| 释义 |
In music, Op. 17 stands for Opus number 17. Some compositions assigned this number: - Beethoven's Horn Sonata in F major
- Chopin's Mazurkas, Op. 17, a set composed of four mazurkas
- Saint-Saëns's Piano Concerto No. 1 in D major
- Tchaikovsky's Symphony No. 2 in C minor, also known as the "Little Russian Symphony"
- Anton Arensky's Romances (4), for voice and piano, Op. 17
- Richard Strauss's Six songs for high voice and piano, Op. 17
- "Seitdem dein Aug' in meines schaute"
- "Ständchen" (Mach' auf)
- "Das Geheimnis" (Du fragst mich, Mädchen)
- "Aus den Liedern der Trauer" (Von dunklem Schleier umsponnen)
- "Nur Mut!" (Laß das Zagen)
- "Barcarole" (Um der fallenden Ruder Spitzen)
- Sibelius's Seven Songs, Op. 17
- Rachmaninoff's Suite No. 2 for two pianos
- Leonardo De Lorenzo's 2 Pieces for flute and piano, op.17
- Schoenberg's Erwartung
- Cyril Scott's Piano Sonata in D major, Op. 17 (1901) (W 329)
- Handelian Rhapsody, for piano (revision, ed. Percy Grainger), Op. 17 (1909) (W 134)
- Bartók's String Quartet No.2
- Enescu's Symphony No. 2 in A major
- Karol Szymanowski's 12 Songs, Op. 17
- Anton Webern's Three Traditional Rhymes for voice, violin (doubling viola), clarinet and bass clarinet, Op. 17
- Sergei Prokofiev's Sarcasms, five pieces for piano, Op. 17
- Darius Milhaud's Protée, Op. 17
- Paul Hindemith's Sonate, for piano, Op. 17
- Krenek's Der Sprung über den Schatten
- Kurt Weill's Royal Palace, Op. 17
- Dmitri Shostakovich's Two Pieces by Scarlatti, Op. 17
- Paul Creston's Two Choric Dances, Op. 17
- Barber's Second Essay for Orchestra
- Alan Hovhaness's orchestral works, Op. 17
- Cello Concerto, Op. 17, No. 1
- Symphony No. 1 Exile Symphony, Op. 17, No. 2
- Britten's Paul Bunyan
- Alberto Ginastera's Ollantay: 3 Symphonic Movements, Op. 17
- Oliver Knussen's Coursing, for large chamber ensemble, Op. 17
- Mark Alburger's Two and a Half Pieces, Op. 17
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