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词条 Svadhya
释义

  1. Structure and Lakshana

  2. Popular compositions

  3. Related rāgams

     Scale similarities 

  4. Notes

  5. References

{{unreferenced|date=April 2017}}{{Infobox ragam
| name = Svadhya
| synonym =
| image_name =
| image_alt =
| mela =
| chakra =
| type =
| arohanam = {{svaraC|S|R1|M1|P|N2|S'}}
| avarohanam = {{svaraC|S'|N2|D1|P|M1|R1|S}}
| jeeva =
| chhaya =
| nyasa =
| vishesha =
| equivalent =
| similar =
}}{{Use British English|date=November 2011}}{{Use dmy dates|date=November 2011}}{{Carnatic}}

Svadhya is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an audava Shadava rāgam . It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes).

It is said to evoke intense self-reflection to the listener and Karuṇa rasa (pathos).

Structure and Lakshana

  • {{IAST|ārohaṇa}} : {{svaraC|S|R1|M1|P|N2|S'|foot=yes}}
  • {{IAST|avarohaṇa}} : {{svaraC|S'|N2|D1|P|M1|R1|S|foot=yes}}

(notes used in this scale are shuddha rishabham, shuddha madhyamam, panchamam, shuddha dhaivatham, kaisiki nishadham)

Svadhya is considered a janya rāgam of Ratnangi, the 2nd Melakarta rāgam. It's a recent addition by composer Rajan Somasundaram.

Popular compositions

Here are some popular kritis composed in Svadhya.

  • Maya- The Reflection of Self by Rajan Somasundaram
  • Ashtavakra Gita- Self Realization Musical by Rajan Somasundaram

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam.

Scale similarities

  • Revati is a rāgam which has the similar aurohana but addition of shuddha dhaivatham only in the avarohanam makes Svadhya raga a complex one and lends a different color.

Notes

{{notelist|30em}}

References

{{Melakarta ragas|state=collapsed}}{{Janya}}

1 : Janya Ragas

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