词条 | The Sackbut |
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The journal's editions ran from May 1920 (Vol. 1, no. 1) to February 1934 (Vol. 14, no. 7) and was published roughly speaking as a monthly, with exceptions in the first two years and last few years. Noted contributors included Harry Farjeon, William G. Whittaker, Aylmer Maude, Rutland Boughton, Upton Sinclair and Owen Rutter.[8] References1. ^Cambridgeshire Council of Music Education (1933) The Cambridgeshire Report on the Teaching of Music {{italictitle}}{{DEFAULTSORT:Sackbut, The}}2. ^Smith, Barry (2000) Frederick Delius and Peter Warlock: A Friendship Revealed. Oxford and New York: Oxford University Press (p369) 3. ^Kennedy, Michael, Tim Rutherford-Johnson and Joyce Kennedy (esd) (2013) The Oxford Dictionary of Music, OUP 4. ^http://sinenomine.co.uk/curwen/?bibno=Cg2/1#Cg2/1 5. ^Hughes, Meirion and R. A. Stradling (2001) English Musical Renaissance, 1840-1940, Manchester University Press 6. ^Doctor, Jennifer Ruth (1999), The BBC and Ultra-Modern Music, 1922-1936: Shaping a Nation's Tastes, Cambridge University Press (p. 72) 7. ^McGuire, C. E. (2008). Edward Elgar:“Modern” or “Modernist?” Construction of an Aesthetic Identity in the British Music Press, 1895–1934. The Musical Quarterly. 8. ^ProQuest - Publication formationThe Sackbut (Accessed Sep 2016) 3 : English-language journals|Music journals|Publications established in 1920 |
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