“Queering the Pitch”的意思、由来-开放百科全书

The book's chapters examines how sexuality in the American Musicological Society (AMS) as well as the differences on how the musician's sexuality and the sexuality defines the musician's music along with gender, race, class and nationality.

Reception

The book has received reviews from multiple outlets,^[4]^[5]^[6] which includes the Journal of the American Musicological Society,^[7] The Chronicle of Higher Education,^[8] Musicology Australia,^[9] and Notes.^[10]

References

1. ^{{Cite book|title=Queering The Pitch: The New Gay and Lesbian Musicology|last=Brett|first=Phillip|last2=Wood|first2=Elizabeth|last3=Thomas|first3=Gary|publisher=Routledge|year=1994|isbn=|location=New York, NY|pages=357}}
2. ^{{Cite journal|last=Cook|first=Susan C.|date=1996|title=Review of Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England, ; The Sight of Sound: Music, Representation, and the History of the Body, Richard Leppert; Rediscovering the Muses: Women's Musical Traditions, ; Queering the Pitch: The New Gay and Lesbian Musicology|journal=Signs|volume=21|issue=3|pages=769–774|jstor=3175186}}
3. ^{{Cite web|url=http://go.galegroup.com/ps/retrieve.do?tabID=T002&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm¤tPosition=4&docId=GALE%7CA15998795&docType=Book+review&sort=Relevance&contentSegment=&prodId=AONE&contentSet=GALE%7CA15998795&searchId=R1&userGroupName=aacc_ref&inPS=true|title=Queering The Pitch: The New Gay and Lesbian Musicology|last=Miller|first=Edward|date=24 April 2018|website=|archive-url=|archive-date=|dead-url=|access-date=}}
4. ^{{Cite journal|last=Miller|first=Edward David|date=1994|title=Review of Queering the Pitch: The New Gay and Lesbian Musicology|journal=TDR|volume=38|issue=4|pages=191–194|doi=10.2307/1146432|jstor=1146432}}
5. ^{{Cite journal|last=Sweeney-Turner|first=Steve|date=1996|editor-last=Brett|editor-first=Philip|editor2-last=Wood|editor2-first=Elizabeth|editor3-last=Thomas|editor3-first=Gary C.|title=Mine Camp|journal=The Musical Times|volume=137|issue=1846|pages=28–29|doi=10.2307/1004269|jstor=1004269}}
6. ^{{Cite journal|last=Garnett|first=Liz|date=1996|title=Review of Queering the Pitch: The New Gay and Lesbian Musicology|journal=Music & Letters|volume=77|issue=3|pages=482–483|jstor=737134}}
7. ^{{Cite journal|last=Solie|first=Ruth A.|date=1995-07-01|title=Review: Queering the Pitch: The New Gay and Lesbian Musicology by Philip Brett, Elizabeth Wood, Gary C. Thomas|url=http://jams.ucpress.edu/content/48/2/311|journal=Journal of the American Musicological Society|language=en|volume=48|issue=2|pages=311–323|doi=10.2307/3128820|issn=0003-0139|jstor=3128820}}
8. ^{{Cite news|url=https://www.chronicle.com/article/Queering-the-Pitch-The-New/92999|title="Queering the Pitch: The New Gay and Lesbian Musicology"|date=1994-02-02|work=The Chronicle of Higher Education|access-date=2018-08-28}}
9. ^{{Cite journal|last=Champagne|first=Mario J.S.G.|date=1994|title=Queering the pitch: The new gay and lesbian musicology|journal=Musicology Australia|language=en|volume=17|issue=1|pages=78–82|doi=10.1080/08145857.1994.10415253|issn=0814-5857}}
10. ^{{Cite journal|last=Smart|first=Mary Ann|date=1995|title=Review of Queering the Pitch: The New Gay and Lesbian Musicology|journal=Notes|volume=51|issue=4|pages=1280–1283|doi=10.2307/899102|jstor=899102}}

Synopsis

Reception

References