“R. H. Wilenski”的意思、由来-开放百科全书

Reginald Howard Wilenski (7 March 1887 – 19 April 1975) was an English painter, art historian and critic known for his books The Modern Movement in Art (1927), The Meaning of Modern Sculpture (1932), and his psychological study of John Ruskin (1933).

He abandoned his studies at Oxford to study painting in Munich and Paris but was unsuccessful in his career as an artist and subsequently worked in the War Office intelligence department during the First World War before reviewing art for the Evening Standard. Later, he lectured in art, first at the University of Bristol and then at the University of Manchester.

He was a press censor and worked for the BBC European service during the Second World War. He was made a chevalier of the Légion d'honneur in 1967.

Early life and family

Reginald Wilenski was born at 16 Upper Westbourne Terrace in Paddington, London on 7 March 1887 to Abraham Arthur Wilenski, a merchant, and his wife Alice (née Simeon). He was educated at St Paul's School, London, and then at Balliol College, University of Oxford, where he read classics. He left after one year to study painting in Munich and Paris and returned to London in 1909.^[1]

In August 1914 he married Marjorie Isold Harland (1889–1965) at Kensington, the daughter of Robert Wilson Harland, civil engineer.^[1]

Career

Despite exhibiting at the International Society, the Royal Society of Portrait Painters, and the Salon d'Automne in Paris, Wilenski was not successful as a painter. He worked in the War Office intelligence department during the First World War and afterwards at art criticism and in writing exhibition reviews for the Evening Standard from 1923 to 1926.^[1] In 1928 he wrote a piece for the paper about Dora Gordine (1895–1991) titled "Girl Sculptor Genius". He bought four "ethnic portrait" busts from her, Mongolian Head, Guadeloupe Head, Semitic Head, and Belgian Head, between 1928 and 1935.^[2]

He was appointed special lecturer in art at the University of Bristol for 1929–30, and was special lecturer in the history of art at the University of Manchester from 1933 to 1945 from where he also received an honorary degree of Master of Arts in 1938.^[1]

During the Second World War he worked as a press censor from 1939 to 1941 and for the BBC European service from 1941 to 1944.^[1] He produced a watercolour portrait of the poet T. S. Eliot in 1946.^[3]

Writing

Wilenski was a prolific author. His major work was The Modern Movement in Art^[4] (1927) which he dedicated to Geoffrey Faber who had encouraged him to write it.^[5]^[1] All his books were aimed at the educated layman and showed his journalistic ability to convey his meaning using catchy phrases, periodisation, and easily understood language. For Wilenski, the purpose of studying the history of art was to enable contemporary art to be understood^[1] and in The Meaning of Modern Sculpture (1932), he rejected the idea that the Greeks had already achieved perfection in sculpture and discussed ancient sculpture by reference to its social function rather than its aesthetic value, which he questioned. His views were described by Peter Stewart of the University of Oxford as "remarkable" and "damn[ing] the art of the ancients by taking it out of the hands of the connoisseurs and dilettante".^[6]

In 1933 he produced John Ruskin: An Introduction to Further Study of his Life and Work in which he attempted a psychological interpretation of Ruskin's life and work, arguing that he was a manic-depressive and mentally unwell from his early years, but acknowledging that he (Wilenski) had no qualifications in the field of mental health.^[7]

Later life

He died of bronchopneumonia at Marlow Cottage Hospital, Buckinghamshire, on 19 April 1975. His remains were cremated.^[1]

Selected publications

1920s

1930s

1940s and later

References

1. ^¹²³⁴⁵⁶⁷⁸Wilenski, Reginald Howard. by Dennis Farr, Oxford Dictionary of National Biography, Oxford University Press, 23 September 2004. Retrieved 12 July 2018. {{subscription required}}
2. ^{{cite book|author=Brown, Karen E. (Ed.)|title=Women's Contributions to Visual Culture, 1918 -1939|url=https://books.google.com/books?id=VCMxDwAAQBAJ&pg=PT120|year=2017|publisher=Ashgate|isbn=978-1-351-53640-0|page=120}}
3. ^[https://www.christies.com/lotfinder/Lot/rh-wilenski-1887-1975-portrait-of-ts-eliot-5733387-details.aspx Lot 350.] Christie's, 2013. Retrieved 19 July 2018.
4. ^"The Modern Movement in Art by R. H. Wilenski", The Spectator, 12 April 1935, p. 38. Retrieved 19 July 2018.
5. ^Wilenski, R. H. (1935) [https://archive.org/stream/modernmovementin00wile#page/n9/mode/2up The Modern Movement in Art.] 2nd edition. New York: Frederick A. Stokes. Dedication.
6. ^{{cite book|author=Stewart, Peter.|title=Statues in Roman Society: Representation and Response|url=https://books.google.com/books?id=9OfnCwAAQBAJ&pg=PA9|year=2003|publisher=Oxford University Press|location=Oxford|isbn=978-0-19-924094-4|page=9}}
7. ^[https://www.jstor.org/stable/434542 "Reviewed Work: John Ruskin by R. H. Wilenski"], C. F. Harrold, Modern Philology, Vol. 31, No. 4 (May, 1934), pp. 440-442.
8. ^British Library Catalogue. 20 July 2018.
9. ^[https://www.tandfonline.com/doi/abs/10.1080/00043079.1940.11409027?journalCode=rcab20 "Book Reviews R. H. Wilenski, Modern French Painters], James Johnson Sweeney, The Art Bulletin, Vol. 22, No. 2 (1940), pp. 109-111.