词条 | Music for Electric Metronomes |
释义 |
ScoreThe score for Music for Electric Metronomes consists of a diagram featuring series of dashes, lines, and numbers in an erratic pattern of connected paths accompanied by a set of directions. Each player looks at the score and chooses a path, starting from one "end" of the score, and finishing at another. There are 10 "ends" to start and finish with. This path should culminate in about 8 minutes worth of actions, sounds, and metronome manipulation. Once the player has chosen their path, they will use numbers as guides for meter and duration, and various types of lines as a guide to choosing their actions and sounds. Each player will begin at their respective ends, and start the metronome at the BPM (beats-per-minute) designated by their starting number. Then, using the amount of beats specified, they will gradually adjust the tempo of the metronome to the next designated BPM on their path. The connecting line between these BPMs is what specifies the action(s) or sound(s) that follow:[7]
References1. ^{{Cite thesis|url=https://scholarship.rice.edu/bitstream/handle/1911/64647/SASAKI-THESIS.pdf|title=Trio Webster: Toshi Ichiyanagi's Fusion of Western and Eastern Music|type=Doctor of Music Arts thesis|first=Maiko|last=Sasaki|page=9|publisher=Rice University|date=April 2012}} 2. ^Ichiyanagi, Toshi. Music for Electric Metronomes, Theatre Piece, Edition Peters 3. ^{{Cite book|title=Experimental Music: Cage and Beyond|first=Michael|last=Nyman|authorlink=Michael Nyman|chapter=Indeterminacy 1960–70|publisher=Cambridge University Press|year=1999|isbn=9780521653831|page=111|language=fr}} 4. ^{{Cite book|author=Marianne Williams Tobias|title=Classical Music Without Fear: A Guide for General Audiences|page=74|publisher=Inidiana University Press|year=2003|isbn=9780253216182}} 5. ^{{AllMusic|class=album|id=mr0002091556|label=Toshi Ichiyanagi: 1960's & 1990's|accessdate=9 September 2017}} 6. ^[https://www.nytimes.com/1992/12/24/arts/review-music-sem-evokes-john-cage-as-teacher.html "Review/Music; S.E.M. Evokes John Cage as Teacher"] by Alex Ross, The New York Times, 24 December 1992 7. ^"Toshi Ichiyanagi and the Art of Indeterminacy", seminar by Yayoi Uno Everett, Museum of Modern Art, New York City, 15 February 2013 External links
3 : 1960 compositions|Postmodern art|Contemporary classical compositions |
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