| 词条 | Roy Tsui | ||||||||||||||||||||||||||||
| 释义 |
}}Tsui Ka Ho (Chinese: 徐家豪[1]), born 30 Sept 1980, usually known by his pen name Lam Yat-hei [2][3] (Chinese: 林日曦) or Roy Tsui, is a Hong Kong lyricist who has written over 80 pieces of lyrics since 2007. He is also a writer and the founder of Blackpaper Limited (Chinese: 黑紙有限公司). Blackpaper Limited is a local publisher which engaged in multimedia creation and advertising campaigns. Multiple business and media channels owned by Tsui under Blackpaper Limited including Whitepaper Publishing (Chinese: 白卷出版社), periodical magazine Blackpaper (Chinese: 黑紙),[3][4] satirical weekly magazine 100 Most (Chinese: 100毛)[3][5] and multimedia platform TV most (Chinese: 毛記電視).[6][7] Tusi has also been writing columns for several papers like the Mingpao Weekly and the Oriental Daily News. BiographyTsui was born in Hong Kong and grew up in a public housing estate at Tai Wo Hau, lived with his parents, grandparents and his auntie. He changed schools constantly due to his poor results and conduct. After secondary school, he took a 3-year graphic design course at IVE.[8] Roy Tsui dropped out from the Hong Kong Institute of Vocational Education (IVE) Design. In 2003, he joined the Commercial Radio Hong Kong as a sound editor, and later, as the coordinator of the online forums. The online forums had been asked to closed one day and Tsui stepped up and told his boss Winnie Yu that the forum should not be closed. Yu wasted no time and asked Tsui to step into her office. She called all the upper management at Commercial Radio and had a meeting around Tsui and the forums were saved. Tsui see this as a great chance to let her take a look of the lyrics he has been writing. Yu requested Tsui to write 10 more lyrics and she called a meeting again. This changed the career path of Tsui from clerk to production. He recommend himself to be the backstage design team for CR1(FM 88.1-89.5) 電台雷霆881 and CR2(FM 90.3-92.1)叱吒903. He then changed his job once every few months between the ages 23 and 31.[9] He has also been Creative Director of the Skyhigh Creative Partners.[9] He quit it in 2012 as he thinks he could not share any valuable experience and is not good enough as a mentor for the youngsters.[4] In 2007, he wrote the theme song lyrics of the movie ‘Tokyo Tower - Mom & Me, And Sometimes Dad’, called 'gulugulu'. This is considered to be his first signature piece. The song entered the Ultimate Song Chart in the same year. In 2009, he founded the creative unit "Black Paper" with Ah Bu and Chan Keung.[9][10] Then he started working on different kinds of creation, for instance, publishing magazines, direct music video and graphic design. He published the one-page magazine 'Black Paper' in Jan 2010. His career as a columnist at newspapers like Ming Pao weekly and RoadShow, City Magazine and Oriental Daily news and Hong Kong Economic Times started at 2011. A year later, he published first book 'idiot'(《白痴》). At 2013 March, he published the magazine '100 most', which reached the break-even point within half a year. He also founded the White Paper Publisher same year, which focused in publishing books of popular culture including fictions, prose and picture books. In the same year, he published the second book 'Green Veins'(《青筋》) and published 'Black Face'(《黑面》) a year after. He later published his first fiction ‘Happy Never After'(《快樂有限》), then ‘Excessively Romantic’ ( 《肉麻》)and in 2015 published ‘Grey Eurasian Collared’ (《灰鳩》). In 2015, he and his team created the TV website, TV Most. WorksLyrics2007
2008
2009
2010
2011
2012
2013
2014
2015
Magazines
Compared to 100 Most, Black Paper is a more heavy and serious magazine. It is more about the society, criticising it. It changes its format once in a while to avoid boredom. It is a one-page A5 size magazine with one side of picture of famous people and the other side filled with ‘black sentence’. ‘Black sentence’ is a short but precise sentence about the monthly theme. His idea is to make the sentences as short as possible so that people would have the patience to finish reading it. The overall style of the magazine is to be ‘somehow’ humorous, sensible and critical.[11]
100 Most is a life style magazine which started by Roy Tsui, Bu and Chan Keung in 2013. The purpose of the magazine is to provide laughter to Hong Kong people. According to Tsui, the editors have huge freedom in which they can choose to write on anything as long as they think it is interesting. Most of the editors are the young post-90s and Tsui believes that they are the only ones suitable to the job as they know what is going on on the internet and they know what is popular. As a boss, Tsui do not have much restrictions on the content of magazines and uses an inactive approach to lead the company. The magazine is mainly about popular culture in Hong Kong. Tsui and his partners hope to educate people about the society, if not, at least people can be entertained from the news of it. The freedom and humour in the magazine is what makes it interesting and popular among the younger generation in Hong Kong.[12] Multimedia Channel
Youngster in Hong Kong nowadays watch less TV. Some of them even regard watching TV as something to be ashamed of. This shows the TV industry has some kind of negative connotations attached to it. Seeing this, Tsui believes that he and his team can do something on this and make television interesting again. Believing TV shows should not be confined in the traditional framework. ‘A single sheet of paper could be a magazine, so why must TV be on TV?’ And hence, he started the TV website, TV Most.[13] Books
Columns
Writing StyleMost of his works are lyrics and started writing books afterwards. He mainly write short stories and prose as he thinks he does not have the time needed for him to write a long fiction. He needs to be completely focused and devote most of his time to the writing of long stories which he could not do so at the present. He writes in mainly vernacular Chinese and sometimes mixed with some spoken Cantonese. He writes in a straightforward style, usually illustrate his point of view by his own experience or the social phenomenon he observes. The productions 100 Most and TV Most of his company adopts a more fun and humorous way of presenting ideas but he himself thinks he is not such a person. He is a more serious and a person who thinks deeply.[19] This reflects in his writings. His books and articles are not as light as the magazines, but sometimes quite dark instead. He adopts an ironic manner to write, especially when criticizing politics in Hong Kong. Influence to his thinking/ writingHe has been rebellious for most of his life. This can be seen from the number of schools he attended and his career path. He switched his secondary school for almost five times and decided to drop out of IVE himself. For his career path, he first worked as a clerk and then his bravery made him a producer and later an owner of two magazines and publisher. FamilyHis family's way of parenting is one of the biggest influence to his writing and thinking. His family adopts a kind of uninvolved style of parenting, which they do not cast too much control on Tsui. This allows him to do whatever he likes and his family would not interfere his decisions. For instance, even if his father thinks that the secondary school Tsui chose for himself does not fit him, he would not alter his choice but just give a simple criticism on that.[20] His motto of life is not to trust anybody's words, in other words, to keep reflecting on the everyday social customs. He tries to think more about these paradoxical customs and understand the reason behind. He does things he thinks is right. He thinks it is alright to challenge authorities if one do not agree with them, but this has to be with one's own reason. This view of him is solidified after him reading the book which published in 1895, ‘The Crowd:A Study of the Popular Mind ‘.[21] Writers/ArtistsIn addition, Chan Wai Yee(Chan Wai) is the writer who influenced him most. He started reading extensively in his gap year after his decision of dropping out of IVE. The writing style of Chan Wai is also a simplistic way. He understood from her writings that stories does not necessary has to be exaggerating nor too complicated. The stories written by Chan Wai is like everyday life, which is the reason why Tsui likes her books. They may not have dramatic scenes but the simplicity touches people instead.[21] Another artist that he finds interesting is Hsia Yu. There is one particular work Tsui admire, which is her collection of poems 'Pink Noise'. The way she creates inspires Tsui to think out of the box and do things which others may oppose but he likes. Influential Figures in His LifeLin Xi is often considered as his mentor in his writing of lyrics though he never admitted it. Tsui first met Lin Xi at a meeting called by Winnie Yu after he submitted his lyrical works to her. Lin Xi always gives Tsui advice when Tsui first entered the industry. Tsui admired Lin Xi’ perseverance most as he can keep editing his own work and keep editing to perfection.[22]Winnie Yu is another important person that influenced him a lot. She is his boss in the Commercial Radio. She did not directly help him in any way but altered his job career totally. She is the one giving him chance to switch from a clerk to production. The way Winnie Yu influenced Tsui is not by words but by what she did. Tsui admired Winnie Yu for how she would work on an immature idea with him and would not give up discussing and working just to make the idea perfect. She is the kind of person that bans ones idea but would come back the other day with another new idea and then discard that new idea once again because it is not good enough. Her perseverance and the determination to create the best idea influenced Tsui a lot.[22]References1. ^{{Cite web|url=http://hk.apple.nextmedia.com/supplement/culture/art/20130810/18371769|title=火熱悶棍 林日曦|website=Apple Daily 蘋果日報|access-date=2016-05-17}} {{DEFAULTSORT:Tsui, Roy}}2. ^{{Cite web|url=https://www.hongkongfp.com/2016/02/18/leung-tin-kei-or-alvin-yeung-scholarism-refuses-to-say/|title=Scholarism: We won't endorse any candidate in the upcoming LegCo by-election|date=2016-02-18|website=Hong Kong Free Press|access-date=2016-05-17}} 3. ^1 2 {{Cite web|url=http://www.scmp.com/lifestyle/arts-culture/article/1695786/100most-satirical-weekly-thats-hit-hong-kongs-occupy|title=100Most - a satirical weekly that's a hit with Hong Kong's Occupy generation|website=South China Morning Post|access-date=2016-05-18}} 4. ^1 {{Cite web|url=http://hk-magazine.com/article/inside-hk/interviews/1351/upclose-black-paper|title=Upclose with Black Paper|date=2010-02-11|website=HK Magazine|access-date=2016-05-18}} 5. ^{{Cite web|url=http://www.aastocks.com/en/stocks/analysis/company-fundamental/?symbol=00426|title=ONE MEDIA GROUP (00426.HK) - Company Profile|website=www.aastocks.com|access-date=2016-05-18}} 6. ^{{Cite web|url=http://www.starexpress.hk/index.php/2015/04/100-most-tv-most/|title=100 Most – TV Most|website=www.starexpress.hk|access-date=2016-05-18}} 7. ^{{Cite web|url=https://www.hongkongfp.com/2016/01/13/explainer-why-did-the-100%25E6%25AF%259B-alternative-award-show-for-satirical-songs-go-viral/|title=Page not found|website=Hong Kong Free Press|access-date=2016-05-18}} 8. ^{{cite journal|last1=Hon|first1=Isabelle|title=Who's the Man Behind the Cantopop Machine?|journal=HK Magazine|date=Sep 24, 2015|url=http://hk-magazine.com/city-living/article/the-man-behind-the-cantopop|accessdate=3 November 2015}} 9. ^1 2 {{Cite web|url=http://hk-magazine.com/article/inside-hk/interviews/13849/whos-man-behind-cantopop-machine|title=Who's the Man Behind the Cantopop Machine?|date=2015-09-24|access-date=2016-07-26}} 10. ^{{Cite web|url=http://podcast.rthk.hk/podcast/item_epi.php?pid=395&lang=en-US&id=24897|title=Podcast: Hong Kong Stories (Series 17)|website=podcast.rthk.hk|access-date=2016-07-26}} 11. ^{{cite news|last1=吳|first1=世寧|title=吳世寧：林日曦不愛看100毛-理性讀瘋狂|url=http://tvb4life.pixnet.net/blog/post/191350791-%E9%9D%9E%E5%B8%B8%E4%BA%BA%E8%AA%9E-%E6%AF%9B%E5%AD%A9%E5%AD%90%E3%80%80%E6%9E%97%E6%97%A5%E6%9B%A6|accessdate=1 November 2015|date=18 Feb 2015}} 12. ^{{cite web|last1=Yip|first1=Joyce|title=Survival by rebellion|url=http://www.marketing-interactive.com/survival-by-rebellion/|website=Marketing|accessdate=2 November 2015}} 13. ^{{cite news|last1=Hon|first1=Isabelle|title=Who's the Man Behind the Cantopop Machine?|url=http://hk-magazine.com/city-living/article/the-man-behind-the-cantopop|publisher=HK Magazine|date=24 Sep 2015}} 14. ^{{cite book|last1=Tsui|first1=Roy|title=Green Veins|publisher=White Paper Publisher|location=Hong Kong|accessdate=4 November 2015}} 15. ^{{cite book|last1=Tsui`|first1=Roy|title=Black Face|publisher=White Paper Publisher|location=Hong Kong|accessdate=4 November 2015}} 16. ^{{cite book|last1=Tsui|first1=Roy|title=Happy Never After|location=Hong Kong|accessdate=2 November 2015}} 17. ^{{cite book|last1=Tsui|first1=Roy|title=Excessively Romantic|publisher=White Paper Publisher|location=Hong Kong|accessdate=3 November 2015}} 18. ^{{cite book|last1=Tsui|first1=Roy|title=Grey Eurasian Collared Dove|publisher=White Paper Publisher|location=Hong Kong|accessdate=2 November 2015}} 19. ^{{cite web|title=林日曦呢個黑紙100毛人|url=https://ca8hk.wordpress.com/category/hk/|website=加燦喜歡指指點點}} 20. ^{{Cite web|url=http://www.symedialab.org.hk/talk/%E9%BB%91%E9%9D%A2%E7%A5%9E%E6%9E%97%E6%97%A5%E6%9B%A6/|title=黑面神林日曦|last=|first=|date=31 May 2015|website=symedialab.org.hk|publisher=|access-date=}} 21. ^1 {{cite web|url=http://www.pentoy.hk/%E6%96%87%E5%8C%96/n306/2015/02/18/%E5%90%B3%E4%B8%96%E5%AF%A7%EF%BC%9A%E6%9E%97%E6%97%A5%E6%9B%A6%E4%B8%8D%E6%84%9B%E7%9C%8B100%E6%AF%9B-%E7%90%86%E6%80%A7%E8%AE%80%E7%98%8B%E7%8B%82/|title=吳世寧：林日曦不愛看100毛 理性讀瘋狂|year=2015|website=pentoy.hk}} 22. ^1 {{cite web|url=http://tvb4life.pixnet.net/blog/post/191350791-%E9%9D%9E%E5%B8%B8%E4%BA%BA%E8%AA%9E-%E6%AF%9B%E5%AD%A9%E5%AD%90%E3%80%80%E6%9E%97%E6%97%A5%E6%9B%A6|title=非常人語-毛孩子 林日曦|year=2014|website=tvb4life.pixnet.net}} 5 : Hong Kong lyricists|Hong Kong writers|Living people|1980 births|Most Kwai Chung |
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