| 词条 | Mildred Lucile Crooks |
| 释义 |
| name = Mildred Lucile Crooks | honorific_suffix = | native_name = | native_name_lang = | image = | image_size = | alt = | caption = | birth_name = | birth_date = {{Birth date|1899|12|12}} | birth_place = Chicago | death_date = May 1972 | death_place = New York, NY | resting_place = | resting_place_coordinates = | nationality = American | residence = New York City | spouse = Pinckney Gibson Daves (1901-1982) | known_for = painting | field = | training = | alma_mater = | style = abstract expressionist | movement = New York School | works = | patrons = | awards = | memorials = | elected = | website = | bgcolour = | module = }} Mildred Lucile Crooks ({{Birth date|1899|12|12}} - {{Death date|1972|5|}}) was an American abstract expressionist painter. She studied in Paris, France and exhibited at many group and solo shows including at the Pennsylvania Academy of Fine Arts, Salon des Tuileries, Salon d'Automne, the Brooklyn Museum, Arts Club Washington D.C. and at many galleries in New York City. Personal lifeCrooks was born in Chicago, Illinois, the daughter of Henry David Crooks. She graduated from Oak Park High School in Chicago, before moving to New York City and Paris. Crooks studied in France, residing with her brother, Harold Crooks. She married Pinckney Gibson Daves on June 21, 1929 at the First Presbyterian Church, New York. The couple lived in the Sutton Place neighborhood, but also frequented the East Hampton area[2] often staying at the Conklin House or at their residence in the Georgica Settlement (now known as the Georgica Association).[3] In the early 1930s, they were cited as guests at Francophile events in Cincinnati, Ohio. When Crooks died in May 1972, her death was recorded using her married name, Mildred Daves. Life in FranceCrooks studied in Paris for several years, reportedly having studios in Paris and Cannes. Her work was exhibited in the early 1930s at various salons including Salon D'Automne and Salon des Tuileries. Crooks was the subject of a painting by Ary Stillman, a Russian American artist, who also spent time in Paris. His painting, Portrait of Mrs. Pinckney Daves, was exhibited in late 1931 at the "L'exposition Artistique la Plus Originale de L'Annee" at Salon des Echanges. A photograph of the Stillman exhibit featuring the painting is rare glimpse of her likeness. Critical ReceptionA number critics wrote about Crooks's work, including one featured article in The New York Times in 1932, where she is called a "painter's painter." The review of her still-life was deemed to have been "worked out with really fine detail," although the critic worries about her "forays into surrealist territory," [5] a territory she embraced later in her career with her paintings becoming more abstract. Another reviewer at The New Yorker can't decide if Crooks's nudes were the high-spot of the show, but claims to like them immensely.[6] The art critic C. Adolph Glassgold reviewing her exhibition at the Morton Gallery states that Crooks's work shows "Impeccable color sense.."[4] ExhibitionsMildred Crooks had a thirty-five-year-long exhibition record. This list of known exhibitions of Crook's work uses sources from exhibition records, news accounts in The New York Times, the Washington Post, The New Yorker, and The New York Sun, Crooks's biography entry in AskArt, as well as entries in various arts magazines such as The Arts and Creative Art. Exhibitions by year
References1. ^1 {{cite news |title=Local News, Wainscott |author= |work=The East Hampton Star |location=East Hampton, New York |date=August 21, 1958|page=6 |quote= }} [1][2][3][4][5][6][7][8][9][10][11][12][13][14][15][16][17][18][19][20][21][22][23]2. ^1 {{cite news |title=Local News, Wainscott |author= |work=The East Hampton Star |location=East Hampton, New York |date=July 24, 1952|page=6 |quote= }} 3. ^1 {{cite book |editor-last=Field | editor-first=Hamilton Easter |last=Watson |first=Forbes |authorlink= |date=1929 |title=The Arts, Volumes 13-14 |chapter=No. 5, May 1928 |url=https://books.google.com/books?id=nPVGAQAAIAAJ&pg=PA314 |page=314 |access-date=January 14, 2018}} 4. ^1 2 {{cite news |title=The Art Galleries |author= |work=The New Yorker |location=New York |date=May 5, 1928|page=72 |quote=A glance at our notes on the catalog is astonishing. We have made pleasant observations about fourteen of the twenty-five entrants. We must be losing the pip. We believe the high spot was Dorothea Schwarcz with her "Window" and "Fruit." Or was it the three nudes of Mildred Crooks? Anyway we liked them immensely. }} 5. ^1 {{cite news |title=Attractions in the Galleries |url=http://fultonhistory.com/newspaper%209/New%20York%20NY%20Sun/New%20York%20NY%20Sun%201929%20Grayscale/New%20York%20NY%20Sun%201929%20Grayscale%20-%200801.pdf |author= |work=The New York Sun |location=New York |date=January 19, 1929 |page=10 |accessdate=2018-01-14 |quote=Miss Crooks's work seems very Greenwich Village, in spite of the fact that some of it was achieved in France. This remark is intended as a compliment. }} 6. ^1 {{cite book |last1=Field |first1=Hamilton Easter |authorlink1=Hamilton_Easter_Field |last2=Watson |first2=Forbes |authorlink2= |date=1929 |title=The Arts, Volume 15 |url=https://books.google.com/books?id=UYbpAAAAMAAJ&pg=PA118 |page=118 |access-date=January 14, 2018}} 7. ^1 {{cite book |last1=Field |first1=Hamilton Easter |authorlink1=Hamilton_Easter_Field |last2=Watson |first2=Forbes |authorlink2= |date=1929 |title=The Arts, Volume 15 |url=https://books.google.com/books?id=UYbpAAAAMAAJ&pg=PA188 |page=188 |access-date=January 14, 2018 |quote=Other artists whose work showed a serious approach and had something to say were... Mildred Crooks...}} 8. ^1 {{cite book |last=Sanchez |first=Pierre |date=2006 |title=Dictionnaire du Salon d'Automne : répertoire des exposants et liste des œuvres présentées, 1903-1945 |page=371}} 9. ^1 2 3 {{cite book |last=Sanchez |first=Pierre |date=2007 |title=Dictionnaire du Salon des Tuileries (1923-1962) : répertoire des exposants et liste des oeuvres présentées |page=207}} 10. ^1 {{cite news |title=Events in the Art World |author= |work=The New York Times |location=New York |date=January 10, 1932 |page=X11 }} 11. ^1 2 3 {{cite book |last=Glassgold |first=C. Adolph |editor-last=McBride | editor-first=Henry |publisher=A. and C. Boni, Incorporated |date=1932 |title=Creative Art, Volume 10 |page=141 |quote=Impeccable color sense is shown in the work of Mildred Crooks whose rich palette displays itself in her moody dark canvases as well as in her highly keyed one.}} 12. ^1 {{cite news |title=A Painter's Painter |author=K. G. S. |work=The New York Times |location=New York |date=January 10, 1932 |page=N6 |quote=She is primarily a painter's painter, who sets herself difficult problems. A still-life built up of crude reds and greens, for instance, is worked out with really fine results. Her "Apples" is probably the most satisfactory piece in the show.}} 13. ^1 {{cite news |title=Art in Review |author= |work=The New York Times |location=New York |date=March 20, 1932 |page=N6 }} 14. ^1 {{cite news |title=League Will Hold Architects' Show |author= |work=The New York Times |location=New York |date=December 14, 1935 |page=13 }} 15. ^1 {{cite news |title=Contemporary Paintings Show Now Open at the Arts Club |author=A.G. |work=The Washington Post |location=Washington D.C. |date=November 13, 1938 |page=TS6 }} 16. ^1 2 {{cite archive | collection=Ruth White Gallery records, 1936-1970 |institution=Archives of American Art, Smithsonian Institution }} 17. ^1 {{cite book |editor-last=Falk | editor-first=Peter Hastings |publisher=Sound View Press |date=1989 |title=The Annual Exhibition Record of the Pennsylvania Academy of Fine Arts, Volume III 1914-1968 |page=147}} 18. ^1 {{cite book |publisher=Art Digest, Incorporated |date=1953 |title=Art Digest, Volume 28 |url=https://books.google.com/books?id=4oVLAAAAYAAJ&pg=PA29 |page=29 |access-date=January 14, 2018}} 19. ^1 {{cite magazine |author= |title=People Are Talking About... |url= |magazine=Vogue |location=New York |publisher= |page=137 |date=April 1, 1957 |quote=The recent exhibition at New York's Ruth White Gallery, where Mildred Crooks showed her richly brushed lyric paintings, especially a white still life with critron yellows and citron greens.}} 20. ^1 {{cite news |title=Art: Bronzes by Dehner... |author=D. A. |work=The New York Times |location=New York |date=May 11, 1957 |page=43}} 21. ^1 {{cite news |title=Art: Gallery Pot-Pourri |author= |work=The New York Times |location=New York |date=December 20, 1957 |page=36 |quote=...Mildred Crooks' water-color abstraction,... among the highlights.}} 22. ^1 {{cite news |title=This Week Around the Galleries |author=B. O'D. |work=The New York Times |location=New York |date=May 5, 1963 |page=148 |quote=A particularly subtle color-sense tends to lose rather than find itself in semi-abstract canvases that manage to please fairly consistently, and do more than that occasionally, e.g. "The Point."}} 23. ^1 {{cite journal |title=Agnes Weinrich |journal=Woman's Art Journal |date=Autumn 1995 – Winter 1996 |last=Noun |first=Louise R. |volume=16 |issue=2 |pages=14 |jstor=1358569 }} }} External links
5 : 20th-century women artists|School of the Art Institute of Chicago alumni|1899 births|1972 deaths|Artists from Chicago |
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