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词条 Mezzetino (painting)
释义

  1. References

  2. Further reading

{{italic title}}{{Infobox artwork
| image_file =File:Jean-Antoine_Watteau_-_Mezzetin.JPG
| caption =
| alt =
| image_size = 240px
| title = Mezzetino
| other_language_1 =
| other_title_1 =
| other_title_2 =
| artist = Antoine Watteau
| subject = Mezzetino playing guitar
| year = {{abbr|c.|circa}} 1718–20
| material = Oil on canvas
| height_metric = 55.2
| width_metric = 43.2
| length_metric =
| diameter_metric =
| city = New York City
| museum = Metropolitan Museum of Art
| accession = 34.138
}}Mezzetino (French - Mézetin) is a 1718-1719 painting by French painter Antoine Watteau, showing the Commedia dell'arte character Mezzetino. It was once owned by Catherine II of Russia, and is now in the Metropolitan Museum of Art in New York. [1]

Mezzetino was a comedy character, based on Harlequin but with his own distinctive costume, who was introduced for the first time by the Théâtre italien de Paris actor Angelo Costantini on October 16, 1683. Constantini's expressive face allowed him to portray the role without a mask, a tradition kept alive by all successive Mezzetinos. That novelty attracted Watteau, who featured Mezzetino in several of his works.[2]

In the picture Mezzetino is playing his guitar and singing, his eyes lifted as if towards an unseen balcony. The statue of Venus behind him is facing away, suggesting that his feelings are not shared by the lady she represents. Although the model for Mezzetino is not known, the fact that Jean de Jullienne, the friend and patron of Watteau, kept the painting all his life suggests he may have fulfilled the role.[3]

The picture was later engraved by Audran the Elder for a collection in two volumes of the works of Watteau (271 plates), published by Jullienne, who devoted a portion of his fortune to memorializing the works of his late good friend.

The work may be found in the Metropolitan Museum's Gallery 630.

References

1. ^ {{cite web|url=https://www.metmuseum.org/art/collection/search/437926|title=Mezzetin|publisher= Metropolitan Museum of Art|accessdate= 18 October 2018}}
2. ^{{cite book|author=François Moureau|title=De Gherardi à Watteau|location=Paris|publisher=Klincksieck|year=1992|isbn=978-2-25202-822-3|page=123}}.
3. ^Margaret Morgan Grasselli ; Nicole Parmantier ; Pierre Rosenberg, Watteau, 1684-1721 : National Gallery of Art, Washington, 17 June-23 September 1984, Galeries nationales du Grand Palais, Paris, 23 October 1984-28 January 1985, Château de Charlottenbourg, Berlin, 22 February-26 May 1985, Paris, Éditions de la Réunion des musées nationaux, 1984, 583 {{ISBN|978-2-71180-281-4}}, {{p.|119}}.

Further reading

  • {{Cite book|title=Europe in the Age of Monarchy|url=https://books.google.ru/books?id=Ysmd_oPKdY4C&printsec=frontcover&redir_esc=y#v=onepage&q&f=false|others=Introduction by John T. Spike|publisher=The Metropolitan Museum of Art|year=1987|isbn=0-87099-449-2|location=New York|page=146|via=Google Books}}
  • {{Cite book|title=Watteau, Music, and Theater|publisher=The Metropolitan Museum of Art|others=Rosenberg, Pierre (an introduction by); Cowart, Georgia J. (an essay by)|year=2009|isbn=978-1-58839-335-7|editor-last=Baetjer|editor-first=Katharine|location=New York|ref=harv}}
{{Jean-Antoine Watteau}}{{18C-painting-stub}}

4 : Musical instruments in art|1710s paintings|Paintings by Antoine Watteau|Paintings of the Metropolitan Museum of Art

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