| 词条 | Wanda Nanibush |
| 释义 |
| honorific_prefix = | name = Wanda Nanibush | honorific_suffix = | image = | image_size = | alt = | caption = | native_name = | native_name_lang = | birth_name = | birth_date = {{birth year and age|1976}} | birth_place = | death_date = | death_place = | resting_place = | resting_place_coordinates = | nationality = | residence = | education = University of Toronto | known_for = | notable_works = | style = | movement = | spouse = | partner = | awards = | elected = | patrons = | memorials = | website = | module = }}Wanda Nanibush (born 1976) is an Anishinaabe curator, artist and educator based in Toronto, Ontario. She is the Curator of Indigenous Art at the Art Gallery of Ontario and the author of the book Violence No More: The Rise of Indigenous Women. CareerNanibush is a member of the Beausoleil First Nation.[1] She obtained an MA in visual arts from the University of Toronto.[1][2] She has also served as Curator in Residence at the Justina M. Barnicke Gallery.[3] Nanibush has a long-standing relationship with Anishinaabe multimedia artist Rebecca Belmore and has curated a series of shows featuring her work including KWE: The work of Rebecca Belmore (2014) and Facing the Monumental (2018) a retrospective of Belmore's 30 year career at the Art Gallery of Ontario.[4][5] Nanibush has been an active community organizer participating in demonstrations against the Iraq War and uranium processing, and raising awareness about the relationship between racism and lack of education. She has also worked as an organizer for Idle No More Toronto talks and teach-ins to help with education efforts.[6] Art Gallery of OntarioNanibush began work at the Art Gallery of Ontario in 2016 as an assistant curator of Canadian and Indigenous Art in the department of Canadian art. Her first curatorial project at the AGO was assisting with Toronto: Tributes + Tributaries, 1971–1989, for which she included Anishinaabemowin interpretive text alongside English and French as a way of marking Toronto as traditional Indigenous territory.[7] When the AGO restructured in 2017, renaming the department of Canadian Art to the department of Indigenous and Canadian Art, Nanibush was promoted to curator of Indigenous Art.[8] As part of the role, Nanibush co heads the department with Georgiana Uhlyarik, the curator of Canadian Art. Together they have made a series of changes to the exhibition of Indigenous and Canadian art ranging from the renaming of an Emily Carr painting from The Indian Church to Church in Yuquot Village as a way of paying respect to the people the artist admired throughout her career and positioning Anishinaabe as the first available text on display in the J.S. McLean Center for Indigenous and Canadian Art, followed by English and French, as a way of recognizing Indigenous peoples as the first occupiers of what is now Canada.[10] Since becoming the curator of Indigenous Art, Nanibush's influence has led to Indigenous artists representing nearly one third of those featured at the AGO. In a 2018 profile about the changes underway at the gallery and others featured Indigenous art, the New York Times noted Nanibush as "one of the most powerful voices for Indigenous culture in the North American art world."[9] Curated Exhibitions
Publications
References1. ^1 {{cite news |last1=Whyte |first1=Murray |title=Wanda Nanibush named AGO's first curator of indigenous art |url=https://www.thestar.com/entertainment/visualarts/2016/07/22/wanda-nanibush-named-agos-first-curator-of-indigenous-art.html |accessdate=21 August 2018 |work=Toronto Star |date=22 July 2016 |language=en}} {{DEFAULTSORT:Nanibush, Wanda}}2. ^{{cite news |last1=McRae |first1=Aiden |title=The AGO's 1st curator of Canadian and Indigenous art hopes to inspire renewed relationships |url=http://www.cbc.ca/news/canada/toronto/programs/metromorning/wanda-nanibush-indigenous-art-1.3695490 |accessdate=21 August 2018 |work=CBC |date=26 July 2016}} 3. ^{{cite web |title=Wanda Nanibush |url=https://curatingpostempire.com/presenters/wanda-nanibush/ |website=Ontario Association of Art Galleries |accessdate=21 August 2018 |date=30 October 2014}} 4. ^{{cite web |last1=Simpson |first1=Leanne Betasamosake |title=I Am the Artist Amongst My People |url=https://canadianart.ca/features/i-am-the-artist-amongst-my-people/ |publisher=Canadian Art |accessdate=21 August 2018 |date=11 July 2018}} 5. ^{{cite web |last1=Carter |first1=Sue |title=AGO curator Wanda Nanibush on editing the art book, Rebecca Belmore: Facing the Monumental |url=https://quillandquire.com/omni/ago-curator-wanda-nanibush-on-editing-the-art-book-rebecca-belmore-facing-the-monumental/ |publisher=Quill and Quire |accessdate=21 August 2018 |date=13 August 2018}} 6. ^{{cite news |last1=Donkin |first1=Karissa |title=Idle No More activist inspired by late mother |url=https://www.thestar.com/news/canada/2013/01/11/idle_no_more_activist_inspired_by_late_mother.html |accessdate=21 August 2018 |work=Toronto Star |date=12 January 2013 |language=en}} 7. ^{{cite journal |last1=Skwarna |first1=Naomi |title=Who Gets Called an Artist? |journal=University of Toronto Magazine |date=2017 |issue=Winter |url=http://magazine.utoronto.ca/all-about-alumni/who-gets-called-an-artist-wanda-nanibush-indigenous-art-ago-naomi-skwarna/ |accessdate=21 August 2018}} 8. ^{{cite news |last1=Doherty |first1=Brennan |title=AGO adds curators, renames Canadian art department to explicitly include Indigenous works |url=https://www.thestar.com/news/gta/2017/10/03/ago-opening-department-for-canadian-and-indigenous-art-names-two-curators.html |accessdate=21 August 2018 |work=Toronto Star |date=3 October 2017 |language=en}} 9. ^1 {{cite news |last1=Loos |first1=Ted |title=A Canadian Museum Promotes Indigenous Art. But Don’t Call It ‘Indian.’ |url=https://www.nytimes.com/2018/07/13/arts/design/art-gallery-of-ontario-indigenous-art.html |accessdate=21 August 2018 |date=13 July 2018 |language=en}} 4 : 1976 births|Living people|First Nations artists|Canadian curators |
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