| 词条 | Traced Overhead |
| 释义 |
StructureTraced Overhead has a duration of roughly 12 minutes and is cast in three movements:
ReceptionThe piece has been praised by music critics. Anthony Tommasini of The New York Times wrote, "Traced Overhead (1995-96), Mr. Adès explained, was inspired partly by images from sacred paintings of angels ascending toward the heavens in shafts of light. In it he tries to evoke upward-swirling figurations and downward-cascading waterfalls simultaneously, and somehow pulls it off. The music quivers with spiraling riffs, piercing contrapuntal lines and pungent cluster chords that ecstatically leap about the keyboard."[2] Michael Oliver of Gramophone similarly opined, "Traced Overhead is filled with mysterious, glancing references to remembered piano music, but is grippingly coherent."[3] See also
References1. ^Tarnopolsky, Matías (1996). Traced Overhead: Program Note. Retrieved June 23, 2016. {{Thomas Adès}}{{italic title}}2. ^{{cite journal |last=Tommasini |first=Anthony |authorlink=Anthony Tommasini |title=From an Artist Who Wears Many Hats, a Recital of 20th-Century Works |work=The New York Times |date=November 21, 2007 |url=https://www.nytimes.com/2007/11/21/arts/music/21ades.html |accessdate=June 23, 2016}} 3. ^{{cite journal |last=Oliver |first=Michael |title=Adès Piano Works |work=Gramophone |date=June 1997 |url=http://www.gramophone.co.uk/review/adès-piano-works |accessdate=June 23, 2016}} 4 : Compositions by Thomas Adès|1996 compositions|Compositions for solo piano|Music commissioned by ensembles or performers |
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