| 词条 | Natani Notah |
| 释义 |
| name = Natani Notah | image = | imagesize = | caption = | birth_name = | birth_date = | birth_place = San Bernardino | death_date = | death_place = | nationality = US | education = Cornell University, Stanford University | field = visual arts, poetry | training = | movement = | works = | patrons = | influenced by = | influenced = | awards = | website = http://www.nataninotah.com }} Natani Noah is a visual artist and poet. Her work explores Native American identity in relation to Navajo womanhood by engaging with Indigenous feminism and futurism, as well as environmental justice and historical trauma.[1]{{Failed verification|date=April 2019|reason=Source says "works by (...) Natani Notah, "}} Early life and educationNatani Noah was born and raised in San Bernardino, CA. She is of Lakota and Cherokee descent. Her father, Joe Notah, a Vietnam War veteran, died of cancer in 2005/2006. Her mother, an artist, drifted away from the family, who were supported by their elder half-brother, Kashona Notah.[1] In 2014,[2] Notah graduated from Cornell University[3] with her B.F.A. from the College of Architecture, Art, and Planning, with a minor in Feminist, Gender, and Sexuality Studies from the College of Arts and Sciences. Notah worked as a designer and communications assistant for Cornell's American Indian and Indigenous Studies Program (AIISP). She then went on to pursue her MFA at Stanford University.{{cn|date=March 2019}} CareerArtworkNatani Notah's work explores themes of decolonization, environmental justice, Indigenous feminism, and Indigenous futurism. Her sculptures, installations, and performances pursue contemporary Native American identity through the lens of Diné (Navajo) womanhood. Her piece Dust Masks (2017) consists of four beaded dust masks that respond to the events at Standing Rock through an Indigenous futurist perspective. Notah's piece #TSIIYÉEŁPOWERED (2017), included in the 2017 The Annual Murphy and Cadogan Contemporary Art Awards Exhibition, explores the cultural significance of hair to Navajo culture in the context of the Indian Residential Boarding School Era. The work reclaims native heritage after forced assimilation and interrogates the political implications of wearing culturally significant clothing in public. Writing
Selected exhibitions2019
2018
2017
2015
2014
2013
2012
Awards
References1. ^{{cite news |last1=Hayes |first1=J. |title=Big brother fulfills medicine man's prophesy |url=https://www.ithacajournal.com/story/news/local/2014/12/24/big-brother-fulfills-prophesy/20874705/ |accessdate=7 April 2019 |work=Ithaca Journal |date=December 24, 2014}} 2. ^{{Cite web|url=http://news.cornell.edu/stories/2016/03/runway-role-play-becomes-luminous-reality|title=Runway role-play becomes a luminous reality|last=Friedlander|first=Blaine|date=March 10, 2016|website=Cornell Chronicle|language=en|archive-url=|archive-date=|dead-url=|access-date=2019-03-30}} 3. ^{{cite news |last1=Rhodes |first1=Diane A. |title=SAN BERNARDINO: A second shot at a college education |url=https://www.pe.com/2014/07/20/san-bernardino-a-second-shot-at-a-college-education/ |accessdate=7 April 2019 |work=The Press-Enterprise |date=July 20, 2014}} 4. ^1 {{Cite web|url=http://www.capradio.org/124778|title=Artists Explore Undocumented Experience In “THANKYOUTHANKYOUTHANKYOU” At Axis Gallery|last=Ruyak|first=Beth|last2=|first2=|date=November 2, 2018|website=Capital Public Radio|archive-url=|archive-date=|dead-url=|access-date=2019-03-26|last3=|first3=}} External LinksOfficial website[https://urbanxindigenous.wordpress.com/category/uncategorized/ UxI IV: Unite the Tribes]Official website 6 : Living people|Native American artists|Poets|Native American poets|Women artists|Cornell University alumni |
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