| 词条 | Paule Carrère-Dencausse |
| 释义 |
BiographyDencausse studied music at the conservatoire de Bordeaux: First Prize for solfège, piano in 1906, chamber music in 1908, harmony in 1910 as well as counterpoint and fugue in 1912.[3] She won the Musica International Piano Competition in 1912.[2] She later studied musical composition with {{ill|Julien-Fernand Vaubourgoin|de}} who will dedicate his scherzo in C minor to her[3] and won a silver medal in the music composition competition (Romance sans paroles).[2] First accompanying a singing class at the Bordeaux Conservatory, she was appointed professor of solfeggio in 1920 and professor of piano in 1931, a position she held until 1963. She was also a professor at the Marguerite Long Academy whose regional center she created in Bordeaux.[2] She married violinist Georges Carrère in 1925 and therefore performed under the name of Paule Carrère-Dencausse. She was then, with Eugène Feillou (violist) and Henri Barouk (cellist), also a member of the Georges Carrère Quartet.[4] Great names like Cortot, Fauré, Planté, Roger-Ducasse, Roussel and Saint-Saëns appreciated her talent. Louis Beydts dedicated his first work for piano to her.[3] Her qualities as an accompanist were also recognized: she was the reference accompanist for Louis Rosoor[5][6] and accompanied[7] Charles Panzéra in 1931 in Bordeaux.[8] She trained a very large number of students, many of whom will become virtuosos, composers or teachers. FamilyShe is the mother-in-law of the historian Hélène Carrère d'Encausse and the grandmother of the writer and director Emmanuel Carrère, the lawyer Nathalie Carrère and the doctor and journalist {{ill|Marina Carrère d'Encausse|fr}}. Sources
1. ^Name that inspired her daughter-in-law's pen name Hélène Carrère d'Encausse; see: Intermédiaire des chercheurs & curieux, n° 486-496 (1992), {{p.|77}}. 2. ^1 2 3 {{p.|39}}. 3. ^1 2 Jean et Bernard Guérin, Des hommes et des activités - autour d'un demi-siècle, Éditions B.E.B., 1957, {{p.|141-142}}. 4. ^Joseph Lajugie et Ch. Higounet (éd.), Histoire de Bordeaux, volume 7 : Bordeaux au XXe, Fédération historique du Sud-Ouest, 1962-1974, {{p.|655}}. 5. ^They were among the very first interpreters of Debussy's Sonata for cello and piano; see: Stephen Sensbach, French cello sonatas, 1871-1939, Lilliput Press, 2001, {{p.|53}}. 6. ^For example: as early as 1918 in Arcachon, on 1923 in Paris, in 1926 in Arcachon and in 1941 in Bordeaux for a series of four cello recitals. 7. ^{{p.|204}}. 8. ^Le Ménestrel 11 December 1931. References 8 : 1891 births|People from Bordeaux|1967 deaths|French women classical pianists|French classical pianists|Conservatoire de Bordeaux alumni|20th-century women musicians|20th-century classical pianists |
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