| 词条 | Adela Zamudio |
| 释义 |
| name = Adela Zamudio | image = Adela Zamudio.jpg | alt = | caption = Adela Zamudio | birth_name = Paz Juana Plácida Adela Rafaela Zamudio Rivero | birth_date = {{birth date |1854|10|11|mf=y}} | birth_place = Cochabamba, Bolivia | death_date = 1928 | death_place = Cochabamba, Bolivia | nationality = Bolivian | other_names = Soledad | known_for = Bolivia's most famous poet, founder of the feminist Bolivian movement. | occupation = Poet, teacher, activist }} Paz Juana Plácida Adela Rafaela Zamudio Rivero, or more popularly known as Adela Zamudio (1854–1928) was a Bolivian poet, feminist, and educator. She is considered the most famous Bolivian poet, and is credited as founding the country's feminist movement. In her writing, she also used the pen-name Soledad. Personal lifeAdela Zamudio was born in Cochabamba, Bolivia, in 1854, to an upper-class family.[1] She attended a public elementary school and was also tutored by her father, Don Adolfo Zamudio and her mother, Doña Modesta Rivero de Zamudio.[2] CareerAs a teacher, Zamudio taught at Escuela San Alberto, and later became a director of a girls' high school, which later became known as Liceo Adela Zamudio.[2] Her poetry and fiction dealt primarily with the social struggles of Bolivia, often with a romantic feeling invoked towards revolution.[4] Non-religious, her writing was highly intellectual.[2] She published her first poem, Two Roses, when she was 15, but did not publish her first book until 20 years later.[3] In 1926 she was awarded the Bolivian Crown of Distinction award.[2] Her pseudonym, Soledad (English: Solitude), was used by her to reflect her often lonely and misunderstood self, who sought to escape conservative Bolivian society. Her work, Quo Vadis, caused a stir amongst upper class women and clerics, and animosity towards her work increased. Her struggles with religion caused her to choose to no longer teach religion at the school she directed and the League of Catholic Women publicly condemned her.[1] Zamudio also wrote articles for publications and newspapers, promoting democratic reforms and women's rights, including the legalization of divorce.[3] LegacyHer birthday, October 11, is celebrated in Bolivia as the "Day of Bolivian Women."[1] Zamudio is a featured figure on Judy Chicago's installation piece The Dinner Party, being represented as one of the 999 names on the Heritage Floor.[4][5] Works
Notes1. ^1 2 {{cite book|author=Mary Ann Tétreault|title=Women and revolution in Africa, Asia, and the New World|url=https://books.google.com/books?id=X95R043HBJwC&pg=PA339|accessdate=15 December 2011|year=1994|publisher=Univ of South Carolina Press|isbn=978-1-57003-016-1|page=339}} 2. ^1 2 3 {{cite book|author1=Ángel Flores|author2=Kate Flores|title=Hispanic feminist poems from the Middle Ages to the present: a bilingual anthology|url=https://books.google.com/books?id=Vr-u9cPOdr0C&pg=PA145|accessdate=15 December 2011|date=1 April 1986|publisher=Feminist Press|isbn=978-0-935312-54-6|page=145}} 3. ^1 2 {{cite book|author=Francesca Davis DiPiazza|title=Bolivia in Pictures|url=https://books.google.com/books?id=tzY76z3-s7YC&pg=PA71|accessdate=15 December 2011|date=1 March 2008|publisher=Twenty-First Century Books|isbn=978-0-8225-8568-8|page=71}} 4. ^{{cite web | author= | year=2007 | title=Adela Zambudia-Ribero | work=Elizabeth A. Sackler Center for Feminist Art: The Dinner Party: Heritage Floor: Adela Zambudia-Ribero | publisher=Brooklyn Museum | url=http://www.brooklynmuseum.org/eascfa/dinner_party/heritage_floor/adela_zambudia_ribero.php | accessdate=15 December 2011}} 5. ^Chicago, 256. References{{Commons category|Adela Zamudio}}
15 : 1854 births|1928 deaths|People from Cochabamba|Bolivian people of Spanish descent|Bolivian feminists|Bolivian women writers|Bolivian women poets|Bolivian educators|19th-century Bolivian people|19th-century Bolivian poets|19th-century Bolivian women writers|19th-century Bolivian writers|20th-century Bolivian poets|20th-century Bolivian women writers|20th-century Bolivian writers |
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