| 词条 | Rebeca Bollinger |
| 释义 |
| honorific_prefix = | name = Rebeca Bollinger | honorific_suffix = | image = | image_size = | alt = | caption = | native_name = | native_name_lang = | birth_name = | birth_date = | birth_place = | death_date = | death_place = | resting_place = | resting_place_coordinates = | nationality = American | residence = | education = | alma_mater = San Francisco Art Institute | known_for = sculpture | notable_works = | style = | movement = | spouse = | partner = | awards = | elected = | patrons = | memorials = | website = | module = }}Rebeca Bollinger is an American artist working with sculpture. She works with ceramic, bronze, aluminum and glass pieces, which she combines with photographs, videos, drawings and other elements. While the themes she focuses on change from one series to another, she usually focuses on ordinary objects, which are de-contextualized and re-signified in new mediums.[1][2][3] EducationRebeca Bollinger received a Bachelor of Fine Arts in 1993 from the San Francisco Art Institute. In 2018, she was an artist-in-residence for the project Art+Process+Ideas, hosted jointly by Mills College Art Department and Mills College Art Museum.[1][4] WorkAlphabetically Sorted (1994)This work won Bollinger the Society for the Encouragement of Contemporary Art (SECA) 1996 Award in Electronic Arts. In this piece, a video, explores how online hypertext reduces the perception of a larger, connected world, to a single screen. In a video, which lasts 5:37 minutes, Bollinger conducts a search of 644 keywords meant to signify erotic content. The words are read by electronic female voice inflections. With this work, Robert R. Riley, curator of Media Arts for the San Francisco Museum of Modern Arts 1987 - 2000,[5] says that Bollinger does a feminist critique of the words, by confronting the symbols and language of the interactive medium.[6] Similar/Same (1999 - 2000)This series, which Bollinger worked on from 1999 to 2000, includes video pieces and drawings. In it, the artist looks at the vast culture of images that exist on the Internet, especially looking at the classification strategies implemented by users to organize and access these images.[2] In this series, Bollinger usually arranges the images in a grid, which she titles using key words (for example [https://www.sfmoma.org/artwork/2001.58 Important documents], 2000).[7] In this series, Bollinger is interested in exploring personal spaces versus public spaces, where she balances how people make use of available technologies for their private material, and the potential of that reaching enormous audiences. One example of this is the piece [https://www.sfmoma.org/artwork/2001.57 Ed Blaze], where the artist shows a collection of what would be someone's private vacation pictures, arrayed in a grid. According to Janet Bishop, with this series, Bollinger reflects on how technology has transformed the way and the form of archival representation, offering, at the same time, equal footing and representation to all files affected by new preservation technologies.[2] Land, Sea Air (2013)This is an installation of abstract porcelain sculptures and photographs, which recreates objects imported by Bollinger's father from Asia to California.[8] In this work, the artist explores the sentiment that objects can carry. References1. ^1 {{cite web|url=https://www.rebecabollinger.com/spaces/|title=spaces|website=REBECA BOLLINGER}} {{Authority control}}{{DEFAULTSORT:Bollinger, Rebeca}}2. ^1 2 {{Cite book|url=https://www.worldcat.org/oclc/45393969|title=010101 : art in technological times.|date=2001|publisher=San Francisco Museum of Modern Art|others=San Francisco Museum of Modern Art.|isbn=091847163X|location=San Francisco, Calif.|oclc=45393969}} 3. ^{{cite web|url=https://www.cca.edu/academics/faculty/rbollinger|title=Rebeca Bollinger - California College of the Arts|website=www.cca.edu}} 4. ^{{Cite web|url=https://mcam.mills.edu/press/press_releases/2017-18/2018-API-Press-Release.pdf|title=ART + PROCESS + IDEAS (A+P+I) EXHIBITION|last=|first=|date=April 17, 2017|website=|archive-url=|archive-date=|dead-url=|access-date=March 8, 2018}} 5. ^{{Cite news|url=https://www.sfgate.com/entertainment/article/SFMOMA-Appoints-New-Media-Arts-Curator-Benjamin-2810873.php|title=SFMOMA Appoints New Media Arts Curator / Benjamin Weil will replace Robert R. Riley|last=Hamlin|first=Jesse|date=January 20, 2000|work=SF Gate|access-date=March 8, 2018|archive-url=|archive-date=|dead-url=}} 6. ^{{Cite book|title=Electronic Media: 1996 SECA Award|last=Riley|first=Robert R.|publisher=San Francisco Museum of Modern Art|year=1996|isbn=|location=|pages=}} 7. ^{{Cite web|url=https://www.sfmoma.org/artwork/2001.58|title=Rebeca Bollinger, Important Documents, 2000|website=SFMOMA|language=en|access-date=March 9, 2018}} 8. ^{{Cite web|url=http://www.asianart.org/exhibitions_index/proximities-rebeca-bollinger|title=Rebeca Bollinger|last=|first=|date=|website=|archive-url=|archive-date=|dead-url=|access-date=}} 6 : Living people|20th-century American women artists|Women sculptors|American sculptors|21st-century American women artists|Year of birth missing (living people) |
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