| 词条 | The Music of Francis Poulenc |
| 释义 |
| is_list = yes | list_title = Catalogue of compositions | composer = Francis Poulenc | image = Francis Poulenc and Wanda Landowska.jpg | image_upright = 1.2 | caption = The composer and the harpsichordist {{nowrap|Wanda Landowska}} in 1930 | composed = {{Start date|1914}}–1962 | misc = {{hlist | piano music | chamber music | songs | concertante and orchestral music | choral music | stage works |}} }} The Music of Francis Poulenc (1899–1963): A Catalogue, abbreviated FP, is a chronological catalogue of Francis Poulenc's works which was published by Carl B. Schmidt in 1995. Schmidt provides for each known composition, which includes unfinished, unpublished and lost works, a detailed history of composition and performance, and lists manuscripts and publications.{{sfn|Schmidt|1995}} As a pianist, Poulenc composed many pieces for his own instrument in his piano music and chamber music. He wrote works for orchestra including several concertos, also three operas, two ballets, incidental music for plays and film music. He composed songs (mélodies), often on texts by contemporary authors. His religious music includes the Mass in G major, the Stabat Mater and Gloria. OverviewThe composer had written a catalogue of his works in 1921, which is reproduced in Schmidt's book.{{sfn|Schmidt|1995|p=xxi}} According to this list, the first noted piece was in 1914 Processional pour la crémation d'un mandarin for piano, now lost or destroyed. Poulenc completed his last work, his Oboe Sonata, in 1962. Piano, chamber music and songsAs a professional pianist, Poulenc wrote many pieces for his own instrument. He was a prolific writer of works of chamber music, often with piano, and some works for two pianos. Poulenc composed many songs (mélodies), most of them accompanied by piano, but some also in versions with a small instrumental ensembles, for example his Rapsodie nègre for baritone, flute, clarinet, string quartet and piano. He composed easily for woodwind instruments, scoring for example a piano trio with oboe and bassoon instead of the traditional violin and cello. Poulenc was less familiar with string instruments. The cellist Pierre Fournier helped him to write the Cello Sonata, which he premiered with the composer as the pianist.{{sfn|Prieto|2006}} Poulenc destroyed all sketches for string quartets and three for violin sonatas, while only the fourth one survived, but was received critically.{{sfn|Hell|1978|p=180}} Orchestra and stageAmong his works with orchestra are three operas, two ballet, incidental music for plays, film music and concertos, some with unusual solo instruments such as harpsichord and organ. The harpsichordist Wanda Landowska inspired the composition of the Concert champêtre.{{sfn|Ivry|1996}} Collaboration in the group Les SixPoulenc was a member of the group of composers Les Six, with Georges Auric, Louis Durey, Arthur Honegger, Darius Milhaud and Germaine Tailleferre, and contributed to their collective productions, which included another ballet.{{sfn|Bialek|2012}} Sacred music and choral musicPoulenc turned to writing also religious music in the 1930s, composing a Mass in G major for a cappella choir. He composed the Stabat Mater in 1950 in memory of the painter Christian Bérard in 1950. The late Gloria for soprano, choir and orchestra became one of his best-known works.{{sfn|Hyperion|2016}}{{sfn|Clements|2008}} He drew inspiration for his sacred compositions mostly from liturgical texts. SongsFor his songs and song cycles, he often collaborated with contemporary poets, setting poems by writers such as Guillaume Apollinaire, Louis Aragon, Paul Éluard, Max Jacob, Federico García Lorca, Ronsard and Louise de Vilmorin, whom he mentioned in titles. He further set poems by Louis Aragon, Théodore de Banville, Maurice Carême, Colette, Robert Desnos, Maurice Fombeure, Marie Laurencin, Madeleine Ley, François de Malherbe, Jean Moréas, Jean Nohain and Paul Valéry, among others. In 1943, during the occupation of France, a cantata Figure humaine on poems by Éluard which celebrate Liberté.{{sfn|Hell|1978|p=183}} Table of worksIn the table, the works are initially listed by the FP number. Other information given is the French title, a translation if commonly used, the key, the scoring if not clear from the title, the year(s) of composition, the genre, text information, notes and a free score when available, and the page number in the catalogue. Abbreviations used are "rev." for "revised", "orch." for "orchestrated" and "sc." for "score".{{sfn|Schmidt|1995}} In Genre, instrumental pieces are distinguished as orchestral and chamber music, particularly that for piano. The group of stage works contains operas, ballets and incidental music, while film scores are marked separately. Sacred and secular music for voice is divided in choral, for cantatas and motets, and vocal, holding songs and song cycles. {{Classical composition header|composer=Francis Poulenc|details=Translation|show_key=yes|key=Key|catalogue=FP|reference=Notes / Score}}{{Classical composition row| id = 1 | title = Processional pour la crémation d'un mandarin | key = | scoring = | catalogue = 1 | year = {{start date|1914}} | genre = piano | reference = destroyed or lost [https://books.google.es/books?id=KsUGv8-TVGcC&pg=PA11 p. 11] }}{{Classical composition row | id = 2 | title = Préludes | key = | scoring = | catalogue = 2 | year = {{start date|1916}} | genre = piano | reference = }}{{Classical composition row | id = 3 | title = Rapsodie nègre | key = | scoring = {{hlist | baritone | flute | clarinet | string quartet | piano }} | catalogue = 3 | year = {{start date|1917}} (rev. 1933) | genre = vocal | text = by Makoko Kangourou (Marcel Prouille and Charles Moulié) | reference = sc. }}{{Classical composition row | id = 4 | title = Scherzo pour 2 pianos | subtitle = Zèbre | key = | scoring = 2 pianos | catalogue = 4 | year = {{start date|1917}} | genre = piano | reference = destroyed or lost (fragment) }}{{Classical composition row | id = 5 | title = Trois Pastorales | subtitle = | key = | scoring = | catalogue = 5 | year = {{start date|1918}} | genre = piano | reference = }}{{Classical composition row | id = 6 | title = Poème sénégalais | subtitle = | key = | scoring = | catalogue = 6 | year = {{start date|1918}} | genre = piano | reference = destroyed or lost }}{{Classical composition row | id = 7 | title = Sonate pour deux clarinettes | subtitle = | details = Sonata for two clarinets | key = | scoring = | catalogue = 7 | year = {{start date|1919}} (rev. 1945) | genre = chamber | reference = dedicated to Édouard Souberbielle · sc. }}{{Classical composition row | id = 7b | title = Sonate | details = | key = | scoring = | catalogue = 7b | year = {{start date|1925}} | genre = piano | reference = piano version of {{nowrap|FP 7}} }}{{Classical composition row | id = 8 | title = Sonate pour piano à 4 mains | details = | key = | scoring = piano 4 hands | catalogue = 8 | year = {{start date|1918}} (rev. 1939) | genre = piano | reference = I Prélude – II Rustique – III Final dedicated to Simone Tilliard · sc. }}{{Classical composition row | id = 9 | title = Prélude-Percussion | subtitle = | key = | scoring = percussion | catalogue = 9 | year = {{start date|1918}} | genre = chamber | reference = destroyed or lost }}{{Classical composition row | id = 10 | title = Le Jongleur | subtitle = | key = | scoring = | catalogue = 10 | year = {{start date|1918}} orch. 1919 | genre = piano | reference = destroyed or lost }}{{Classical composition row | id = 11 | title = Toréador | subtitle = chanson hispano-italienne | key = | scoring = | catalogue = 11 | year = {{start date|1918}} (rev. 1932) | text = by Cocteau | genre = vocal | reference = sc. }}{{Classical composition row | id = 12 | title = Sonate pour violon et piano | details = Violin Sonata | key = | scoring = | catalogue = 12 | year = {{start date|1918}} | genre = chamber | reference = destroyed or lost }}{{Classical composition row | id = 13 | title = Sonate pour piano, violon et violoncelle | details = Sonata for piano trio | key = | scoring = | catalogue = 13 | year = {{start date|1918}} | genre = chamber | reference = destroyed or lost }}{{Classical composition row | id = 14a | title = Mouvements perpétuels | key = | scoring = | catalogue = 14a | year = {{start date|1918}} (rev. 1939, 1962) | genre = piano | reference = sc. · p. 32{{sfn|Schmidt|1995|p=32}} }}{{Classical composition row | id = 14b | title = Trois mouvements perpétuels | key = | scoring = | catalogue = 14b | year = {{start date|1925}} (rev. 1939, 1962) | genre = orchestral | reference = orch. of FP 14a }}{{Classical composition row | id = 15a | title = Le Bestiaire ou Cortège d’Orphée | key = | scoring = {{hlist | baritone | piano}} | catalogue = 15a | year = {{start date|1919}} | genre = vocal | text = by Apollinaire | reference = I. Le Dromadaire – II. La Chèvre du Tibet – III. La Sauterelle – IV. Le Dauphin – V. L’Écrevisse – VI. La Carpe · sc. }}{{Classical composition row | id = 15b | title = Le Bestiaire ou Cortège d’Orphée | key = | scoring = {{hlist | baritone | flute | clarinet | bassoon | string quartet }} | catalogue = 15b | year = {{start date|1922}} | genre = vocal | reference = orch. of FP 15a }}{{Classical composition row | id = 16a | title = Cocardes | key = | scoring = {{hlist | soprano | piano }} | catalogue = 16a | year = {{start date|1919}} | genre = vocal | text = by Cocteau | reference = I. Miel de Narbonne – II. Bonne d'enfant – III. Enfant de troupe dedicated to Auric · sc. }}{{Classical composition row | id = 16b | title = Cocardes | key = | scoring = {{hlist | soprano | violin | cornet | trombone | grosse caisse | triangle}} | catalogue = 16b | year = {{start date|1939}} | genre = vocal | reference = orch. of FP 16a }}{{Classical composition row | id = 17a | title = Valse en ut | details = Valse in C | key = | scoring = | catalogue = 17a | year = {{start date|1919}} | genre = piano | reference = part of L'Album des Six · sc. }}{{Classical composition row | id = 17b | title = Valse en ut | details = | key = | scoring = | catalogue = 17b | year = {{start date|1932}} | genre = orchestral | reference = orch. of FP 17a }}{{Classical composition row | id = 18 | title = Quadrille à 4 mains | details = | key = | scoring = | catalogue = 18 | year = {{start date|1919}} | genre = piano | reference = lost or destroyed }}{{Classical composition row | id = 19 | title = Suite en 3 mouvements | details = Piano Suite | key = | scoring = | catalogue = 19 | year = {{start date|1920}} | genre = piano | reference = sc. }}{{Classical composition row | id = 20a | title = Le Gendarme incompris | details = | key = | scoring = {{hlist | 3 voices | ensemble }} | catalogue = 20a | year = {{start date|1920}}–21 | genre = vocal | reference = lyric comedy in one act, libretto by Cocteau and Raymond Radiguet }}{{Classical composition row | id = 20b | title = Le Gendarme incompris | subtitle = (Suite) | details = | key = | scoring = | catalogue = 20b | year = {{start date|1921}} | genre = orchestral | reference = from FP 20a: I Ouverture – II Madrigal – III Finale · sc. }}{{Classical composition row | id = 21 | title = Cinq Impromptus | details = | key = | scoring = | catalogue = 21 | year = {{start date|1920}}–21 | genre = piano | reference = I Très agité – II Allegro vivace – III Très modéré – IV Violent – V Andante · sc. }}{{Classical composition row | id = 22 | title = Quatre poèmes de Max Jacob | details = Four poems by Max Jacob | key = | scoring = {{hlist | voice | wind quintet }} | catalogue = 18 | year = {{start date|1921}} | genre = vocal | text = by Jacob | reference = I Est-il un coin plus solitaire... – II C'est pour aller au bal – III Poète et Ténor – IV Dans le buisson de mimosa dedicated to Darius Milhaud }}{{Classical composition row | id = 23-1 | title = La Baigneuse de Trouville | subtitle = carte postale en couleurs | details = | key = | scoring = | catalogue = 23–1 | year = {{start date|1921}} | genre = orchestral | text = by Cocteau | reference = part of the collaborative Les mariés de la tour Eiffel }}{{Classical composition row | id = 23-2 | title = Discours du général | subtitle = | details = | key = | scoring = | catalogue = 23–2 | year = {{start date|1921}} | genre = orchestral | text = by Cocteau | reference = part of the collaborative Les mariés de la tour Eiffel }}{{Classical composition row | id = 24 | title = Promenades | details = | key = | scoring = | catalogue = 24 | year = {{start date|1921}} (rev. 1952) | genre = piano | reference = I. À pied – II. En auto – III. À cheval – IV. En bateau – V. En avion – VI. En autobus – VII. En voiture – VIII. En chemin de fer – IX. À bicyclette – X. En diligence · sc. }}{{Classical composition row | id = 25 | title = Esquisse pour une fanfare | details = | key = | scoring = | catalogue = 25 | year = {{start date|1921}} | genre = orchestral | reference = sc. }}{{Classical composition row | id = 26 | title = Trois études de pianola | details = | key = | scoring = | catalogue = 26 | year = {{start date|1921}} | genre = piano | reference = lost or destroyed }}{{Classical composition row | id = 27 | title = Première suite d'orchestre | details = | key = | scoring = | catalogue = 27 | year = {{start date|1921}} | genre = orchestral | reference = lost or destroyed }}{{Classical composition row | id = 28 | title = Quatuor à cordes {{n°}}1 | details = String Quartet No. 1 | key = | scoring = | catalogue = 28 | year = {{start date|1921}} | genre = chamber | reference = lost or destroyed }}{{Classical composition row | id = 29 | title = Trio pour piano, clarinette et violoncelle | details = | key = | scoring = | catalogue = 29 | year = {{start date|1921}} | genre = chamber | reference = lost or destroyed }}{{Classical composition row | id = 30 | title = Marches militaires pour piano et orchestre | details = | key = | scoring = | catalogue = 30 | year = {{start date|1921}} | genre = orchestral | reference = lost or destroyed (fragments) }}{{Classical composition row | id = 31 | title = Chanson à boire | details = Song to drink | key = | scoring = men's choir | catalogue = 31 | year = {{start date|1922}} | genre = choral | text = anonymous texts of the 17th century, English by J.-V. Hugo | reference = sc. }}{{Classical composition row | id = 32a | title = Sonate pour clarinette et basson | details = Sonata for clarinet and bassoon | key = | scoring = | catalogue = 32a | year = {{start date|1922}} | genre = chamber | reference = sc. }}{{Classical composition row | id = 32b | title = Sonate | details = | key = | scoring = | catalogue = 32b | year = {{start date|1945}} | genre = piano | reference = piano version of {{nowrap|FP 32a}} }}{{Classical composition row | id = 33a | title = Sonate pour cor, trompette et trombone | details = Sonata for horn, trumpet and trombone | key = | scoring = {{hlist | horn | trumpet | trombone }} | catalogue = 33a | year = {{start date|1922}} | genre = chamber | reference = dedicated to Raymonde Linossier · sc. }}{{Classical composition row | id = 33b | title = Sonate | details = | key = | scoring = | catalogue = 33b | year = {{start date|1945}} | genre = piano | reference = piano version of {{nowrap|FP 33a}} }}{{Classical composition row | id = 34 | title = Caprice espagnol | details = | key = | scoring = | catalogue = 34 | year = {{start date|1922}} | genre = piano | reference = lost or destroyed }}{{Classical composition row | id = 35 | title = La colombe | subtitle = opéra en un acte | details = | key = | scoring = | catalogue = 35 | year = {{start date|1923}} | genre = stage (opera recitatives) | reference = recitatives for Charles Gounod's opera }}{{Classical composition row | id = 36a | title = Les biches | details = | key = | scoring = | catalogue = 36a | year = {{start date|1922}} | genre = stage (ballet) | reference = sc. }}{{Classical composition row | id = 36b | title = Les biches | subtitle = (Suite) | details = | key = | scoring = | catalogue = 36b | year = {{start date|1939}}–40 | genre = orchestral | reference = from FP 36a I. Rondeau – II. Adagietto – III. Rag-mazurka – IV. Andantino – V. Final }}{{Classical composition row | id = 36c | title = Les biches | subtitle = (Suite) | details = | key = | scoring = | catalogue = 36c | year = {{start date|1923}} | genre = piano | reference = from FP 36a I. Ouverture – II. Rondeau – III. Adagietto – IV. Andantino }}{{Classical composition row | id = 37 | title = Quintette pour cordes et clarinette | details = | key = | scoring = | catalogue = 37 | year = {{start date|1923}} | genre = piano | reference = lost or destroyed }}{{Classical composition row | id = 38a | title = Cinq poèmes de Pierre Ronsard | details = | key = | scoring = {{hlist | voice | piano}} | catalogue = 38a | year = {{start date|1924}}–25 | genre = vocal | text = by Ronsard | reference = I. Attributs – II. Le Tombeau – III. Ballet – IV. Je n’ai plus que les os – V. À son page · sc. }}{{Classical composition row | id = 38b | title = Cinq poèmes de Pierre Ronsard | details = | key = | scoring = {{hlist | voice | orchestra}} | catalogue = 38b | year = {{start date|1924}}–25 | genre = vocal | text = by Ronsard | reference = Orch. of FP 38a }}{{Classical composition row | id = 39 | title = Sonate pour violon et piano ({{n°}}2) | details = Violin Sonata No. 2 | key = | scoring = | catalogue = 39 | year = {{start date|1924}}–25 | genre = chamber | reference = lost or destroyed }}{{Classical composition row | id = 40 | title = Napoli | details = | key = | scoring = | catalogue = 40 | year = {{start date|1922}}–25 | genre = piano | reference = I. Barcarolle – II. Nocturne – III. Caprice italien · sc. }}{{Classical composition row | id = 41 | title = Dorfmusikanten-Sextett von Mozart | details = | key = | scoring = | catalogue = 41 | year = {{start date|1925}} | genre = {{hs|zzz}} | reference = lost or destroyed }}{{Classical composition row | id = 42 | title = Chansons gaillardes | details = Ribald songs | key = | scoring = {{hlist | baritone | piano}} | catalogue = 42 | year = {{start date|1925}} | genre = vocal | reference = sc. }}{{Classical composition row | id = 43 | title = Trio pour hautbois, basson et piano | details = Trio for oboe, bassoon and piano | key = | scoring = | catalogue = 43 | year = {{start date|1926}} | genre = chamber | reference = sc. }}{{Classical composition row | id = 44 | title = Vocalise | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 44 | year = {{start date|1927}} | genre = vocal | reference = }}{{Classical composition row | id = 45a | title = Pastourelle | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 45a | year = {{start date|1927}} | genre = stage (ballet) | reference = part of the collaborative L'Éventail de Jeanne by ten composers }}{{Classical composition row | id = 45b | title = Pastourelle | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 45b | year = {{start date|1927}} | genre = vocal | reference = piano version of {{nowrap|FP 45a}} · sc. }}{{Classical composition row | id = 46 | title = Airs chantés | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 46 | year = {{start date|1927}}–28 | genre = vocal | text = by Moréas | reference = I. Air romantique – II. Air champêtre – III. Air grave – IV. Air vif · sc. }}{{Classical composition row | id = 47 | title = Novelettes | details = | key = | scoring = | catalogue = 47 | year = {{start date|1927}}–28 | genre = piano | reference = sc. }}{{Classical composition row | id = 48 | title = Trois Pièces | details = | key = | scoring = {{hlist | baritone | piano }} | catalogue = 48 | year = {{start date|1928}} | genre = piano | reference = I. Pastorale – II. Hymne – III. Toccata ·sc. }}{{Classical composition row | id = 49 | title = Concert champêtre | details = | key = | scoring = {{hlist | harpsichord | orchestra}} | catalogue = 49 | year = {{start date|1927}}–29 | genre = orchestral | reference = sc. }}{{Classical composition row | id = 50a | title = Pièce brève sur le nom d'Albert Roussel | details = | key = | scoring = | catalogue = 50a | year = {{start date|1929}} | genre = piano | reference = {{n°}}3 of the collaborative Hommage à Roussel (2 mélodies and 6 pièces for piano by Conrad Beck, Roger Delage, Arthur Honegger, Arthur Hoérée, Jacques Ibert, Darius Milhaud and Alexandre Tansman) published in addition to the Revue musicale (April 1929) }}{{Classical composition row | id = 50b | title = Pièce brève sur le nom d'Albert Roussel | details = | key = | scoring = | catalogue = 50b | year = {{start date|1949}} | genre = orchestral | reference = sc. }}{{Classical composition row | id = 51a | title = Aubade | subtitle = concerto chorégraphique | details = | key = | scoring = {{hlist | piano | 18 instruments }} | catalogue = 51a | year = {{start date|1929}} | genre = stage (ballet) | reference = sc }}{{Classical composition row | id = 51b | title = Aubade | subtitle = | details = | key = | scoring = | catalogue = 51b | year = {{start date|1929}} | genre = piano | reference = piano version of {{nowrap|FP 51a}} }}{{Classical composition row | id = 52 | title = Fanfare | subtitle = | details = | key = | scoring = {{hlist | voice | piano}}? | catalogue = 52 | year = {{start date|1929}}? | genre = piano | reference = lost or destroyed }}{{Classical composition row | id = 53 | title = Valse | details = | key = | scoring = | catalogue = 53 | year = {{start date|1929}}? | genre = piano | reference = lost or destroyed }}{{Classical composition row | id = 54 | title = Sonate pour violon et piano ({{n°}}3) | details = Violin Sonata No. 3 | key = | scoring = | catalogue = 54 | year = {{start date|1929}} | genre = piano | reference = lost or destroyed }}{{Classical composition row | id = 55 | title = Épitaphe | details = | key = | scoring = {{hlist | voice (baritone or mezzo-soprano) | piano}} | catalogue = 55 | year = {{start date|1930}} | genre = vocal | text = by Malherbe | reference = sc. }}{{Classical composition row | id = 56 | title = Huit Nocturnes | details = | key = | scoring = | catalogue = 56 | year = {{start date|1929}}–30? | genre = piano | reference = I. en ut M – II. Bal des jeunes filles ( fa M) – III. Les Cloches de Malines ( fa M) – IV. Bal fantôme ( ut m) – V. Phalènes (ré m) – VI. en sol M – VII. en mi bémol M – VIII. Pour servir de coda au cycle ( sol M) · sc. }}{{Classical composition row | id = 57 | title = Trois poèmes de Louise Lalanne | details = | key = | scoring = {{hlist | voice (soprano) | piano}} | catalogue = 57 | year = {{start date|1931}} | genre = vocal | text = | reference = I. Le Présent (Marie Laurencin) – II. Chanson (Apollinaire) – III. Hier (Marie Laurencin) · sc. }}{{Classical composition row | id = 58 | title = Quatre poèmes de Guillaume Apollinaire | details = | key = | scoring = {{hlist | voice (baritone or mezzo-soprano) | piano}} | catalogue = 58 | year = {{start date|1931}} | genre = vocal | text = by Apollinaire | reference = I. L'Anguille – II. Carte postale – III. Avant le cinéma – IV. 1904 · sc. }}{{Classical composition row | id = 59 | title = Cinq poèmes de Max Jacob | details = | key = | scoring = {{hlist | voice | piano}} | catalogue = 59 | year = {{start date|1931}} | genre = vocal | text = by Jacob | reference = I. {{ill|Chanson bretonne|fr}} – II. Le Cimetière – III. La Petite servante – IV. Berceuse – V. Souric et Mouric · sc. }}{{Classical composition row | id = 60 | title = Le Bal masqué | subtitle = cantate profane | details = | key = | scoring = {{hlist | voice (baritone or mezzo-soprano) | chamber orchestra}} | catalogue = 60 | year = {{start date|1932}} | genre = vocal | text = by Jacob | reference = composed for Marie-Laure and Charles de Noailles · sc. }}{{Classical composition row | id = 60.I | title = Caprice en ut majeur | details = | key = | scoring = | catalogue = 60.I | year = {{start date|1932}} | genre = piano | reference = piano version of Final from {{nowrap|of FP 60}} }}{{Classical composition row | id = 60.II | title = Intermède en ré mineur | details = | key = | scoring = | catalogue = 60.II | year = {{start date|1932}} | genre = piano | reference = from {{nowrap|FP 60.I}} }}{{Classical composition row | id = 60.III | title = Bagatelle en ré mineur pour violon et piano | details = | key = | scoring = | catalogue = 60.III | year = {{start date|1932}} | genre = chamber | reference = excerpts from {{nowrap|FP 60.I}} }}{{Classical composition row | id = 61 | title = Concerto pour deux pianos | details = Concerto for Two Pianos and Orchestra | key = {{nowrap|D minor}} | scoring = {{hlist | 2 pianos | orchestra}} | catalogue = 61 | year = {{start date|1932}} | genre = orchestral | reference = sc. }}{{Classical composition row | id = 62 | title = Valse-improvisation sur le nom de BACH | details = | key = | scoring = | catalogue = 62 | year = {{start date|1932}} | genre = piano | reference = {{n°}}3 of the collaborative Hommage à J. S. Bach (with Albert Roussel, Alfredo Casella, Gian Francesco Malipiero and Arthur Honegger) · sc. }}{{Classical composition row | id = 63 | title = Improvisations 1 à 10 | details = | key = | scoring = | catalogue = 63 | year = {{start date|1932}}–34 | genre = piano | reference = {{n°}}10: Éloge des gammes · sc. }}{{Classical composition row | id = 64 | title = Intermezzo | details = | key = | scoring = | catalogue = 64 | year = {{start date|1933}} | genre = stage (incidental) | reference = incidental music for Jean Giraudoux's play }}{{Classical composition row | id = 65 | title = Villageoises | subtitle = 6 petites pièces enfantines | details = | key = | scoring = | catalogue = 65 | year = {{start date|1933}} | genre = piano | reference = I. Valse tyrolienne – II. Staccato – III. Rustique – IV. Polka – V. Petite ronde – VI. Coda · sc. }}{{Classical composition row | id = 66 | title = Pierrot | subtitle = | details = | key = | scoring = {{hlist | voice | piano}} | catalogue = 66 | year = {{start date|1932}} | genre = vocal | text = by Banville | reference = }}{{Classical composition row | id = 67 | title = Petrus | subtitle = | details = | key = | scoring = | catalogue = 67 | year = {{start date|1932}} | genre = {{hs|zzz}} ? | reference = lost or destroyed }}{{Classical composition row | id = 68 | title = Feuillets d’album | details = | key = | scoring = | catalogue = 68 | year = {{start date|1933}} | genre = piano | reference = I. Ariette – II. Rêve – III. Gigue · sc. }}{{Classical composition row | id = 69 | title = Huit chansons polonaises | subtitle = | details = | key = | scoring = {{hlist | voice | piano}} | catalogue = 69 | year = {{start date|1934}} | genre = vocal | text = anonymous in French and Polish | reference = I. La Couronne – II. Le Départ – III. Les Gars polonais – IV. Le Dernier Mazour – V. L'Adieu – VI. Le Drapeau blanc – VII. La Vistule – VIII. Le Lac · sc. }}{{Classical composition row | id = 70 | title = Presto en si bémol majeur | details = | key = | scoring = | catalogue = 70 | year = {{start date|1934}} | genre = piano | reference = dedicated to Vladimir Horowitz · sc. }}{{Classical composition row | id = 71-1 | title = Intermezzo {{n°}}1 en ut majeur | details = | key = | scoring = | catalogue = 71–1 | year = {{start date|1934}} | genre = piano | reference = sc. }}{{Classical composition row | id = 71-2 | title = Intermezzo {{n°}}2 en ré bémol majeur | details = | key = | scoring = | catalogue = 71–2 | year = {{start date|1934}} | genre = piano | reference = }}{{Classical composition row | id = 72 | title = Humoresque | details = | key = | scoring = | catalogue = 72 | year = {{start date|1934}} | genre = piano | reference = }}{{Classical composition row | id = 73 | title = Badinage | details = | key = | scoring = | catalogue = 73 | year = {{start date|1934}} | genre = piano | reference = }}{{Classical composition row | id = 74 | title = Villanelle | details = | key = | scoring = {{hlist | recorder | piano }} | catalogue = 74 | year = {{start date|1934}} | genre = chamber | reference = dedicated to Louise Hanson-Dyer }}{{Classical composition row | id = 75 | title = Quatre chansons pour enfants | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 75 | year = {{start date|1934}}–35 | genre = vocal | text = by Nohain | reference = I. Nous voulons une petite sœur – II. La Tragique Histoire du petit René – III. Le Petit Garçon trop bien portant – IV. Monsieur Sans-souci }}{{Classical composition row | id = 76 | title = La Belle au bois dormant | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 76 | year = {{start date|1936}} | genre = film | reference = music for the commercial film by Alexandre Alexeieff }}{{Classical composition row | id = 77 | title = Cinq poèmes de Paul Éluard | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 77 | year = {{start date|1935}} | genre = vocal | text = by Éluard | reference = I. Peut-il se reposer ? – II. Il la prend dans ses bras – III. Plume d’eau claire – IV. Rôdeuse au front de verre – V. Amoureuse · sc. }}{{Classical composition row | id = 78 | title = La Reine Margot | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 78 | year = {{start date|1935}} | genre = stage (incidental) | reference = incidental music for Édouard Bourdet's play, in collaboration with Auric }}{{Classical composition row | id = 79a | title = À sa guitare | details = | key = | scoring = {{hlist | voice | piano or harp }} | catalogue = 79a | year = {{start date|1935}} | genre = vocal | text = by Ronsard | reference = after FP 78 · sc }}{{Classical composition row | id = 79b | title = À sa guitare | details = | key = | scoring = {{hlist | voice | orchestra }} | catalogue = 79b | year = {{start date|1935}} | genre = vocal | text = by Ronsard | reference = Orch. of FP 79a }}{{Classical composition row | id = 80a | title = Suite française | subtitle = d'après Claude Gervaise | details = | key = | scoring = {{hlist | wind instruments | drum | harpsichord}} | catalogue = 80a | year = {{start date|1935}} | genre = chamber | reference = sc. }}{{Classical composition row | id = 80b | title = Suite française | details = | key = | scoring = | catalogue = 80b | year = {{start date|1935}} | genre = piano | text = | reference = piano version of {{nowrap|FP 80a}} }}{{Classical composition row | id = 81 | title = Sept Chansons | details = | key = | scoring = choir | catalogue = 81 | year = {{start date|1936}} | genre = choral | text = | reference = I. Blanche Neige (Apollinaire) – II. À peine défigurée (Éluard) – III. Par une nuit nouvelle (Éluard) – IV. Tous les droits (Éluard) – V. Belle et ressemblante (Éluard) – VI. Marie (Apollinaire) – VII. Luire (Éluard) · sc. }}{{Classical composition row | id = 82a | title = Litanies à la Vierge Noire | subtitle = Notre-Dame de Rocamadour | details = | key = | scoring = {{hlist | women's (or children's) choir | organ }} | catalogue = 82a | year = {{start date|1936}} | genre = choral | text = | reference = sc. }}{{Classical composition row | id = 82b | title = Litanies à la Vierge Noire | subtitle = | details = | key = | scoring = {{hlist | women's (or children's) choir | orchestra (strings and timpani) }} | catalogue = 82b | year = {{start date|1936}} | genre = choral | reference = orch. of FP 82a }}{{Classical composition row | id = 83 | title = Petites Voix | subtitle = Notre-Dame de Rocamadour | details = | key = | scoring = 3-part women's (or children's) choir | catalogue = 83 | year = {{start date|1936}} | genre = choral | text = by Ley | reference = I. La Petite Fille sage – II. Le Chien perdu – III. En rentrant de l'école – IV. Le Petit garçon malade – V. Le Hérisson }}{{Classical composition row | id = 84 | title = Soirées de Nazelles | (Variations) | details = | key = | scoring = | catalogue = 84 | year = {{start date|1930}}–36 | genre = piano | reference = sc. }}{{Classical composition row | id = 85 | title = Plains-chants de Cocteau | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 85 | year = {{start date|1936}} | genre = vocal | reference = lost or destroyed }}{{Classical composition row | id = 86 | title = Tel jour telle nuit | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 86 | year = {{start date|1936}}–37 | genre = vocal | text = by Éluard | reference = I. Bonne journée – II. Une ruine coquille vide – III. Le Front comme un drapeau perdu – IV. Une roulotte couverte en tuiles – V. À toutes brides – VI. Une herbe pauvre – VII. Je n’ai envie que de t’aimer – VIII. Figure de force brûlante et farouche – IX. Nous avons fait la nuit · sc. }}{{Classical composition row | id = 87 | title = Bourrée, au pavillon d’Auvergne | details = | key = | scoring = | catalogue = 87 | year = {{start date|1937}} | genre = piano | reference = part of the collaborative À l’exposition, 1937 · sc. }}{{Classical composition row | id = 88 | title = Deux marches et un intermède | details = | key = | scoring = | catalogue = 88 | year = {{start date|1937}} | genre = orchestral | reference = I. Marche 1889 – II. Intermède champêtre – III. Marche 1937 · sc. }}{{Classical composition row | id = 89 | title = Messe en sol majeur | details = Mass in G | key = | scoring = {{hlist | soprano | mixed choir }} | catalogue = 89 | year = {{start date|1937}} | genre = choral (sacred) | reference = sc. · p. 288 {{sfn|Schmidt|1995|p=270}} }}{{Classical composition row | id = 90 | title = Sécheresses | details = | key = | scoring = {{hlist | mixed choir (SATB) | orchestra}} | catalogue = 90 | year = {{start date|1937}} | genre = choral (cantata) | text = by James | reference = sc. }}{{Classical composition row | id = 91 | title = Trois poèmes de Louise de Vilmorin | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 91 | year = {{start date|1937}} | genre = vocal | text = by Vilmorin | reference = I. Le Garçon de Liège – II. Au-delà – III. Aux officiers de la garde blanche }}{{Classical composition row | id = 92 | title = Le Portrait | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 92 | year = {{start date|1938}} | genre = vocal | text = by Colette | reference = }}{{Classical composition row | id = 93 | title = Concerto pour orgue, cordes et timbales | details = Organ Concerto | key = {{nowrap|G minor}} | scoring = {{hlist | organ| timpani | string orchestra}} | catalogue = 93 | year = {{start date|1934}}–38 | genre = orchestral | reference = }}{{Classical composition row | id = 94 | title = Deux poèmes de Guillaume Apollinaire | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 94 | year = {{start date|1938}} | genre = vocal | text = by Apollinaire | reference = I. Dans le jardin d'Anna – II. Allons plus vite · sc. }}{{Classical composition row | id = 95 | title = Priez pour paix | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 95 | year = {{start date|1938}} | genre = vocal | text = by Charles d'Orléans | reference = sc. }}{{Classical composition row | id = 96 | title = La Grenouillère | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 96 | year = {{start date|1938}} | genre = vocal | text = by Apollinaire | reference = sc. }}{{Classical composition row | id = 97 | title = Quatre motets pour un temps de pénitence | details = Four Penitential Motets | key = | scoring = mixed choir | catalogue = 97 | year = {{start date|1938}}–39 | genre = choral (sacred motet) | reference = sc. · [https://books.google.es/books?id=KsUGv8-TVGcC&pg=PA288 p. 288–292] }}{{Classical composition row | id = 98 | title = Miroirs brûlants | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 98 | year = {{start date|1938}}–39 | genre = vocal | text = by Éluard | reference = I. Tu vois le feu du soir – II. Je nommerai ton front · sc. · [https://books.google.es/books?id=KsUGv8-TVGcC&pg=PA293 p. 293–294] }}{{Classical composition row | id = 99 | title = Ce doux petit visage | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 99 | year = {{start date|1939}} | genre = vocal | text = by Éluard | reference = sc. }}{{Classical composition row | id = 100 | title = Sextuor | details = Sextet | key = | scoring = {{hlist | wind quintet | piano}} | catalogue = 100 | year = {{start date|1932}} (rev. 1939–40) | genre = chamber | reference = sc. }}{{Classical composition row | id = 101 | title = Fiançailles pour rire | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 101 | year = {{start date|1939}} | genre = vocal | text = by Vilmorin | reference = }}{{Classical composition row | id = 102 | title = Bleuet | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 102 | year = {{start date|1939}} | genre = vocal | text = by Apollinaire | reference = }}{{Classical composition row | id = 103 | title = Française | details = | key = | scoring = | catalogue = 103 | year = {{start date|1939}} | genre = piano | reference = sc. }}{{Classical composition row | id = 104 | title = Deux préludes posthumes et une gnossienne | details = | key = | scoring = | catalogue = 104 | year = {{start date|1939}} | genre = orchestral (chamber) | reference = orch. of pieces by Erik Satie I. Fête donnée par les chevaliers normands en l'honneur d'une jeune demoiselle – II. Premier prélude nazaréen – III. Troisième gnossienne }}{{Classical composition row | id = 105 | title = Mélancolie | details = | key = | scoring = | catalogue = 105 | year = {{start date|1940}} | genre = piano | reference = sc. }}{{Classical composition row | id = 106 | title = Léocadia | details = | key = | scoring = | catalogue = 106 | year = {{start date|1940}} | genre = stage (incidental) | reference = incidental music for Jean Anouilh's play · lost but for FP 106-Ia }}{{Classical composition row | id = 106-Ia | title = Les Chemins de l'amour | details = The pathways of love | key = | scoring = {{hlist | voice | piano }} | catalogue = 106-Ia | year = {{start date|1940}} | genre = vocal | text = | reference = sung waltz from FP 106 · sc. }}{{Classical composition row | id = 106-Ib | title = Les Chemins de l'amour | details = | key = | scoring = {{hlist | voice | clarinet | bassoon | violin | double bass | piano }} | catalogue = 106-Ib | year = {{start date|1940}} | genre = vocal | text = by Jean Anouilh | reference = orch. of FP 106-Ia }}{{Classical composition row | id = 107 | title = Banalités | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 107 | year = {{start date|1940}} | genre = vocal | text = by Apollinaire | reference = I. Chanson d’Orkenise – II. Hôtel – III. Fagnes de Wallonie – IV. Voyage à Paris – V. Sanglots · sc. }}{{Classical composition row | id = 108 | title = Colloque | details = | key = | scoring = {{hlist | voice (soprano, baritone) | piano }} | catalogue = 108 | year = {{start date|1940}} | genre = vocal | text = by Valéry | reference = }}{{Classical composition row | id = 109 | title = Exultate Deo | details = | key = | scoring = 4-part choir | catalogue = 109 | year = {{start date|1941}} | genre = choral (sacred motet) | text = Exultate Deo | reference = sc. }}{{Classical composition row | id = 110 | title = Salve Regina | details = | key = | scoring = 4-part choir | catalogue = 110 | year = {{start date|1941}} | genre = choral (sacred motet) | text = Salve Regina | reference = sc. }}{{Classical composition row | id = 111a | title = Les Animaux modèles | details = | key = | scoring = | catalogue = 111a | year = {{start date|1940}}-41 | genre = stage (ballet) | reference = }}{{Classical composition row | id = 111b | title = Les Animaux modèles | subtitle = (Suite) | details = | key = | scoring = | catalogue = 111b | year = {{start date|1942}} | genre = orchestral | reference = six movements from FP 111a · sc. }}{{Classical composition row | id = 112 | title = La Fille du jardinier | details = | key = | scoring = | catalogue = 112 | year = {{start date|1941}} | genre = stage (incidental) | reference = incidental music for Charles Exbrayat's play }}{{Classical composition row | id = 113 | title = Improvisation 11–12 | details = | key = | scoring = | catalogue = 113 | year = {{start date|1941}} | genre = piano | reference = No. 12: "Hommage à Franz Schubert" · sc. }}{{Classical composition row | id = 114 | title = Un joueur de flûte berce les ruines | details = | key = | scoring = flute | catalogue = 114 | year = {{start date|1941}} | genre = chamber | reference = unpublished }}{{Classical composition row | id = 115 | title = Trio à cordes | details = String Trio | key = | scoring = | catalogue = 115 | year = {{start date|1941}} | genre = chamber | reference = lost or destroyed }}{{Classical composition row | id = 116 | title = {{ill|La Duchesse de Langeais (1942 film)|fr|La Duchesse de Langeais (film, 1942)|lt=La Duchesse de Langeais}} | details = | key = | scoring = | catalogue = 116 | year = {{start date|1942}} | genre = film | reference = music for the film by Jacques de Baroncelli, adapted from Honoré de Balzac's novel by Jean Giraudoux }}{{Classical composition row | id = 117a | title = Chansons villageoises | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 117a | year = {{start date|1942}} | genre = vocal | text = by Fombeure | reference = I. Chanson du Clair Tamis – II. Les Gars qui vont à la fête – III. C’est le joli printemps – IV. Le Mendiant – V. Chanson de la fille frivole – VI. Le Retour du sergent }}{{Classical composition row | id = 117b | title = Chansons villageoises | details = | key = | scoring = {{hlist | voice (baritone) | chamber orchestra }} | catalogue = 117b | year = {{start date|1942}} | genre = vocal | reference = orch. of FP 117 }}{{Classical composition row | id = 118 | title = Intermezzo {{n°}}3 en la bémol majeur | details = | key = | scoring = | catalogue = 118 | year = {{start date|1943}} | genre = piano | reference = sc. }}{{Classical composition row | id = 119 | title = Sonate pour violon et piano | details = Violin Sonata | key = | scoring = | catalogue = 119 | year = {{start date|1942}}–43 (rev. 1949) | genre = chamber | reference = sc. · [https://books.google.es/books?id=KsUGv8-TVGcC&pg=PA330 p. 330–332] }}{{Classical composition row | id = 120 | title = Figure humaine | details = | key = | scoring = 12-part choir | catalogue = 120 | year = {{start date|1943}} | genre = choral (cantata) | text = by Éluard | reference = [https://books.google.es/books?id=KsUGv8-TVGcC&pg=PA333 p. 333–335] }}{{Classical composition row | id = 121 | title = Métamorphoses | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 121 | year = {{start date|1943}} | genre = vocal | text = by Vilmorin | reference = I. Reine des mouettes – II. C'est ainsi que tu es – III. Paganini }}{{Classical composition row | id = 122 | title = Deux poèmes de Louis Aragon | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 122 | year = {{start date|1943}} | genre = vocal | text = by Aragon | reference = I. C – II. Fêtes galantes }}{{Classical composition row | id = 123 | title = Le Voyageur sans bagage | details = | key = | scoring = | catalogue = 123 | year = {{start date|1943}} | genre = film | reference = music for the film by Jean Anouilh }}{{Classical composition row | id = 124 | title = La Nuit de la Saint-Jean | details = | key = | scoring = | catalogue = 124 | year = {{start date|1944}} | genre = stage (incidental) | reference = incidental music for the play by J. M. Barrie }}{{Classical composition row | id = 125 | title = Les Mamelles de Tirésias | details = | key = | scoring = {{hlist | soloists | choir | orchestra }} | catalogue = 125 | year = {{start date|1944}} | genre = stage (opera) | text = by Apollinaire | reference = sc. }}{{Classical composition row | id = 126 | title = Un soir de neige | details = | key = | scoring = 4-6-part mixed choir | catalogue = 126 | year = {{start date|1944}} | genre = choral (cantata) | text = by Éluard | reference = sc. }}{{Classical composition row | id = 127-1 | title = Montparnasse | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 127–1 | year = {{start date|1941}}–45 | genre = vocal | text = by Apollinaire | reference = }}{{Classical composition row | id = 127-2 | title = Hyde Park | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 127–2 | year = {{start date|1945}} | genre = vocal | text = by Apollinaire | reference = }}{{Classical composition row | id = 128 | title = Le Soldat et la Sorcière | details = | key = | scoring = | catalogue = 128 | year = {{start date|1945}} | genre = stage (incidental) | reference = incidental music for the play by Armand Salacrou }}{{Classical composition row | id = 129 | title = L'Histoire de Babar, le petit éléphant | details = | key = | scoring = {{hlist | narrator | piano }} | catalogue = 129 | year = {{start date|1940}}–45 | genre = piano | text = by Brunhoff | reference = orch. by Jean Françaix · sc. }}{{Classical composition row | id = 130 | title = Huit chansons françaises | details = | key = | scoring = {{hlist | mixed choir | men's choir }} | catalogue = 130 | year = {{start date|1945}} | genre = choral | text = | reference = I. Margoton va t'a l'iau – II. La Belle se sied au pied de la tour – III. Pilons l'orge – IV. Clic, clac, dansez sabots (pour chœur d'hommes) – V. C'est la petit' fill' du prince – VI. La Belle si nous étions (pour chœur d'hommes) – VII. Ah ! mon beau laboureur – VIII. Les Tisserands · sc. }}{{Classical composition row | id = 131 | title = Deux mélodies sur des poèmes de Guillaume Apollinaire | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 131 | year = {{start date|1946}} | genre = vocal | text = by Apollinaire | reference = I. Le Pont – II. Un poème }}{{Classical composition row | id = 132 | title = Paul et Virginie | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 132 | year = {{start date|1946}} | genre = vocal | text = by Radiguet | reference = sc. }}{{Classical composition row | id = 133 | title = Quatuor à cordes {{n°}}2 | subtitle = Place Pereire | details = String Quartet No. 2 | key = | scoring = | catalogue = 133 | year = {{start date|1946}} | genre = chamber | reference = lost or destroyed }}{{Classical composition row | id = 134 | title = Le Disparu | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 134 | year = {{start date|1947}} | genre = vocal | text = by Desnos | reference = }}{{Classical composition row | id = 135 | title = Main dominée par le cœur | details = | key = | scoring = {{hlist | voice (soprano) | piano }} | catalogue = 135 | year = {{start date|1947}} | genre = vocal | text = by Éluard | reference = sc. }}{{Classical composition row | id = 136 | title = Trois chansons de Federico García Lorca | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 136 | year = {{start date|1947}} | genre = vocal | text = by Lorca | reference = I. L’Enfant muet – II. Adeline à la promenade – III. Chanson à l’oranger sec }}{{Classical composition row | id = 137 | title = Mais mourir | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 137 | year = {{start date|1947}} | genre = vocal | text = by Éluard | reference = I. L’Enfant muet – II. Adeline à la promenade – III. Chanson à l’oranger sec }}{{Classical composition row | id = 138 | title = L'Invitation au château | details = | key = | scoring = | catalogue = 138 | year = {{start date|1947}} | genre = stage (incidental) | reference = incidental music for Jean Anouilh's play }}{{Classical composition row | id = 139 | title = Amphitryon | details = | key = | scoring = | catalogue = 139 | year = {{start date|1947}} | genre = stage (incidental) | reference = incidental music for Molière's 1668 play for the compagnie Renaud-Barrault at the théâtre Marigny }}{{Classical composition row | id = 140 | title = Calligrammes | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 140 | year = {{start date|1948}} | genre = vocal | text = by Apollinaire | reference = I. L’Espionne – II. Mutation – III. Vers le Sud – IV. Il pleut – V. La Grâce exilée – VI. Aussi bien que les cigales – VII. Voyage }}{{Classical composition row | id = 141 | title = Sinfonietta | details = | key = | scoring = | catalogue = 141 | year = {{start date|1947}} | genre = orchestral | reference = sc. }}{{Classical composition row | id = 142 | title = Quatre petites prières de saint François d’Assise | details = | key = | scoring = 4-part men's choir | catalogue = 142 | year = {{start date|1948}} | genre = choral (sacred) | text = Francis of Assisi | reference = I. Salut, dame Sainte – II. Tout puissant, très saint – III. Seigneur, je vous en prie – IV. Ô mes très chers frères · sc. }}{{Classical composition row | id = 143 | title = Sonate pour violoncelle et piano | details = Cello Sonata | key = | scoring = | catalogue = 143 | year = {{start date|1940}}–48 (rev. 1953) | genre = chamber | reference = sc. · [https://books.google.es/books?id=KsUGv8-TVGcC&pg=PA293 p. 393–395] }}{{Classical composition row | id = 144 | title = Hymne | details = | key = | scoring = {{hlist | voice (bass) | piano }} | catalogue = 144 | year = {{start date|1947}} | genre = vocal (sacred) | text = by Racine | reference = sc. }}{{Classical composition row | id = 145 | title = Les Bijoux de poitrine, mazurka | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 145 | year = {{start date|1949}} | genre = vocal | text = by Vilmorin | reference = part of the collaborative song cycle Les Mouvements du cœur in memory of Frédéric Chopin, with Darius Milhaud, Henri Sauguet, Auric, Jean Françaix and Léon Preger, premiered by bass Doda Conrad }}{{Classical composition row | id = 146 | title = Concerto pour piano | details = Piano Concerto | key = | scoring = | catalogue = 146 | year = {{start date|1949}} | genre = orchestral | reference = sc. }}{{Classical composition row | id = 147 | title = La Fraîcheur et le Feu | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 147 | year = {{start date|1950}} | genre = vocal | text = by Éluard | reference = I. Rayon des yeux – II. Le matin les branches attisent – III. Tout disparut – IV. Dans les ténèbres du jardin – V. Unis la fraîcheur et le feu – VI. Homme au sourire tendre – VII. La Grande rivière qui va }}{{Classical composition row | id = 148 | title = Stabat Mater | details = | key = | scoring = {{hlist | soprano | five-part choir | orchestra}} | catalogue = 148 | year = {{start date|1950}}–51 | genre = choral (sacred orchestral) | text = Stabat Mater | reference = sc. }}{{Classical composition row | id = 149 | title = Le Voyage en Amérique | details = | key = | scoring = 2 pianos | catalogue = 149 | year = {{start date|1951}} | genre = film | reference = music for the film by Henri Lavorel }}{{Classical composition row | id = 150 | title = L'Embarquement pour Cythère | details = | key = | scoring = | catalogue = 150 | year = {{start date|1951}} | genre = piano | reference = Valse musette after FP 149 · sc. }}{{Classical composition row | id = 151 | title = Thème varié | details = | key = | scoring = | catalogue = 151 | year = {{start date|1951}} | genre = piano | reference = sc. }}{{Classical composition row | id = 152 | title = Quatre motets pour le temps de Noël | details = | key = | scoring = 4-part choir | catalogue = 152 | year = {{start date|1951}}–52 | genre = choral (sacred motet) | text = | reference = I. O magnum mysterium – II. Quem vidistis pastores dicite – III. Videntes stellam – IV. Hodie Christus natus est · sc. · [https://books.google.es/books?id=KsUGv8-TVGcC&pg=PA417 p. 417–419] }}{{Classical composition row | id = 153 | title = Matelote provençale | details = | key = | scoring = | catalogue = 153 | year = {{start date|1952}} | genre = orchestral | reference = part of the colleborative La guirlande de Campra }}{{Classical composition row | id = 154 | title = Ave verum corpus | details = | key = | scoring = 3-part women's choir | catalogue = 154 | year = {{start date|1952}} | genre = choral (sacred motet) | text = Ave verum corpus | reference = sc. }}{{Classical composition row | id = 155 | title = Capriccio | details = | key = | scoring = 2 pianos | catalogue = 155 | year = {{start date|1952}} | genre = piano | reference = after Le Bal masqué (FP 60), dedicated to Samuel Barber }}{{Classical composition row | id = 156 | title = {{ill|Sonate pour deux pianos (Poulenc)|fr|lt=Sonate pour deux pianos}} | details = | key = | scoring = | catalogue = 156 | year = {{start date|1953}} | genre = piano | reference = I. Prologue – II. Allegro molto – III. Andante lirico – IV. Épilogue }}{{Classical composition row | id = 157 | title = Parisiana | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 157 | year = {{start date|1954}} | genre = vocal | text = by Jacob | reference = I. Jouer du bugle – II. Vous n'écrivez plus ? · sc. }}{{Classical composition row | id = 158 | title = Rosemonde | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 158 | year = {{start date|1954}} | genre = vocal | text = by Apollinaire | reference = sc. }}{{Classical composition row | id = 159 | title = Dialogues des carmélites | details = Dialogues of the Carmelites | key = | scoring = {{hlist | soloists | choir | orchestra }} | catalogue = 159 | year = {{start date|1956}} | genre = stage (opera) | text = by Poulenc after Georges Bernanos | reference = sc. }}{{Classical composition row | id = 160 | title = Bucolique | details = | key = | scoring = | catalogue = 160 | year = {{start date|1954}} | genre = orchestral | reference = part of the collaborative Variations sur le nom de Marguerite Long }}{{Classical composition row | id = 161 | title = Le Travail du peintre | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 161 | year = {{start date|1956}} | genre = vocal | text = by Éluard | reference = I. Pablo Picasso – II. Marc Chagall – III. Georges Braque – IV. Juan Gris – V. Paul Klee – VI. Joan Miró – VII. Jacques Villon }}{{Classical composition row | id = 162 | title = Deux mélodies | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 162 | year = {{start date|1956}} | genre = vocal | text = | reference = I. La Souris (Guillaume Apollinaire) – II. Nuage (Laurence de Beylié) }}{{Classical composition row | id = 163 | title = Dernier Poème | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 163 | year = {{start date|1956}} | genre = vocal | text = by Desnos | reference = sc. }}{{Classical composition row | id = 164 | title = Sonate pour flûte et piano | details = Flute Sonata | key = | scoring = | catalogue = 164 | year = {{start date|1956}}–57 | genre = chamber | reference = sc. }}{{Classical composition row | id = 165 | title = Ave Maria | key = | scoring = | catalogue = 165 | year = {{start date|1957}} | genre = sacred | text = Ave Maria | reference = lost or destroyed }}{{Classical composition row | id = 166 | title = Sonate pour basson et piano | details = Bassoon Sonata | key = | scoring = | catalogue = 166 | year = {{start date|1957}} | genre = chamber | reference = lost or destroyed }}{{Classical composition row | id = 167 | title = Vive Nadia | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 167 | year = {{start date|1956}} | genre = vocal | text = | reference = homage to Nadia Boulanger }}{{Classical composition row | id = 168 | title = {{ill|Élégie pour cor et piano|fr}} | details = | key = | scoring = {{hlist | horn | piano }} | catalogue = 168 | year = {{start date|1956}} | genre = chamber | reference = homage to Dennis Brain }}{{Classical composition row | id = 169 | title = Une chanson de porcelaine | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 169 | year = {{start date|1956}} | genre = vocal | text = by Éluard | reference = }}{{Classical composition row | id = 170 | title = Improvisation 13–14 | details = | key = | scoring = | catalogue = 170 | year = {{start date|1958}} | genre = piano | reference = sc. }}{{Classical composition row | id = 171 | title = La voix humaine | details = | key = | scoring = {{hlist | soprano | orchestra }} | catalogue = 171 | year = {{start date|1958}} | genre = stage (opera) | text = by Cocteau | reference = sc. }}{{Classical composition row | id = 172 | title = Laudes de saint Antoine de Padoue | details = | key = | scoring = 3-part men's choir | catalogue = 172 | year = {{start date|1952}} | genre = choral (sacred motet) | text = | reference = I. O Jesu – II. O Proles – III. Laus Regi – IV. Si quaeris · sc. }}{{Classical composition row | id = 173 | title = Novelette | details = | key = | scoring = | catalogue = 173 | year = {{start date|1958}}–59 | genre = piano | reference = sc. }}{{Classical composition row | id = 174 | title = Fancy | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 174 | year = {{start date|1959}} | genre = vocal | text = | reference = after Shakespeare's The Merchant of Venice · sc. }}{{Classical composition row | id = 175 | title = Élégie pour 2 pianos (en accords alternés) | details = | key = | scoring = 2 pianos | catalogue = 175 | year = {{start date|1959}} | genre = piano | reference = homage to Marguerite de Polignac (called Marie-Blanche) · sc. }}{{Classical composition row | id = 176 | title = Improvisation 15 | details = | key = | scoring = | catalogue = 176 | year = {{start date|1959}} | genre = piano | reference = homage to Édith Piaf · sc. }}{{Classical composition row | id = 177 | title = Gloria | details = | key = | scoring = {{hlist | soprano | choir | orchestra}} | catalogue = 177 | year = {{start date|1959}} | genre = choral (sacred orchestral) | text = Gloria | reference = sc. }}{{Classical composition row | id = 178 | title = La Courte Paille | details = The short straw | key = | scoring = {{hlist | voice | piano }} | catalogue = 178 | year = {{start date|1960}} | genre = vocal | text = by Carême | reference = I. Le Sommeil – II. Quelle aventure ! – III. La Reine de cœur – IV. Ba, be, bi, bo, bu – V. Les Anges musiciens – VI. Le Carafon – VII. Lune d’avril }}{{Classical composition row | id = 179 | title = Sarabande pour guitare | details = | key = | scoring = guitar | catalogue = 179 | year = {{start date|1960}} | genre = chamber | reference = dedicated to Ida Presti · sc. }}{{Classical composition row | id = 180 | title = La Dame de Monte-Carlo | details = | key = | scoring = {{hlist | voice (soprano) | orchestra }} | catalogue = 180 | year = {{start date|1961}} | genre = vocal | text = by Cocteau | reference = }}{{Classical composition row | id = 181 | title = Sept répons des ténèbres | details = | key = | scoring = {{hlist | treble | boys' choir | orchestra}} | catalogue = 181 | year = {{start date|1961}} | genre = choral (sacred orchestral) | text = | reference = sc. }}{{Classical composition row | id = 182 | title = Nos souvenirs qui chantent | details = | key = | scoring = {{hlist | voice | piano }} | catalogue = 182 | year = {{start date|1961}} | genre = vocal | text = by Tatry | reference = }}{{Classical composition row | id = 183 | title = Renaud et Armide | details = | key = | scoring = | catalogue = 183 | year = {{start date|1962}} | genre = stage (incidental) | reference = incidental music for Cocteau's 1943 play }}{{Classical composition row | id = 184 | title = Sonate pour clarinette et piano | details = Clarinet Sonata | key = | scoring = | catalogue = 184 | year = {{start date|1962}} | genre = chamber | reference = sc. }}{{Classical composition row | id = 185 | title = Sonate pour hautbois et piano | details = Oboe Sonata | key = | scoring = | catalogue = 185 | year = {{start date|1962}} | genre = chamber | reference = sc. }}{{Classical composition row | id = ? | title = Ce siècle a cinquante ans | details = | key = | scoring = orchestra | catalogue = ? | year = {{start date|1950}} | genre = film | reference = music for the documentary directed by Denise Batcheff, Roland Tual and {{ill|Werner Malbran|de}}, composed in collaboration with Auric, Henri Sauguet and Jean Wiener. }}{{end}} ReferencesBibliography
| last = Bialek | first = Mireille | url = http://amis-musees-rouen.fr/fichiers/gazette/gazette_2012.pdf | title = Jacques-Émile Blanche et le Groupe des Six | journal = La Gazette | number = 15 | publisher = Des Amis des Musees De Rouen et du Havre | year = 2012 | page = 7 | accessdate = 22 January 2017 | ref = harv }}
| last = Clements | first = Andrew | url = https://www.theguardian.com/music/2008/mar/21/classicalmusicandopera.shopping3 | title = Poulenc: Gloria; Motets, Gritton/ Polyphony/ Britten Sinfonia/ Layton | publisher = The Guardian | date = 21 March 2008 | accessdate = 26 January 2017 | ref = {{sfnref|Clements|2008}} }}
| last = Hell | first = Henri | authorlink = Henri Hell | title = Francis Poulenc | location = Paris | publisher = Fayard | year = 1978 | isbn = 2-213-00670-9 | language = fr | ref = harv }}
| last = Ivry | first = Benjamin | authorlink = Benjamin Ivry | url = | title = Francis Poulenc | work = 20th-Century Composers series | publisher = Phaidon Press Limited | year = 1996 | isbn = 0-7148-3503-X | ref = harv }}
| last = Prieto | first = Carlos | last2 = Murray | first2 = Elena C. | last3 = Mutis | first3 = Alvaro | url = | title = The adventures of a cello | publisher = University of Texas Press | year = 2006 | isbn = 978-0-292-71322-2 | ref = {{sfnref|Prieto|2006}} }}
| last = Schmidt | first = Carl B. | url = https://books.google.es/books?id=KsUGv8-TVGcC | title = The Music of Francis Poulenc (1899–1963): A Catalogue | publisher = Clarendon Press | location = Oxford | year = 1995 | isbn = 978-0-19-816336-7 | ref = harv }}
| url = http://www.hyperion-records.co.uk/dc.asp?dc=D_CDA67623 | title = Francis Poulenc (1899–1963) / Gloria & Motets | publisher = Hyperion Records | year = 2016 | accessdate = 26 January 2017 | ref = {{sfnref|Hyperion|2016}} }} External links
3 : Compositions by Francis Poulenc|Lists of compositions by composer|Music catalogues |
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