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词条 Anni Albers
释义

  1. Early life and education

  2. Career

  3. Legacy

  4. Artwork

  5. Exhibitions

      Select Solo Exhibitions[30]   1940s  1950s  1960s  1970s  1980s  1990s  2000s  2010s 

  6. Select publications

  7. See also

  8. References

  9. Further reading

  10. External links

{{Infobox artist
| name = Anni Albers
| image = Anni Albers.jpg
| alt =
| caption =
| birth_name = Annelise Else Frieda Fleischmann
| birth_date = {{birth date|1899|6|12|}}
| birth_place = Berlin, German Empire
| death_date = {{death date and age |1994|5|9|1899|6|12|}}
| death_place = Orange, Connecticut, U.S.
| nationality = American
| field = Textiles
Graphic design
| training = Bauhaus
| website = {{URL|http://www.albersfoundation.org/}}
}}Anni Albers (born Annelise Else Frieda Fleischmann; June 12, 1899 – May 9, 1994)[1] was a German-born American textile artist and printmaker credited with blurring the lines between traditional craft and art.[2]{{quote |text=Besides surface qualities, such as rough and smooth, dull and shiny, hard and soft, textiles also includes colour, and, as the dominating element, texture, which is the result of the construction of weaves. Like any craft it may end in producing useful objects, or it may rise to the level of art. |author=Anni Albers |source=On Designing[2]}}

Early life and education

Anni Albers was born Annelise Else Frieda Fleischmann on June 12, 1899 in Berlin, Germany.[3] Her mother was from a family in the publishing industry and her father was a furniture maker.[4] Even in her childhood, she was intrigued by art and the visual world. She painted during her youth and studied under impressionist artist Martin Brandenburg, from 1916–19,[5] but was very discouraged from continuing after a meeting with artist Oskar Kokoschka, who upon seeing a portrait of hers asked her sharply "Why do you paint?"[6]{{rp|154}}

Albers eventually decided to attend art school, even though the challenges for art students were often great and the living conditions harsh. Such a lifestyle sharply contrasted the affluent and comfortable living that she had been used to. She attended the Kunstgewerbeschule in Hamburg for only two months in 1919, then in April 1922 began her studies at the Bauhaus at Weimar.[7]

At the Bauhaus she began her first year under Georg Muche and then Johannes Itten.[8] Women were barred from certain disciplines taught at the school[9] and during her second year, unable to get into a glass workshop with future husband Josef Albers, Albers deferred reluctantly to weaving, the only workshop available to women.[5] With her instructor Gunta Stölzl, however, Albers soon learned to appreciate the challenges of tactile construction and began producing geometric designs.[10] In her writing, titled Material as Metaphor, Albers mentions her Bauhaus beginnings: "In my case it was threads that caught me, really against my will. To work with threads seemed sissy to me. I wanted something to be conquered. But circumstances held me to threads and they won me over."[11]

Career

In 1925, Anni and Josef Albers, the latter having rapidly become a "Junior Master" at the Bauhaus, were married.[3] The school moved to Dessau in 1926, and a new focus on production rather than craft at the Bauhaus prompted Albers to develop many functionally unique textiles combining properties of light reflection, sound absorption, durability, and minimized wrinkling and warping tendencies. She had several of her designs published and received contracts for wall hangings.[12]

For a time Albers was a student of Paul Klee, and after Gropius left Dessau in 1928 Josef and Anni Albers moved into the teaching quarters next to both the Klees and the Kandinskys.[13] During this time, the Albers began their lifelong habit of traveling extensively: first through Italy, Spain, and the Canary Islands.[6] In 1930, Albers receives her Bauhaus diploma for innovative work: her use of a new material, cellophane, to design a sound-absorbing and light-reflecting wallcovering.[18]

When Gunta Stölzl left the Bauhaus in 1931, Anni Albers took over her role as Head of the Weaving Workshop, making her one of the few women to hold such a senior role at the school.[14]

The Bauhaus at Dessau was closed in 1932 under pressure from the Nazi party and moved briefly to Berlin, permanently closing a year later in August 1933.[15] Anni and Joseph Albers, who were Jewish, made the move with the Bauhaus to Berlin, but then fled to North Carolina, where they were invited by Philip Johnson to teach at the experimental Black Mountain College, arriving stateside in November 1933.[3] Albers served as an Assistant Professor of Art.  The school was focused on "learning by doing" or "hands on learning." In the early 1940's when Albers moved classrooms and the looms were not yet set up, she had her students go outside and find their own weaving materials. This was a basic exercise on material and structure. Albers regularly experimented with different material in her work and this allowed the students to imagine what it might have been like for the ancient weavers.[16] Anni Albers Both taught at Black Mountain until 1949.[5] During these years Anni Albers's design work, including weavings, were shown throughout the US. Albers got her US citizenship in 1937. In 1940 and 1941, Albers co-curated a traveling exhibition on Jewelry from household with one of the Black Mountain Students, Alex Reed, that opened in the Willard Gallery in New York City.[18]

In 1949, Anni Albers became the first textile designer to have a solo exhibition at the Museum of Modern Art in New York City.[3] Albers's design exhibition at MoMA began in the fall and then toured the US from 1951 until 1953, establishing her as one of the most important designers of the day. During these years, she also made many trips to Mexico and throughout the Americas, and became an avid collector of pre-Columbian artwork.[17]

After leaving Black Mountain in 1949, Anni moved with her husband to Connecticut, and set up a studio in her home.[18] After being commissioned by Gropius to design a variety of bedspreads and other textiles for Harvard, and following the MoMA exhibition, Albers spent the 1950s working on mass-producible fabric patterns, creating the majority of her "pictorial" weavings, and publishing a half-dozen articles and a collection of her writings, On Designing.[3] In 1961, Anni was awarded the Craftmanship Medal by the American Institute of Architects.

In 1963, while at the Tamarind Lithography Workshop in Los Angeles with Josef for a lecture of his, Anni Albers was invited to experiment with print media. She grew immediately fond of the technique, and thereafter gave up most of her time to lithography and screen printing. She was invited back as a fellow to Tamarind in 1964. Here she created the six print portfolio titled, Line Involvements. Albers wrote an article for Britannica in 1963, and then expanded on it for her second book, On Weaving, published in 1965. The book was a powerful voice of the midcentury textile design movement in the United States.[19] Her design work and writings on design helped establish Design History as a serious area of academic study.[20]

In 1976, Anni Albers had two major exhibitions in Germany, and a handful of exhibitions of her design work, over the next two decades, receiving a half-dozen honorary doctorates and lifetime achievement awards during this time as well, including the second American Craft Council Gold Medal for "uncompromising excellence" in 1981.[21] In 2018, the Tate Modern Museum in London paired with the Kunstsammlung Nordrhein-Westfalen, in Dusseldorf (Germany) for a retrospective exhibition and book of Albers's work.[16]

She continued to travel to Latin America and Europe, to design and to make prints, and to lecture until her death on May 9, 1994, in Orange, Connecticut.[3] Josef Albers, who had served as the chair of the design department at Yale, after the artists had moved from Black Mountain to Connecticut, in 1949, had predeceased her in 1976.[22]

Legacy

In 1971, the Albers founded the Josef and Anni Albers Foundation,[23] a not-for-profit organization they hoped would further "the revelation and evocation of vision through art."[23] Today, this organization not only serves as the office Estate of both Josef Albers and Anni Albers, but also supports exhibitions and publications focused on Albers works. The official Foundation building is located in Bethany, Connecticut, and "includes a central research and archival storage center to accommodate the Foundation's art collections, library and archives, and offices, as well as residence studios for visiting artists."[24]

Albers was inducted into the Connecticut Women's Hall of Fame in 1994.[25]

Artwork

Albers was a designer who worked primarily in textiles and, late in life, with printmaking. She worked with multiple techniques, primarily lithography, embossing, silk-screening, and photo-offset.[26] She produced numerous designs in ink washes for her textiles, and occasionally experimented with jewelry design. Her woven works include many wall hangings, curtains and bedspreads, mounted "pictorial" images, and mass-produced yard material. Her weavings are often constructed of both traditional and industrial materials, not hesitating to combine jute, paper, horse hair, and cellophane.[27][28] Albers's early works, such as Drapery material (1923–6) and Design for Smyrna Rug (1925), display some of the characteristics that lasted throughout her career, notably her experimentation with colour, shape, scale and rhythm with abstract, crisscrossing geometric patterns.[29] Her work in printmaking was also experimental as she would "print lines multiple times, first positive then negative, [and print] off-register…She would explore the limits and possibilities of her tools."[26] To Albers, "there is no medium that cannot serve art."[26]

Exhibitions

Select Solo Exhibitions[30]

1940s

  • 1941 Willard Gallery, New York, "Anni Albers and Alex Reed: Exhibition of Necklaces," May 5–25, 1941
  • 1943 North Carolina State Art Gallery, State Library Building, Raleigh, North Carolina, "Painting, Prints, and Textiles by Josef and Anni Albers," October 18–29, 1943
  • 1949 Museum of Modern Art, New York "Anni Albers: Textiles," September 14{{snd}}October 30, 1949 (Exhibition traveled to twenty-six museums in the United States and Canada)

1950s

  • 1953 Wadsworth Atheneum, Hartford, Connecticut "Josef and Anni Albers: Paintings, Tapestries and Woven Textiles," July 8{{snd}}August 2, 1953
  • 1954 Honolulu Academy of Art, Honolulu, Hawaii, "Josef and Anni Albers: Painting and Weaving," July 1{{snd}}August 2, 1954
  • 1959 MIT New Gallery, Cambridge, Massachusetts, "Anni Albers: Pictorial Weavings," May 11{{snd}}June 21, 1959. Exhibition traveled to the Carnegie Institute of Technology, Pittsburgh; Baltimore Museum of Art; Yale University Art Gallery, New Haven, Connecticut, December 10, 1959{{snd}}January 10, 1960; Contemporary Arts Museum, Houston

1960s

  • 1969 Retina Gallery, Cambridge, Massachusetts, "Anni Albers Lithographs and Screenprints 1963–1969," October 24{{snd}}November 15, 1969

1970s

  • 1970 Earl Hall Gallery, Southern Connecticut State College, New Haven, Connecticut, "Anni Albers," November 4–24, 1970
  • 1971 Carlson Library, University of Bridgeport, Bridgeport, Connecticut, "Anni Albers: Lithographs and Screenprints," January 20{{snd}}February 28, 1971
  • 1973 Pollock Gallery, Toronto, Ontario, Canada, "Anni Albers: Drawings, Prints, Pictorial Weavings," September 30{{snd}}October 27, 1973
  • 1975 Kunstmuseum Düsseldorf, Düsseldorf, Germany, "Anni Albers: Bildweberei, Zeichnung, Druckgrafik," July 10{{snd}}August 25, 1975. Exhibition traveled to Bauhaus-Archiv, Berlin, Germany, September 9{{snd}}November 11, 1975
  • 1977 Lantern Gallery, Ann Arbor, Michigan, "Anni Albers," January 12–30, 1977
  • 1977 Brooklyn Museum, Brooklyn, New York, "Anni Albers: Drawings and Prints," October 1{{snd}}November 11, 1977
  • 1977 Zabriskie Gallery, New York , New York, "Anni Albers: Prints," October 14{{snd}}November 12, 1977
  • 1978 Katonah Gallery, Katonah, New York, "Anni Albers: Graphics," December 10, 1978{{snd}}January 14, 1979
  • 1978 Pollock Gallery, Toronto, Ontario, Canada, "Anni Albers: Recent Work," October 21{{snd}}November 3, 1978
  • 1979 Joseloff Gallery, Hartford Art School, Hartford, Connecticut, "Graphic Work by Anni Albers," October 3–26, 1979
  • 1979 Monmouth Museum, Brookdale Community College, Lincroft, New Jersey, "Anni Albers: Prints," April 1979
  • 1979 Paul Klapper Library, Queens College, New York, "Anni Albers: Graphics," March 5–30, 1979

1980s

  • 1980 Alice Simsar Gallery, Ann Arbor, Michigan, "Anni Albers: Prints," March 29{{snd}}April 23, 1980
  • 1980 Morris Museum of Arts and Science, Morristown, New Jersey, "Anni Albers: Evolving Systems," February 17{{snd}}March 3, 1980
  • 1980 University Art Gallery, University of California Riverside, Riverside, California, "Anni Albers: Prints and Drawings," February 25{{snd}}March 28, 1980
  • 1980 Mattatuck Museum, Waterbury, Connecticut, "Anni Albers: Prints," January 3–13, 1980
  • 1982 Silvermine Gallery, New Canaan, Connecticut, "Anni Albers: Prints," January 9{{snd}}February 7, 1982
  • 1983 Carlson Gallery, University of Bridgeport, Bridgeport, Connecticut, "Anni Albers: Printmaker," November 20{{snd}}December 18, 1983
  • 1984 Artists Signature Gallery, New Haven, Connecticut, "Anni Albers: Silkscreen Prints," September 23{{snd}}November 2, 1984
  • 1985 Arts Club, Chicago, Illinois, " Anni Albers: Prints; Ella Bergmann: Drawings; Ilse Bing: Photographs," September–October 1985
  • 1985 Renwick Gallery, Washington D.C., "The Woven and Graphic Art of Anni Albers," June 12, 1985{{snd}}January 5, 1986
  • 1989 Villa Stuck, Munich, Germany, "Anni und Josef Albers: Eine Retrospektive," December 15, 1989{{snd}}February 25, 1990. Exhibition traveled to the Josef Albers Museum, Bottrop, Germany, April 29{{snd}}June 4, 1990

1990s

  • 1990 Museum of Modern Art, New York, "Gunta Stölzl, Anni Albers," February 15{{snd}}July 10, 1990
  • 1998 Kunstmuseum Bern, Bern, Switzerland, "Josef und Anni Albers: Europa und Amerika," November 6, 1998{{snd}}January 31, 1999
  • 1999 Peggy Guggenheim Collection, Venice, Italy, "Anni Albers," March 24{{snd}}May 24, 1999. Exhibition traveled to the Josef Albers Museum, Bottrop, Germany, June 12{{snd}}August 29, 1999; Musée des Arts Décoratifs, Paris, September 20{{snd}}December 31, 1999; The Jewish Museum, New York, February 27{{snd}}June 4, 2000

2000s

  • 2001 Davidson Art Center, Wesleyan University, Middletown, Connecticut, "Anni Albers: Works on Paper from The Josef and Anni Albers Foundation," September 4{{snd}}November 4, 2001
  • 2002 Gus Fisher Gallery, Auckland, New Zealand, "Anni Albers: Works on Paper," May 18{{snd}}July 6, 2002
  • 2004 Cooper-Hewitt, National Design Museum, New York, "Josef and Anni Albers: Designs for Living," October 1, 2004{{snd}}February 27, 2005
  • 2004 Fuji Xerox Co., Tokyo, "Print work by Anni and Josef Albers and their life at Black Mountain College," 2004
  • 2006 Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, "Anni y Josef Albers. Viajes por Latinoamérica," November 14, 2006{{snd}}February 12, 2007. Exhibition traveled to Josef Albers Museum, Bottrop, Germany, March 11{{snd}}June 3, 2007; Museo de Arte de Lima, Peru, June 27{{snd}}September 23, 2007; Antiguo Colegio de San Ildefonso, Mexico City, Mexico, November 6, 2007{{snd}}March 23, 2008; Museu Oscar Niemeyer, Curitiba, Paraná, Brazil, May 29{{snd}}August 24, 2008

2010s

  • 2010 Alan Cristea Gallery, London, "Anni Albers: Prints and Studies," March 18{{snd}}April 17, 2010
  • 2010 Design Museum, London, "Anni Albers: Truth to Materials," March 22{{snd}}May 10, 2010
  • 2010 Ruthin Craft Centre, Ruthin, Wales, "Anni Albers: Design Pioneer," December 4, 2010{{snd}}February 6, 2011
  • 2015  Mudec, Museo delle Culture, Milan, "A Beautiful Confluence: Anni and Josef Albers and the Latin American World," October 28, 2015{{snd}}February 21, 2016
  • 2016 Davis Museum, Wellesley College, Wellesley, Massachusetts, "Anni Albers: Connections," September 28{{snd}}December 18, 2016
  • 2017 Musée des Beaux-Arts, Le Locle, Le Locle, Switzerland, "Anni Albers: L'Oeuvre Gravé," February 19{{snd}}May 28, 2017
  • 2017 Mercy Gallery, Loomis Chaffee School, Windsor, Connecticut, "Harmony," April 25{{snd}}May 30, 2017
  • 2017 Galleria Carla Sozzani, Milan, "Anni Albers: The Prints," June 16{{snd}}September 10, 2017
  • 2017 Yale University Art Gallery, New Haven, Connecticut, "Small-Great Objects: Anni and Josef Albers in the Americas," February 3{{snd}}June 25, 2017
  • 2017 Guggenheim Museum Bilbao, Bilbao, Spain, "Anni Albers: Touching Vision," October 6, 2017{{snd}}January 14, 2018
  • 2018 K20 Kunstsammlung Nordrhein Westfalen, Düsseldorf, "Anni Albers," June 9{{snd}}September 9, 2018. Exhibition traveled to Tate Modern, London, October 11, 2018{{snd}}January 27, 2019
  • 2018 Alan Cristea Gallery, London, "Anni Albers Connections: Prints 1963–1984," October 1{{snd}}November 10, 2018

Select publications

  • On Designing. The Pellango Press, New Haven, CT, 1959. Second edition, Wesleyan University Press, Middletown, CT, 1962. First paperback edition, Wesleyan University Press, 1971 ({{ISBN|0-8195-3024-7}}).
  • On Weaving. Wesleyan University Press, Middletown, CT, 1965.
  • Albers, Anni, and Gene Baro. Anni Albers. Brooklyn, N.Y. : Brooklyn Museum, Division of Publications and Marketing Services, 1977.

See also

  • Fiber art
  • Gunta Stölzl
  • Margaretha Reichardt
  • Otti Berger
  • Friedl Dicker-Brandeis
  • List of German women artists

References

1. ^{{cite book|title=Who Was Who in America, 1993-1996, vol. 11|year=1996|publisher=Marquis Who's Who|location=New Providence, N.J.|isbn=0-8379-0225-8|page=3|chapter=Albers, Anni}}
2. ^{{Cite book|title=Anni Albers: on designing.|last=Albers|first=Anni|date=1971|publisher=Wesleyan University Press|isbn=0819560197|oclc=71843650}}
3. ^1 2 3 4 5 [https://www.britannica.com/biography/Anni-Albers "Anni Albers"], Encyclopedia Britannica, Retrieved online 14 October 2018.
4. ^{{Cite web|url=https://www.tabletmag.com/jewish-arts-and-culture/277011/anni-albers-tate-modern|title=Anni Albers' Fabric of Belief at the Tate|date=2018-12-19|website=Tablet Magazine|language=en|access-date=2019-03-03}}
5. ^1 2 3 {{Cite web|url=https://nmwa.org/explore/artist-profiles/anni-albers|title=Anni Albers|website=National Museum of Women in the Arts|access-date=14 October 2018}}
6. ^1 {{Cite book|title=Anni Albers|last=Weber|first=Nicholas Fox|last2=Tabatabai Asbaghi|first2=Pandora|publisher=Guggenheim Museum Publications|year=1999|isbn=0810969238|location=New York, N.Y.|pages=154|oclc=41713625}}
7. ^{{Cite news|url=|title=Anni Albers, 94, Textile Artist And the Widow of Josef Albers|last=Reif|first=Rita|date=May 10, 1984|work=The New York Times|access-date=|archive-url=|archive-date=|dead-url=}}
8. ^{{Cite web|url=https://awarewomenartists.com/en/artiste/anni-albers/|title=Anni Albers|website=AWARE Women artists / Femmes artistes|access-date=2019-03-03}}
9. ^{{Cite book|title=Practicing modernity : female creativity in the Weimar Republic|date=2006|publisher=Königshausen & Neumann|editor=Schönfeld, Christiane |editor2=Finnan, Carmel|isbn=3826032411|location=Würzburg|oclc=71336738}}
10. ^{{Cite web|url=https://www.moma.org/calendar/exhibitions/1738|title=Gunta Stölzl and Anni Albers|website=The Museum of Modern Art|language=en|access-date=2019-03-03}}
11. ^{{Cite book|title=Anni Albers: selected writings on design|last1=Albers|first1=Anni|date=2000|publisher=University Press of New England|last2=Danilowitz|first2=Brenda|isbn=0819564478|location=Hanover|oclc=44650776}}
12. ^{{Cite book|title=The woven and graphic art of Anni Albers|last=Weber |first=Nicholas Fox|date=1985|publisher=Smithsonian Institution Press|last2=Jacob|first2=Mary Jane|last3=Field|first3=Richard S.|isbn=0874749786|location=Washington, D.C.|oclc=11650684}}
13. ^{{Cite web|url=https://www.tate.org.uk/context-comment/articles/he-lived-on-another-sphere-and-made-most-people-feel-too-normal-less-poetic|title='He lived on another sphere, and made most people feel too normal, less poetic than he was'|website=www.tate.org.uk|language=en|access-date=2019-03-03|author=Weber, Nicholas Fox |date=28 October 2013}}
14. ^[https://www.bauhaus100.de/en/past/people/masters/anni-albers/ Bauhaus100. Anni Albers] (Accessed: 5 February 2017)
15. ^{{Cite web|url=https://www.bauhaus.de/en/das_bauhaus/81_nach_1933/|title=After 1933 - Bauhaus-Archiv {{!}} Museum für Gestaltung, Berlin|website=www.bauhaus.de|language=en|access-date=2019-03-03}}
16. ^1 {{Cite book|title=Anni Albers|editor1=Coxon, Ann|editor2=Fer, Briony |editor3=Müller-Schareck, Maria|publisher=Yale University Press|isbn=9780300237252|location=New Haven, Connecticut|oclc=1026344189|date=2018}}
17. ^{{Cite book|oclc=253845585|title=Pre-Columbian Mexican miniatures the Josef and Anni Albers collection|last=Albers|first=Anni|last2=Bernal|first2=Ignacio|last3=Coe|first3=Michael Douglas|last4=Hill|first4=John T|date=1970|publisher=Praeger|location=New York; Washington|language=English}}
18. ^{{Cite web|url=http://www.guggenheim-venice.it/inglese/collections/artisti/biografia.php?id_art=6|title=Guggenheim|website=www.guggenheim-venice.it|access-date=2019-03-03}}
19. ^{{cite book|last1=Smith|first1=T'ai|title=Bauhaus Weaving Theory: From Feminine Craft to Mode of Design|date=2014|publisher=University of Minnesota Press|location=Minneapolis|isbn=978-0-8166-8723-7|page=xiii}}
20. ^{{cite web |last1=Fer |first1=Briony |title=Anni Albers: Weaving Magic |url=https://www.tate.org.uk/tate-etc/issue-44-autumn-2018/anni-albers-weaving-magic-briony-fer |website=Tate |date=10 October 2018 |accessdate=2 March 2019}}
21. ^{{Cite web|url=https://craftcouncil.org/about-acc/acc-awards/american-craft-council-gold-medalists|title=ACC Gold Medalists {{!}} American Craft Council|website=American Craft Council|language=en|access-date=2018-02-22}}
22. ^{{Cite journal|url=http://www.oxfordartonline.com/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00002081|title=Albers, Josef |website=Benezit Dictionary of Artists|language=en|doi=10.1093/benz/9780199773787.article.b00002081|access-date=2018-02-22|publisher=Oxford University Press}}
23. ^1 2 3 The Josef and Anni Albers Foundation website
24. ^The Josef and Anni Albers Foundation: Mission Statement {{webarchive|url=https://web.archive.org/web/20080715232841/http://www.albersfoundation.org/Foundation.php?inc=Mission|date=July 15, 2008}}
25. ^{{cite web|last=Connecticut Women's Hall of Fame|title=Anni Albers Inductee Profile|url=http://www.cwhf.org/inductees/arts-humanities/anni-albers|accessdate=January 25, 2018}}
26. ^1 2 {{Cite book|title=Anni Albers|last=Baro|first=Gene|date=1977|publisher=Brooklyn Museum|isbn=087273062X|location=Brooklyn, N.Y.|oclc=3630534}}
27. ^{{Cite news|url=https://www.guggenheim-bilbao.eus/en/guia-educadores/with-verticals-1946/|title=With Verticals, 1946 - Museo Guggenheim Bilbao|work=Museo Guggenheim Bilbao|access-date=2018-10-12|language=en-US}}
28. ^{{Cite web|url=https://www.theguardian.com/lifeandstyle/2018/oct/06/paul-smith-on-his-muse-anni-albers-the-rest-of-us-are-still-struggling-to-catch-up|title=Paul Smith on his muse Anni Albers: 'The rest of us are still struggling to catch up'|first=Andrew|last=Dickson|date=2018-10-06|website=The Guardian|language=en|access-date=2018-10-12}}
29. ^{{Cite web|url=https://ocula.com/artists/anni-albers/|title=Anni Albers {{!}} Artworks, Exhibitions, Profile & Content|date=2019-03-05|website=ocula.com|language=en|access-date=2019-03-05}}
30. ^{{Cite web|url=https://albersfoundation.org/sources/exhibition-history/anni-albers-solo/|title=Anni Albers Solo|last=|first=|date=|website=The Josef & Anni Albers Foundation|archive-url=|archive-date=|dead-url=|access-date=March 3, 2019}}

Further reading

  • Anni Albers: Prints and Drawings. University Art Gallery, University of California, 1980.
  • {{cite web |title=Weaving Outside the Lines |website=Cooper Hewitt National Design Museum |author=Colburn, Mae |date=March 16, 2014 |url=https://www.cooperhewitt.org/2014/03/16/weaving-outside-the-lines/}}
  • {{cite book |author=Troy, Virginia Gardner |date=2002 |title=Anni Albers and Ancient American Textiles: From Bauhaus to Black Mountain |publisher=Ashgate |isbn= 0754605019 |oclc= 49640549}}
  • {{cite book|last1=Weber|first1=Nicholas Fox|title=Josef + Anni Albers: designs for living|date=2004|publisher=Merrell|location=London|isbn=1858942640|edition=1st publ.}}

External links

  • {{MoMA artist|96}}
  • The Josef & Anni Albers Foundation, extensive official site
  • Alan Cristea Gallery
  • Oral history interview with Anni Albers, 1968 July 5 from the Smithsonian Archives of American Art
  • Anni Albers papers, 1924-1969 from the Archives of American Art
  • [https://nga.gov.au/internationalprints/tyler/artists/default.cfm?mnuid=2&artistirn=12177&list=true&creirn=12177&order_select=13&view_select=5&grpnam=26&tnotes=true&archive= Anni Albers] in the National Gallery of Australia's Kenneth Tyler Collection
  • [https://collection.cooperhewitt.org/people/18046221/ Anni Albers] at the Cooper Hewitt, Smithsonian Design Museum
  • [https://www.nga.gov/collection/artist-info.3476.html Anni Albers] at the National Gallery of Art
{{Weaving}}{{Connecticut Women's Hall of Fame}}{{American Craft Council}}{{Authority control}}{{DEFAULTSORT:Albers, Anni}}

20 : 1899 births|1994 deaths|People with acquired American citizenship|Bauhaus alumni|Bauhaus teachers|Art educators|Textile artists|Weavers|20th-century American women artists|20th-century German artists|20th-century American printmakers|American women printmakers|American textile designers|Artists from Berlin|Jewish American artists|German emigrants to the United States|German Jews|American people of German-Jewish descent|Women textile artists|German textile artists
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