1. Early life

2. Career
     Directorial breakthrough    The Last Emperor and later career    As a screenwriter, producer and actor  

3. Politics and personal beliefs

4. Death

5. Awards
     Cinematographic awards  

6. Filmography

7. See also

8. References

9. External links

In recognition of his work, he was presented with the inaugural Honorary Palme d'Or Award at the opening ceremony of the 2011 Cannes Film Festival.^[2]

From 1979 until his death in 2018, he was married to screenwriter Clare Peploe.^[3]

Early life

Bertolucci was born in the Italian city of Parma, in the region of Emilia-Romagna. He was the elder son of Ninetta (Giovanardi), a teacher, and Attilio Bertolucci, who was a poet, a reputed art historian, anthologist and film critic.^[4] His mother was born in Australia, to an Italian father and an Irish mother.^[5][6] Having been raised in an artistic environment, Bertolucci began writing at the age of fifteen, and soon after received several prestigious literary prizes including the Premio Viareggio for his first book. His father's background helped his career: the elder Bertolucci had helped the Italian filmmaker Pier Paolo Pasolini publish his first novel, and Pasolini reciprocated by hiring Bertolucci as first assistant in Rome on Accattone (1961).

Bertolucci had one brother, the theatre director and playwright Giuseppe (27 February 1947 – 16 June 2012). His cousin was the film producer Giovanni Bertolucci (24 June 1940 – 17 February 2005), with whom he worked on a number of films.

Career

Directorial breakthrough

Bertolucci initially wished to become a poet like his father. With this goal in mind, he attended the Faculty of Modern Literature of the University of Rome from 1958 to 1961, where his film career as an assistant director to Pasolini began.^[7] Shortly after, Bertolucci left the University without graduating. In 1962, at the age of 22, he directed his first feature film, produced by Tonino Cervi with a screenplay by Pasolini, called La commare secca (1962). The film is a murder mystery, following a prostitute's homicide. Bertolucci uses flashbacks to piece together the crime and the person who committed it. The film which shortly followed was his acclaimed Before the Revolution (Prima della rivoluzione, 1964).

The boom of Italian cinema, which gave Bertolucci his start, slowed in the 1970s as directors were forced to co-produce their films with several of the American, Swedish, French, and German companies and actors due to the effects of the global economic recession on the Italian film industry.

Bertolucci caused controversy in 1972 with the film Last Tango in Paris, starring Marlon Brando, Maria Schneider, Jean-Pierre Léaud and Massimo Girotti. The film presents Brando's character, Paul, as he copes with his wife's suicide by emotionally and physically dominating a young woman, Jeane (Schneider). The depictions of Schneider, then 19 years old, were regarded as exploitative. In one scene, Paul anally rapes Jeane using butter as a lubricant. The use of butter was not in the script; Bertolucci and Brando had discussed it, but they did not tell Schneider. She said in 2007 that she had cried "real tears" during the scene and had felt humiliated and "a little raped".^[8][9][9] In 2013 Bertolucci said that he had withheld the information from Schneider to generate a real "reaction of frustration and rage".^[10] Brando alleged that Bertolucci had wanted the characters to have real sex, but Brando and Schneider both said it was simulated.^[8] In 2016 Bertolucci released a statement where he clarified that Schneider had known of the violence to be depicted in the scene, but had not been told about the use of butter.^[11]

Following the scandal surrounding the film's release, Schneider became a drug addict and suicidal.^[12] She later became a women's rights advocate, in particular fighting for more female film directors, more respect for female actors and better representation of women in film and media.^[13] Criminal proceedings were brought against Bertolucci in Italy for the rape scene; the film was sequestered by the censorship commission and all copies were ordered destroyed. An Italian court revoked Bertolucci's civil rights for five years and gave him a four-month suspended prison sentence.^[14] In 1978 the Appeals Court of Bologna ordered three copies of the film to be preserved in the national film library with the stipulation that they could not be viewed, until Bertolucci was later able to re-submit it for general distribution with no cuts.^{[15][16][17][18]}

Bertolucci increased his fame with his next few films, from 1900 (1976), an epic depiction of the struggles of farmers in Emilia-Romagna from the beginning of the 20th century up to World War II with an international cast (Robert De Niro, Gérard Depardieu, Donald Sutherland, Sterling Hayden, Burt Lancaster, Dominique Sanda) to La Luna, set in Rome and in Emilia-Romagna, in which Bertolucci deals with the thorny issue of drugs and incest, and finally La tragedia di un uomo ridicolo (1981), with Ugo Tognazzi.^[19]

He then wrote two screenplays based on Dashiell Hammett’s Red Harvest. He hoped this would be his first film set in America, but nothing came of it.^[20]

The Last Emperor and later career

In 1987, Bertolucci directed the epic The Last Emperor, a biographical film telling the life story of Aisin-Gioro Puyi, the last Emperor of China. The film was independently produced by British producer Jeremy Thomas, with whom Bertolucci worked almost exclusively from then on. The film was independently financed and three years in the making. Bertolucci, who co-wrote the film with Mark Peploe, won the Academy Award for Best Director. The film uses Puyi's life as a mirror that reflects China's passage from feudalism through revolution to its current state.

At the 60th Academy Awards, The Last Emperor won all nine Oscars for which it was nominated: Best Picture, Best Director, Best Writing, Screenplay Based on Material from Another Medium, Best Cinematography, Best Film Editing, Best Costume Design, Best Art Direction-Set Decoration, Best Music, Original Score and Best Sound.^[21]

After The Last Emperor, and Little Buddha, the director went back to Italy to film, as well as to his old themes with varying results from both critics and the public. He filmed Stealing Beauty in 1996,^[24] then The Dreamers in 2003, which describes the political passions and sexual revolutions of two siblings in Paris in 1968.^[25]

In 2007, he received the Golden Lion Award at the Venice Film Festival for his life's work, and in 2011 he also received the Palme d'Or at the Cannes Film Festival.^[26]

In 2012, his final film, Me and You was screened out of competition at the 2012 Cannes Film Festival^[27][28] and was released early in 2013 in the UK. The film is an adaptation of Niccolò Ammaniti's young-adult's book Me and You. The screenplay for the movie was written by Bertolucci himself, Umberto Contarello and Niccolò Ammaniti.^[29] Bertolucci originally intended to shoot the film in 3D but was forced to abandon this plan do to cost.^[30]

Bertolucci appeared on the Radio Four programme Start the Week on 22 April 2013,^[31] and on Front Row on 29 April 2013, where he chose La Dolce Vita, a film directed by Federico Fellini, for the "Cultural Exchange".^[32]

In the spring of 2018, in an interview with the Italian edition of Vanity Fair, Bertolucci announced that he was preparing a new film. He stated, "The theme will be love, let's call it that. In reality, the theme is communication and therefore also incommunicability. The favorite subject of Michelangelo Antonioni and the condition I found myself facing when I moved on from my films for the few, those of the sixties, to a broader cinema ready to meet a large audience."^[33]

As a screenwriter, producer and actor

Bertolucci also penned many screenplays, both for his own films as well as for films directed by others, two of which he also produced.

He was an actor in the film Golem: The Spirit of Exile, directed by Amos Gitai in 1992.^[34]

Politics and personal beliefs

Bertolucci was an atheist.^[35]

Bertolucci's films are often very political. He was a professed Marxist and, like Luchino Visconti, who similarly employed many foreign artists during the late 1960s, Bertolucci used his films to express his political views; hence they are often autobiographical as well as highly controversial. His political films were preceded by others re-evaluating history. The Conformist (1970) criticised Fascist ideology, touched upon the relationship between nationhood and nationalism, as well as issues of popular taste and collective memory, all amid an international plot by Benito Mussolini to assassinate a politically active leftist professor of philosophy in Paris. 1900 also analyses the struggle of Left and Right.

On 27 September 2009, Bertolucci was one of the signers of the appeal to the Swiss government to release Roman Polanski, who was being held while awaiting extradition to the United States.^[36]

On Twitter on 24 April 2015, Bertolucci participated in #whomademyclothes, Fashion Revolution's anti-sweatshop campaign commemorating the 2013 Savar building collapse, the deadliest accident in the history of the garment industry.^[37]

Death

Bertolucci died in Rome on 26 November 2018, at the age of 77 of lung cancer.^{[38][39][40][41]}

Awards

Cinematographic awards

• 1971: National Society of Film Critics Award for best director
• 1973: Nastro d'Argento for Best Director
• 1987: Academy Award for Best Director
• 1987: Academy Award for Best Adapted Screenplay
• 1987: Golden Globe Award for Best Director
• 1987: Golden Globe Award for Best Screenplay
• 1987: David di Donatello for Best Director
• 1987: David di Donatello for Best Script
• 1987: Nastro d'Argento for Best Director
• 1987: Directors Guild of America Award for best director
• 1997: Honorable Mention at the Locarno International Film Festival
• 1997: Award special visual sensitivity in directing at the Camerimage
• 1997: Award for collaborating director – director of photography (Vittorio Storaro) at Camerimage
• 1998: Recognition for free expression by the National Board of Review
• 2007: Golden Lion for his career at the Venice Film Festival
• 2011: Honorary Palme d'Or at Cannes Film Festival

Filmography

• La commare secca (1962)
• Before the Revolution (Prima della rivoluzione, 1964)
• La via del petrolio (1965)
• Il canale (1966)
• Partner (1968)
• Amore e rabbia (1969, segment: "Agonia")
• The Conformist (Il conformista, 1970)
• The Spider's Stratagem (Strategia del ragno, 1970)
• La salute è malata (1971)
• 12 dicembre (1971)
• Last Tango in Paris (Ultimo tango a Parigi, 1972)
• 1900 (Novecento, 1976)
• La luna (1979)
• Tragedy of a Ridiculous Man (La tragedia di un uomo ridicolo, 1981)
• L'addio a Enrico Berlinguer (1984)
• The Last Emperor (1987)
• 12 registi per 12 città (1989, segment "Bologna")
• The Sheltering Sky (1990)
• Little Buddha (1993)
• Stealing Beauty (1996)
• Besieged (1998)
• Ten Minutes Older: The Cello (2002, segment: "Histoire d'eaux")
• The Dreamers (2003)
• Me and You (2012)

See also

• {{Portal-inline|size=tiny|Bernardo Bertolucci}}
• "La Lega"
• Amos Gitai

References

External links

• {{IMDb name|934}}
• {{cite web |url=http://archive.sensesofcinema.com/contents/directors/04/bertolucci.html |first=Bilge |last=Ebiri |title=Bernardo Bertolucci |work=Senses of Cinema: Great Directors Critical Database |date=September 2004 |deadurl=yes |archiveurl=https://web.archive.org/web/20100331101423/http://archive.sensesofcinema.com/contents/directors/04/bertolucci.html |archivedate=March 31, 2010 |df=mdy }}
• [https://web.archive.org/web/20060510062426/http://zakka.dk/euroscreenwriters/interviews/bernardo_bertolucci_513.htm Jeremy Isaacs, "Face to Face: Bernardo Bertolucci"], BBC interview, September 1989.
• Roger Ebert, review, The Last Emperor, Chicago Sun-Times, December 9, 1987.

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