| 词条 | Nanpin school |
| 释义 |
EtymologyIt takes its name from Chinese painter Shen Nanping or Shen Quan ({{zh|w=Shen Ch'üan|p=Shěn Quán|t=沈銓|s=沈铨}}; c. 1682–1760), an artist who painted in the Ming academic style. HistoryHe arrived in Nagasaki on the 37th ship on December 3, 1731, and left Japan two years later, on September 18, 1733.[1] Shen Nanping specialised in bird-and-flower painting (Ch: huaniao hua, J: kachōga), one of the major artistic subjects, especially among professional Chinese painters. The painting style of Shen Nanping and his school would therefore be fruit of an artistic investigation. In their paintings, flora and fauna are not just "realistic", but are styled just as they appear in Chinese and European treatises. The commercial activity in the port of Nagasaki facilitated the spread of Western knowledge in Japan. Japanese people were particularly interested in the ancient Chinese culture. In the 18th century, Japanese people became very interested in Western natural sciences, even if that did not mean a break from Chinese tradition. Chinese and Western treatises on natural sciences could have played a key role in the spread of knowledge on subjects such as botany, zoology, and mineralogy, and that the images featured in these treatises might have inspired artists to choose and create new representations of bird-and-flower. That is why scholar Meccarelli has called the style of the Nanpin school "flora and fauna decorative painting'.[2] In the Nanping painting school, the decorative aspect was even more emphasised, because paintings had to satisfy the taste of merchants.[3] Notable artists
See also
References1. ^Kondō Hidemi, 1989, "Shen Nanpin’s Japanese roots", in Ars Orientalis, Vol. 19, pp. 79–102. {{Authority control}}2. ^Marco, Meccarelli. 2015. [https://www.academia.edu/20410225/Chinese_Painters_in_Nagasaki_Style_and_Artistic_Contaminatio_during_the_Tokugawa_Period_1603-1868_ "Chinese Painters in Nagasaki: Style and Artistic Contaminatio during the Tokugawa Period (1603–1868)"] in Ming Qing Studies 2015, pp. 175–236. 3. ^Charles D. Sheldon, 1973, The Rise of the Merchant Class in Tokugawa Japan 1600–1868: An Introductory Survey, New York: Russell and Russell 1 : Schools of Japanese art |
| 随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。