词条 | A Man Called Horse (film) |
释义 |
| name = A Man Called Horse | image = Man called horse poster.jpg | caption = Theatrical release poster design by Tom Jung | director = Elliot Silverstein | writer = Jack DeWitt | based on = {{based on|"A Man Called Horse"|Dorothy M. Johnson}} | starring = Richard Harris Judith Anderson | producer = Frank Brill Sandy Howard | music = Leonard Rosenman Lloyd One Star | cinematography = Robert Hauser Gabriel Torres | editing = Philip W. Anderson | studio = Cinema Center Films | distributor = National General Pictures | released = {{Film date|1970|4|28}} | runtime = 114 minutes | country = United States/Mexico | language = English | gross = $6 million (US/ Canada rentals)[1] }} A Man Called Horse is a 1970 American-Mexican Western film starring Richard Harris and directed by Elliot Silverstein. It is based on the short story "A Man Called Horse" by the Western writer Dorothy M. Johnson, first published in 1950 in Collier's magazine and again in 1968 in Johnson's book Indian Country. The basic story was used in a 1958 episode of the TV show Wagon Train titled "A Man Called Horse". Partially spoken in Sioux, the film tells the story of an English aristocrat who is captured by the Sioux people. PlotEnglish aristocrat John Morgan is captured, enslaved and treated like an animal by a Native American tribe. He comes to respect his captors' culture and gain their respect. He is aided in understanding the Sioux by another captive, Batise, the tribe's half-breed fool, who had tried to escape and was hamstrung behind both knees. Determining that his only chance of freedom is to gain the respect of the tribe, he overcomes his repugnance and kills two warriors from the neighboring enemy Shoshone tribe, which allows him to claim warrior status. After his victory, he proposes marriage to one of the women with the horses taken in battle as bride-price and undergoes painful initiation rites, taking the native name "Shunkawakan" (or "Horse") as his Sioux name. When one of the warriors takes a vow never to retreat in battle, Morgan's changing perspective is shown, as he turns angrily on the uncomprehending Batise, telling him, "Five years you've lived here, and you've learned nothing about these people – all his death is to you is a means of escape." After successfully helping to fend off an attack by the enemy tribe, he becomes a respected member of the tribe and ultimately their leader. Cast
ProductionFor the crucial Native American initiation ceremony (Vow To The Sun), wherein actor Richard Harris is hung on pins in his chest, make-up artist John Chambers created a prosthetic chest.[2] SequelsTwo sequels to the original movie were made, both with Harris reprising his role:
Representation of culturesThe film notably treats both sides dispassionately, from the view of neither the white man nor the American Indian nations, but encompassing both cultures.{{citation needed|date=May 2014}} However, some Indian activists criticized the film harshly. Buffy Sainte Marie said: "Even the so-called authentic movies like A Man Called Horse — that's the whitest of movies I've ever seen."[3]Vine Deloria, Jr. said: "As we learned from movies like A Man Called Horse, the more 'accurate' and 'authentic' a film is said to be, the more extravagant it is likely to be in at least some aspects of its misrepresentation of Indians."[4] It was the first American Western to attempt to portray the Sioux as the protagonists and eulogize their culture, but fell short with Native American audiences because it still had leading white actors as the main characters for the film to appeal to white audiences.[5] DVDA Man Called Horse was released to DVD by Paramount Home Entertainment on 29 April 2003 as a Region 1 widescreen DVD and on 31 May 2011 as a Blu-ray disc.{{fact|date=January 2017}} See also
References1. ^"Big Rental Films of 1970", Variety, January 6, 1971, p 11 2. ^{{cite news |title=Obituary:John Chambers: Make-up master responsible for Hollywood's finest space-age creatures|first=Brian|last=Pendreigh|url=https://www.theguardian.com/news/2001/sep/07/guardianobituaries.filmnews |publisher=The Guardian |date=7 September 2001 |accessdate=2013-02-27}} 3. ^{{citation|last=Friar|first=Natasha A.|year=1972|title=The Only Good Indian: The Hollywood Gospel|publisher=Drama Book Specialists|page=124|isbn=0-910482-21-7}} 4. ^Quoted in {{citation|last=Churchill|first=Ward|authorlink=Ward Churchill|year=1996|title=From a Native Son: Selected Essays in Indigenism, 1985–1995|chapter=And They Did it Like Dogs in the Dirt... An Indigenous Analysis of Black Robe|publisher=South End Press|page=423|isbn=0-89608-553-8|url=https://books.google.com/books?id=nrCWZZJD48MC&pg=PA423#v=onepage&q=&f=false|accessdate=2009-10-22}} 5. ^{{cite web|author=Chris Smallbone |url=http://www.nativeamerican.co.uk/mancalledhorse.html |title=Film Review: A Man Called Horse |publisher=Nativeamerican.co.uk |date=November 2012 |accessdate=2017-05-19}} External links
18 : 1970 films|1970s adventure films|1970s Western (genre) films|English-language films|American films|Mexican films|American adventure films|Mexican adventure films|Films scored by Leonard Rosenman|Films based on American novels|Films based on Western (genre) novels|Films based on short fiction|Films based on works by Dorothy M. Johnson|Films about Native Americans|Films directed by Elliot Silverstein|Films shot in South Dakota|Cinema Center Films films|Lakota-language films |
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