1981|date=2010|publisher=Fondo Nacional de las Artes|others=Amigo Cerisola, Roberto., Dolinko, Silvia, 1970-, Rossi, Cristina.|isbn=9789876410106|location=Buenos Aires|oclc=713560782}} 8. ^1 {{Cite book|title=Argentina en el mundo. Artes visuales 2|last=|first=|publisher=Centro de Artes Visuales del Instituto Torcuato Di Tella|year=1966|isbn=|location=Buenos Aires|pages=}} 9. ^{{Cite web|url=http://abierta.cl/cinetica/martha-boto/|title=Latin American Kinetic Art. Martha Boto|last=|first=|date=28 May 2013|website=Arte Cinético Latinoamericano|archive-url=|archive-date=|dead-url=|access-date=17 November 2018}} 10. ^1 {{Cite web|url=http://www.artandartcollection.com/artist/10?lang=esp|title=ART&ART COLLECTION|last=|first=|date=|website=|archive-url=|archive-date=|dead-url=|access-date=12 November 2016}} 11. ^{{Cite book|url=https://www.worldcat.org/oclc/994263283|title=Keep it moving? : conserving kinetic art : proceedings from the meeting organized by the Getty Conservation Institute, the ICOM-CC Modern Materials and Contemporary Art Working Group, and Museo del Novecento, Palazzo Reale, Milan, Italy, June 30-July 2, 2016|others=Rivenc, Rachel,, Bek, Reinhard,, Getty Conservation Institute,, ICOM Committee for Conservation. Working Group Modern Materials and Contemporary Art,, Museo del Novecento (Milan, Italy),, Palazzo reale di Milano,|isbn=9781606065389|edition= First|location=Los Angeles, California|oclc=994263283}} 6 : 2004 deaths|1925 births|Argentine artists|Argentine women artists|Kinetic art|20th-century women artists |
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