词条 | Anatjari Tjakamarra |
释义 |
He came into Papunya in the early 1960s from the Western Desert. He was working in Papunya as a school gardener when Geoffrey Bardon began encouraging the men to paint using western style materials in the early 1970s. After, in the 1980s, he got into photo art, and made multiple art exhibits around the globe. He left Papunya at the start of the outstation movement, establishing Tjukula in Western Australia, southeast of his birthplace and near the Northern Territory border. During much of the 1980s, when this painting was done, he worked and sold his art independently. After settling at Kiwirrkura late in the decade, he began working through Papunya Tula Pty Ltd. He has his first solo exhibition at Gallery Gabrielle Pizzi in 1989, and another in the same year at the John Weber Gallery in New York. The Metropolitan Museum of Art acquired his painting Tingari Dreaming Cycle that year; this represented the first acquisition by a major international museum of a contemporary Aboriginal artwork. His work is held in most major Australian collections, as well as the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia. Notes1. ^{{Citation | author1=Perkins, Hetti | author2=Fink, Hannah | others=Art Gallery of New South Wales | title=Papunya Tula : genesis and genius | publication-date=2000 | publisher=Art Gallery of New South Wales in association with Papunya Tula artists | isbn=978-0-7347-6310-5 }} {{Authority control}}{{DEFAULTSORT:Tjakamarra, Anatjari}}{{australia-artist-stub}}2. ^{{Citation | author1=Ryan, Judith | author2=Batty, Philip | others=National Gallery of Victoria | title=Tjukurrtjanu : origins of Western Desert art | publication-date=2011 | publisher=National Gallery of Victoria | isbn=978-0-7241-0345-4 }} 8 : 1992 deaths|Australian Aboriginal artists|Indigenous Australians from Western Australia|Year of birth uncertain|20th-century Australian painters|Pintupi|People from Goldfields-Esperance|Artists from the Northern Territory |
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