| 词条 | Six Motets, Op. 82 (Kiel) |
| 释义 |
| name = Six Motets | type = | composer = Friedrich Kiel | image = Friedrich Kiel.jpg | image_upright = | caption = The composer | full_title = Sechs Motetten für gemischten Chor a cappella | catalogue = Op. 82 | text = verses from psalms 23, 133, 84, Psalm 130, 126 and 13 | language = German | composed = {{Start date|1883}} | published = {{Start date|1883}} | duration = | scoring = {{abbr|SATB|soprano, alto, tenor and bass}} choir }}Six Motets, Op. 82, are six motets for choir a cappella by Friedrich Kiel. He set selected psalm verses in German. The motets were published in 1883 by Bote & Bock, dedicated to H. A. Köstlin, as Sechs Motetten für gemischten Chor a cappella.[1] HistoryKiel composed the six motets for choir a cappella in 1883, setting psalm verses in German. In Berlin, he had been called by Joseph Joachim to teach composition at the new Königlich Akademische Hochschule für ausübende Tonkunst (Royal academic university for music in practice) in 1869, and was appointed director of the composition class and member of the board of five directors in 19882.[2] In a contemporary book The History of Music (Illustrierte Musikgeschichte) by {{ill|Emil Naumann|de}}, he was hailed as excelling in sacred music, especially in counterpoint. In the winter 1880/81, Kiel suffered from a life-threatening desease which kept him away from work for weeks.{{sfn|Büchner|2014|p=53}} Kiel dedicated the motets to his friend Heinrich Adolf Köstlin, a Protestant minister whose mother Josefine Lang was a composer of songs.{{sfn|Büchner|2014|p=176}} They were published in 1883 by Bote & Bock, as Sechs Motetten für gemischten Chor a cappella.[1] They were also published by Schott Music.[5] Two of the motets were published by Carus-Verlag in 2004.[6] Structure and textIn the motets, Kiel set selected verses from psalms. The works were first printed in two parts (Hefte), numbers 1 to 4 in Heft 1, the other two in Heft 2:{{sfn|Büchner|2014|p=93}}[5][8]
In the text selection, the focus is on dark aspects from the psalms, for example when in the first motet, Kiel chose verse 4 from Psalm 23 (The Lord is my Shepherd): "Und ob ich schon wanderte im finstern Thal" (Yea, though I walk through the valley of the shadow of death). The motet is in F major, common time, and marked Andante con moto. The second moted sets the first and last verses from Psalm 133, "Siehe, wie fein und lieblich ist es" (Behold, how good and how pleasant it is [for brethren to dwell together in unity]). The motet is in D major, common time, and marked Moderato. For the third motet, Kiel chose the beginning of Psalm 84, "Wie lieblich sind deine Wohnungen" (How amiable are thy tabernacles), which Johannes Brahms had used for the central movement of Ein deutsches Requiem. He set it in G major, 6/4-time, and marked Allegretto con moto. In the fourth motet, Kiel set the beginning of Psalm 130, "Aus der Tiefe rufe ich" (Out of the depths have I cried), in C minor, common time, and marked Moderato.{{sfn|Büchner|2014|p=93}} For the fifth motet, Kiel chose two verses from Psalm 126, "Die mit Tränen säen" (They that sow in tears), words that Brahms had set in the first movement of his Requiem. The motet is in A-flat major, 6/4-time, and marked Larghetto con moto. The text of the sixth motet is taken from Psalm 13, "Herr, wie lange willst du meiner so gar vergessen" (How long wilt thou forget me, O LORD?). The first part is in B-flat minor, the second in D-flat major.{{sfn|Büchner|2014|p=93}} In the first and last of the motets, the soprano is divided.{{sfn|Büchner|2014|p=93}} RecordingThe motets were recorded in 1991 by the choir of the Berlin Cathedral, conducted by Roland Bader, together with Kiel's Der Stern von Bethlehem, Op. 83.[9][10] References1. ^1 {{cite web| url = https://www.adk.de/de/akademie/mitglieder/index.htm?we_objectID=50362| title = Musik – Mitglieder / Friedrich Kiel| publisher = Carus-Verlag| date = | language = de| accessdate = 6 March 2019}} [1][2][3][4][5][6][7]2. ^1 {{cite web| url = https://www.carus-verlag.com/en/choir/sacred-choral-music/kiel-two-motets.html#work-list| title = Kiel: Two Motets| publisher = Carus-Verlag| date = | accessdate = 6 March 2019}} 3. ^1 {{cite web| url = https://katalog.folkwang-uni.de/Record/finc-56-000201137/Details| title = Kiel, Friedrich / 6 Motetten, op. 82 : für gemischten Chor| publisher = katalog.folkwang-uni.de| date = | lang = de| accessdate = 20 March 2019}} 4. ^1 {{cite web| url = https://www.friedrich-kiel-gesellschaft.de/notendrucke| title = Notendrucke| publisher = Friedrich Kiel Gesellschaft| date = | lang = de| accessdate = 6 March 2019}} 5. ^1 {{cite web| url = https://www.friedrich-kiel-gesellschaft.de/kiels-werke-auf-tontragern/| title = Kiels Werke auf Tonträgern| publisher = Friedrich Kiel Gesellschaft| date = | lang = de| accessdate = 20 March 2019}} 6. ^1 2 {{cite web| url = https://en.schott-music.com/shop/sechs-motetten-no9429.html| title = Six Motets| publisher = Schott Music| date = | accessdate = 6 March 2019}} 7. ^1 2 {{cite web| url = https://www.friedrich-kiel-gesellschaft.de/kiels-werke-auf-tontragern/| title = Friedrich Kiels Werke in Notenneu- und Erstausgaben| publisher = Friedrich Kiel Gesellschaft | date = | accessdate = 27 February 2019}} }} Cited sources
| last = Büchner | first = Susanne | url = http://archiv.ub.uni-heidelberg.de/volltextserver/17486/1/Teil%201.pdf | title = Friedrich Kiels Klavierkammermusik in Sonatenform | publisher = University of Heidelberg | year = 2014 | page = 1217 | accessdate = 6 March 2019 | ref = harv }} External links
3 : Psalm settings|1883 compositions|Motets |
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