| 词条 | Alexandra Deshorties |
| 释义 |
Alexandra Deshorties (born 1975) is a French-Canadian soprano who sings principally opera. She was born in Canada and raised in Marseille, France, where she attended the Conservatory and "where she earned a gold medal/first prize for her performance in vocal juries."[1] She continued her education at the Manhattan School of Music. A winner of the Metropolitan Opera Council Auditions (and a participant in the National Council Winners Concert on 2 March 1997)[2] at 21, she entered the Metropolitan Opera's Lindemann Young Artist program the following season[2] and made her debut with the company as the High Priestess in Aida on 30 October 1999.[3] She has since appeared in a large number of roles both with the Met (where she sang Elettra (Idomeneo), Konstanze (Die Entführung aus dem Serail), The Countess (The Marriage of Figaro), and Fiordiligi (Così fan tutte)[2] and with other companies throughout the world. Principal roles and opera companiesFor the Dallas Opera, she has sung the roles of Desdemona in Otello in October 2009[4] as well as that of Juliana Bordereau in Argento's The Aspern Papers in April 2013.[5] As Fiordiligi and as Cleopatra in Giulio Cesare, she appeared at the Seattle Opera.[2] Other roles include the First Lady (Die Zauberflöte); Anna (Nabucco); Musetta (La bohème); Echo (Ariadne auf Naxos); Tytania (A Midsummer Night's Dream); Elizabeth I of England (Roberto Devereux) for Welsh National Opera in October/November 2013[6][7] Deshorties has appeared at the Festival d'Aix-en-Provence; the Théâtre des Champs-Élysées in Paris, France; the Salzburg Festival; the San Francisco Opera; the Houston Grand Opera; the Brooklyn Academy of Music; the Gran Teatre del Liceu, Barcelona; the A Coruña Festival, Spain; the Gstaad Festival; the Theater an der Wien (Elisabetta in Elisabetta, regina d'Inghilterra).[8] ReferencesNotes1. ^Artist's Biography {{Webarchive|url=https://web.archive.org/web/20131020153310/http://www.robert-gilder.com/ArtistDetail.aspx?artist_id=2347&category_id=1004&location_id=3002 |date=20 October 2013 }} on robert-gilder.com Sources2. ^1 2 Deshorties' profile on Welsh National Opera website on wno.org.uk. Retrieved 11 November 2013 3. ^1 Met Opera Archives on archives.metoperafamily.org. Retrieved 11 November 2013 4. ^Anthony Tommasini, [https://www.nytimes.com/2009/10/26/arts/music/26otello.html "Verdi’s Moor, Edgy in Cyprus or Dallas"] (Review of the Dallas production with Deshorties), The New York Times, 25 October 2009. Retrieved 10 November 2013 5. ^Anne Midgette, [https://www.washingtonpost.com/entertainment/music/dallas-opera-rescues-a-work-from-undeserved-obscurity/2013/04/17/7069b98e-a6c6-11e2-a8e2-5b98cb59187f_story.html "Dallas Opera rescues a work from undeserved obscurity"] The Washington Post, 19 April 2013 6. ^{{cite web |url=http://www.bbc.co.uk/programmes/b03g2wkk |title=Donizetti's Roberto Devereux |publisher=bbc.co.uk |date=4 November 2013 |accessdate=4 November 2013}} 7. ^{{cite web |url=https://www.theguardian.com/music/2013/oct/03/roberto-devereux-review |title=Roberto Devereux – review |author=Rian Evans |publisher=The Guardian |date=3 October 2013 |accessdate=4 November 2013}} 8. ^https://www.theater-wien.at/de/programm/production/111/Elisabetta
10 : 1975 births|Place of birth missing (living people)|Living people|French people of Canadian descent|French Quebecers|Canadian female singers|Canadian operatic sopranos|Winners of the Metropolitan Opera National Council Auditions|21st-century Canadian singers|21st-century women singers |
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