| 词条 | Sharon Wybrants |
| 释义 |
Sharon Wybrants (born 1943 in Miami Beach, Florida)[1] is an American painter, performance artist, and educator. Education and early careerWybrants earned an AFA at Sullins College (1961–63), a BFA at Ohio Wesleyan University (1963–65), and an MA in Painting, Fine Art at Hunter College (1972–74).[2] In 1973, using the married name Sharon Wybrants-Lynch,[3] she was a founding artist-member of SOHO20 Gallery, the second all-women cooperative exhibition space in New York City.[4] She remained with the gallery until 1978.[2] Her first solo show at SOHO20, in December 1973, was favorably reviewed in Arts Magazine.[5] She exhibited paintings and drawings of "vigorous, creative women whose faces defy any judgment based on culturally-defined standards of feminine beauty,"[6] including an expressive self-portrait called Revolutionary Woman (1973),[6] which was later acquired by Western Illinois University.[7] For her second solo exhibition at SOHO20, Wybrants showed painted "images of exaggerated feminine sensibility,"[6] and again received a positive review in Arts Magazine.[8] Wybrants also exhibited in group shows, including The Eye of Woman (1974, Hobart and William Smith Colleges) and Year of the Woman (1975, Bronx Museum of the Arts).[1] In 1974, she received the Childe Hassam Purchase Award from the American Academy of Arts and Letters.[1] Self-portraitsIn a group show at SOHO20 called Showing Off (1975), Wybrants exhibited Self-Portrait as Superwoman (Woman as Culture Hero) (1975), a ten-foot-high pastel study for a projected monumental oil painting that the critic John Perreault described as "more than slightly tongue-in-cheek. But it demonstrates that women artists have egos too, sometimes just as big as any man's. And why shouldn’t they?"[9] Also on view was another pastel, Wybrants’s Self-Portrait in Superwoman Costume with Rauschenberg in the Background (1975),[9] which humorously shows the artist with a picture of Robert Rauschenberg tacked to the wall behind her like a pin-up.[6] The oil version of Self-Portrait as Superwoman (Woman as Culture Hero) (1977–78) was intended for The Sister Chapel, a collaborative feminist installation that celebrated eleven historic, mythical, and conceptual female "role models."[6] Wybrants's self-portrait is a tribute to her own achievements as a woman and as an artist,[10] but it was also intended to communicate something of the uncertainty and personal suffering behind the groundbreaking accomplishments of the feminist art movement.[6] Although the original Self-Portrait as Superwoman disappeared in the 1980s after it was purportedly taken to the local dump,[11] Wybrants recreated the painting for a new exhibition of The Sister Chapel at Rowan University Art Gallery in 2016.[12] In 1976, the pastel version of Self-Portrait as Superwoman was used as the image on a poster to promote an Equal Rights Amendment Work Conference sponsored by the New York chapter of the National Organization for Women.[6][13][14] The pastel version was also exhibited a second time at SOHO20 in Superwoman, Beauty and the Beast, Wybrants’s third solo show at the gallery.[6] Also displayed was a series of twelve self-portraits that documented the year-long breakup of Wybrants's marriage,[15] each reflecting "a different mood and a different way of seeing herself," as noted by the art critic Ellen Lubell.[16] The paintings ranged from During the Separation (1976), which Marjorie Kramer likened to "a wild animal looking for possible dangers,"[17] to Cathartic Conversation with Al Hansen (1976), which is looser and far less constrained.[15] Wybrants's twelve self-portraits were praised by reviewers in Arts Magazine,[16] ARTnews,[18] The Feminist Art Journal,[15] Womanart,[17] and The SoHo Weekly News.[19] Performance artBetween 1978 and 1980, Wybrants created a number of performances in addition to working as a painter. Master Lady and Her Four Master Pieces (1980), for example, featured Wybrants being dragged around a stage by a group of young men on leashes who were wearing bondage-type costumes.[6] For some of her performances, Wybrants collaborated with colleagues, including the artist and designer Dan Kainen.[20] Later careerWhile living in Woodstock, New York between 1981 and 1984, Wybrants hosted a weekly cable television talk show called "Fire, It's a Verb."[2] According to her, "While we talked, I'd draw my guest's pastel portrait that showed on the live video. It was a bit of a challenge to complete it in a half hour, to have it look good all the time, and conduct an interview."[21] In 1990, Wybrants was the founding director of Challenged Artists Together, a non-profit art organization for children, adolescents, and adults with disabilities in Las Cruces, New Mexico.[2] By 1992, the program served thirty adults and fourteen children.[21] Wybrants taught studio art, digital art, and art history at the Berkshire School from 1997 until 2009.[2] Between 1981 and 2012, her works were exhibited in Puerto Rico, New Mexico, Massachusetts, Illinois, New York, and Italy.[22] In 2010, Wybrants was awarded an artist residency at the Millay Colony for the Arts.[22] She continues to paint and still creates self-portraits, one of which was recently exhibited in Selfies & Self-Portraits: 21st C Artists See Themselves (2017) at Viridian Artists in New York City.[23] References1. ^1 2 {{cite book|title=Who's Who in American Art|edition=13th|publisher=R.R. Bowker|location=New York|date=1978}} 2. ^1 2 3 4 {{cite web|title=Sharon Wybrants: Professional Profile|website=Linkedin|url=https://www.linkedin.com/in/sharon-wybrants-9a109520|accessdate=22 September 2017}} 3. ^{{cite journal|title=SoHo 20|last=Lubell|first=Ellen|journal=Womanart|volume=1|number=1|date=Summer 1977|page=16}} 4. ^{{cite book|last1=Broude|first1=Norma|last2=Garrard|first2=Mary D.|title=The Power of Feminist Art: The American Art Movement of the 1970s, History and Impact|publisher=Harry N. Abrams, Inc.|location=New York|date=1994}} 5. ^{{cite journal|title=Sharon Wybrants-Lynch|last=Van Baron|first=Judith|journal=Arts Magazine|volume=48|number=7|date=March 1974|page=56}} 6. ^1 2 3 4 5 6 7 8 {{Cite book|title=The Art of the Sister Chapel: Exemplary Women, Visionary Creators, and Feminist Collaboration|last=Hottle|first=Andrew D.|publisher=Ashgate Publishing Ltd.|year=2014|location=Farnham, England|pages=210–223}} 7. ^{{cite web|title=Portraits from the Permanent Collection at WIU Gallery Through February 9|url=http://www.wiu.edu/news/newsrelease.php?release_id=9456|date=18 January 2012|website=Western Illinois University|accessdate=22 September 2017}} 8. ^{{cite journal|title=Sharon Wybrants-Lynch|last=Lubell|first=Ellen|journal=Arts Magazine|volume=49|number=4|date=December 1974|page=12}} 9. ^1 {{cite journal|title=Superwoman!|last=Perreault|first=John|journal=The SoHo Weekly News|date=25 September 1975}} 10. ^{{cite web|title=God Is A Woman In Previously Forgotten Feminist Exhibit ‘The Sister Chapel’: The 1970s art project is finally being revived|last=Frank|first=Priscilla|url=http://www.huffingtonpost.com/entry/god-is-a-woman-in-previously-…en-feminist-exhibit-the-sister-chapel_us_56fc0136e4b083f5c6065196|website=The Huffington Post|date=31 March 2016|accessdate=22 September 2017}} 11. ^{{cite web|title=After 35 years, lost feminist art back on display|last=Melamed|first=Samantha|url=http://www.philly.com/philly/entertainment/arts/20160330_After_35_years__lost_feminist_art_back_on_display.html|website=philly.com|date=30 March 2016|accessdate=22 September 2017}} 12. ^{{cite web|title=Still Revolutionary: Inside the Sister Chapel Revival|last=Cohen-koan|first=Nancy|date=14 July 2016|website=Ms. Blog|url=http://msmagazine.com/blog/2016/07/14/still-revolutionary-inside-the-sister-chapel-revival/|accessdate=22 September 2017}} 13. ^{{cite journal|title=Freedom Train for ERA|last=Schwartz|first=Rosalie|journal=Women Artists Newsletter|volume=2|number=1|date=April 1976|page=8}} 14. ^{{cite web|title=V&A Search the Collections|url=https://collections.vam.ac.uk/item/O102548/era-work-conference-poster-wybrants-sharon/|website=Victora & Albert Museum|accessdate=22 September 2017}} 15. ^1 2 {{cite journal|title=Sharon Wybrants|last=Moore|first=Sylvia|journal=The Feminist Art Journal|volume=6|number=2|date=Summer 1977|page=45}} 16. ^1 {{cite journal|title=Sharon Wybrants|last=Lubell|first=Ellen|journal=Arts Magazine|volume=51|number=8|date=April 1977|page=37}} 17. ^1 {{cite journal|title=Sharon Wybrants|last=Kramer|first=Marjorie|journal=Womanart|volume=1|number=4|date=Spring–Summer 1977|page=30}} 18. ^{{cite journal|title=Sharon Wybrants (SoHo 20)|last=Betz|first=Margaret|journal=ARTnews|volume=76|number=4|date=April 1977|page=123}} 19. ^{{cite journal|title=Sharon Wybrants|last=Perreault|first=John|journal=The SoHo Weekly News|date=17 February 1977|page=18}} 20. ^{{cite web|title=About Dan Kainen|url=http://www.dankainen.com/about.htm|website=dankainen.com|accessdate=22 September 2017}} 21. ^1 {{cite journal|title=Artist offers challenge for disabled students|last=Spoehel|first=Jerry|journal=Sun-News (Las Cruces, New Mexico)|date=15 March 1992|page=1E, 4E}} 22. ^1 {{cite web|title=Sharon Wybrants, CV|url=http://docplayer.net/19991494-Sharon-wybrants-p-o-box-515-19-sheffield-road-south-egremont-ma-01258-413-717-2002-swybrants-gmail-com-www-artbysharonwybrants.html|accessdate=22 September 2017}} 23. ^{{cite web|title=Selfies & Self-Portraits: 21st C Artists See Themselves|url=http://www.viridianartists.com/news-1/2017/8/16/press-release-selfies-self-portraits-21st-c-artists-see-themselves|website=Viridian Artists, Inc.|accessdate=14 January 2019}} External links
9 : Feminist artists|Living people|20th-century American women artists|21st-century American women artists|20th-century American painters|21st-century American painters|American women performance artists|American performance artists|1943 births |
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